Suchergebnisse

David Silverman's new edition of Qualitative Research addresses how to engage in qualitative research with increased sensibility. The book is divided into seven sections with 23 chapters written by premier researchers. The chapters are written for students rather than the writers' peers, and while every chapter makes extensive use of the authors' fieldwork and data, John Heritage's chapter on conversational analysis (CA) stands out because he demonstrates to the reader how he made sense of a recurring piece of talk he calls an "oh-prefaced response." The papers are clearly written with helpful summaries and suggested further readings and online resources. Less helpful are the questions posed at the end of each chapter.

In this article, presented as the Second Annual Thesis Eleven Centre Lecture in 2003, Bernard Smith discusses the practice of writing art history in, and about, Australia and Europe. Smith defends periodization, and argues for the necessity of henceforth viewing what is typically called modernism as what he calls the formalesque. Further discussion includes problems of classification, the role of theory, and the place of Aboriginal art in white art history. The article thus surveys the condition of art history in Australia, its emergence and consolidation as a discipline, and its present situation as part of contemporary world culture.

Evidence evinced primarily from the visual arts suggests that the term `postmodernism' is unlikely to survive as a general description of contemporary culture beyond the year 2000. The concepts of both post-industrialism and postmodernism are examined as presented by six major writers. None makes a convincing case for the establishment of an historical disjunction that separates modernism from postmodernism either during the 1960s or at any other time. There is a need to recognize that the modernism of the late 19th and early 20th century is no longer modern. It would be better described as the formalesque. This will make it possible to recognize the `postmodern' as the true modernism of the 20th century, the prime sources of which lie in Dada, surrealism and the Neue Sachlichkeit.