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The Persistence of History examines how the moving image has completely altered traditional modes of historical thought and representation. Exploring a range of film and video texts, from The Ten Commandments to the Rodney King video, from the projected work of documentarian Errol Morris to Oliver Stone's JFK and Spielberg's Schindler's List, the volume questions the appropriate forms of media for making the incoherence and fragmentation of contemporary history intelligible

This article is a phenomenological exploration and description of certain selected aspects of living the specificities and conundrums posed by what is usually, if problematically, called a 'phantom limb'. Using my own body as an 'intimate laboratory', I attend to the dynamics and mutability of the supposed 'phantom', both during the post-operative period of the above-the-knee amputation of my left leg as well as after I began to use and incorporate my prosthetic leg. Throughout, I explore the reversible aspects of my two legs as 'phantom' and 'real', present and absent, and visible and invisible — paying attention, as well, to the lived and linguistic sense we make of our bodies in 'parts' and our bodies as 'whole'.

Frontmatter -- CONTENTS -- Flame Wars -- New Age Mutant Ninja Hackers: Reading Mondo 2000 -- Techgnosis, Magic, Memory, and the Angels of Information -- Agrippa, or, The Apocalyptic Book -- Gibson's Typewriter -- Virtual Surreality: Our New Romance with Plot Devices -- Chapter 14, Synners -- Feminism for the Incurably Informed -- Sex, Memories, and Angry Women -- Black to the Future: Interviews with Samuel R. Delany, Greg Tate, and Tricia Rose -- Compu-Sex: Erotica for Cybernauts -- A Rape in Cyberspace; or, How an Evil Clown, a Haitian Trickster Spirit, Two Wizards, and a Cast of Dozens Turned a Database into a Society -- Virtual Environments and the Emergence of Synthetic Reason -- Survival Research Laboratories Performs in Austria -- Taming the Computer -- Glossary -- Index -- Notes on Contributors

This book introduces an archaeological approach to the study of media - one that sifts through the evidence to learn how media were written about, used, designed, preserved, and sometimes discarded. Edited by Erkki Huhtamo and Jussi Parikka, with contributions from internationally prominent scholars from Europe, North America, and Japan, the essays help us understand how the media that predate today's interactive, digital forms were in their time contested, adopted and embedded in the everyday. Providing a broad overview of the many historical and theoretical facets of Media Archaeology as an emerging field, the book encourages discussion by presenting a full range of different voices. By revisiting 'old' or even 'dead' media, it provides a richer horizon for understanding 'new' media in their complex and often contradictory roles in contemporary society and culture

Frontmatter -- CONTENTS -- Introduction -- PART I Intellectual Histories of the Information Age -- Imperial Attractions: Benjamin Franklin's New Experiments of 1751 -- From Heat Engines to Digital Printouts: Machine Models of the Body from the Victorian Era to the Human Genome Project -- The Erasure and Construction of History for the Information Age: Positivism and Its Critics -- PART II Visual Culture, Subjectivity, and the Education of the Senses -- More than the Movies: A History of Somatic Visual Culture through Hale's Tours, imax, and Motion Simulation Rides -- Stereographs and the Construction of a Visual Culture in the United States -- The Convergence of the Pentagon and Hollywood: The Next Generation of Military Training Simulations -- PART III Materiality, Time, and the Reproduction of Sound and Motion -- Helmholtz, Edison, and Sound History -- Media, Materiality, and the Measure of the Digital; or, The Case of Sheet Music and the Problem of Piano Rolls -- Still/Moving: Digital Imaging and Medical Hermeneutics -- PART IV Digital Aesthetics, Social Texts, and Art Objects -- Bodies of Texts, Bodies of Subjects: Metaphoric Networks in New Media -- Electronic Literature: Discourses, Communities, Traditions -- Nostalgia for a Digital Object: Regrets on the Quickening of QuickTime -- Selected Bibliography -- Contributors -- Index