Escalation in Irregular War: Using Strategic Theory to Examine from First Principles
In: The journal of strategic studies, Volume 35, Issue 5, p. 613-637
ISSN: 1743-937X
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In: The journal of strategic studies, Volume 35, Issue 5, p. 613-637
ISSN: 1743-937X
In: The journal of strategic studies, Volume 35, Issue 5, p. 613-638
ISSN: 0140-2390
In: Journal of contemporary history, Volume 44, Issue 2, p. 319-334
ISSN: 1461-7250
In: Review of international studies: RIS, Volume 29, Issue 1, p. 19-37
ISSN: 0260-2105
World Affairs Online
In: Review of international studies: RIS, Volume 29, Issue 1
ISSN: 1469-9044
In: Studies in conflict & terrorism, Volume 22, Issue 4, p. 363-366
ISSN: 1057-610X
In: International affairs, Volume 75, Issue 1, p. 77-97
ISSN: 1468-2346
In: International affairs, Volume 75, Issue 1, p. 77-97
ISSN: 0020-5850
World Affairs Online
In: Studies in conflict & terrorism, Volume 21, Issue 4, p. 363-368
ISSN: 1057-610X
In: Jane's Intelligence review: the magazine of IHS Jane's Military and Security Assessments Intelligence centre, Volume 10, Issue 7, p. 4-6
ISSN: 1350-6226
Academic and accepted orthodoxy maintains that Southeast Asia, and Asia generally, is evolving into a distinctive East Asian regional order. This book questions this claim and reveals instead uncertainty and incoherence at the heart of ASEAN, the region's foremost institution
In: Smith , M L R & Jones , D 2021 , ' Blowin' in the Wind : The Musical Response to the War on Terror ' , STUDIES IN CONFLICT AND TERRORISM , pp. 1-24 . https://doi.org/10.1080/1057610X.2021.1930862
Popular music was the most immediate way in which the cultural response to 9/11 manifested itself. Initially music offered a way of mourning and coping with grief. As the United States moved toward the invasion of Iraq, pop music also began to reflect the divisions in society between patriot-artists who supported the invasion, most notably in country music, and protest-artists who articulated critical attitudes to war. These anti-war songs did not attain the stature of those that characterized the era of protest during the Vietnam War, nor did they offer a musical accompaniment to a social movement with any enduring political significance. One little observed dissonance that a longitudinal survey of the musical response to political violence reveals, however, is that over time the attitudes of protest songwriters and the patriots transvalued. Ironically, interventionist "rednecks" became disillusioned with the endless wars of intervention, whilst the "protest" writers lost their voices after President Obama came to power. Ironically, icons of popular music instead turned their ire on those who voted for an anti-establishment President Trump who vowed not to involve the U.S. in further military adventures.
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In: Studies in conflict & terrorism
ISSN: 1057-610X
In: Orbis: FPRI's journal of world affairs, Volume 58, Issue 1, p. 83-103
ISSN: 0030-4387
In: Parameters: the US Army War College quarterly, Volume 42, Issue 2
ISSN: 2158-2106