Suchergebnisse

To what extent was the evolution of secularism in South and Southeast Asia between the end of the First World War and decolonisation after 1945 a result of transimperial and transnational patterns? To capture the diversity of twentieth-century secularisms, Clemens Six explores similarities resulting from translocal networks of ideas and practices since 1918. Six approaches these networks via a framework of global intellectual history, the history of transnational social networks, and the global history of non-state institutions. Empirically, he illustrates his argument with three case studies: the reception of Atatürk's reforms across Asia and the Middle East; translocal women's circles in the interwar period; and private US foundations after 1945

Traces of a transnational mindset : thinking secularism for the post-colonial era -- Contesting urban space : places of worship, the secular state, and social disintegration in post-partition Delhi -- Prosecuting the non-secular : the conflict with the RSS in Delhi after partition -- Re-defining secularism in the Cold War : Christian missionaries in Malaya's new villages, 1948-1960 -- (Anti)secularism and social struggle : Christian and Islamic groups during the anti-communist mass murder in Indonesia, 1965-66 -- Religion and secular education in Java, Singapore, and India.

In Erotic Integrity, Dr. Claudia Six leads readers through ten sexual themes--including garden-variety performance anxiety, sexual boredom, newly dating, coming out, and more--and reveals three steps to a rewarding sex life: knowing who you truly are as a sexual being, embracing that knowledge, and living it authentically -- Back cover

Auch mehr als 150 Jahre nach seiner Gründung durch König Maximilian II. ist das Bayerische Nationalmuseum eine geschätzte Institution. Dass jedoch die Inventarisation von Denkmälern des Hauses Wittelsbach im Jahre 1853 eine der Grundlagen des Museums bildet, ist weitgehend unbekannt. Sie war als Materialsammlung für Karl Maria von Aretins Prachtpublikation der "Alterthümer und Kunst-Denkmale des bayerischen Herrscher-Hauses" durchgeführt worden. Barbara Six verknüpft in ihrer Arbeit Inventarisation, Publikation und Museum und untersucht dabei die (kunst- )historischen und politischen Hintergründe dieses bisher wenig beleuchteten Prozesses