Suchergebnisse

Since 2016 and with the support of the Provincial Museum of Fine Arts and the Faculty of Humanities, Arts and Social Sciences (UADER) we have been studying the foundational years of this Museum, the decisive role of Pedro Ernesto Martínez in its organization and the institutionalization of his first artistic collection between 1925 and 1936. With this presentation we offer a new advance in the investigation, trying to contribute knowledge and readings on the 1st Annual Exhibition of Fine Arts of Paraná, held in 1930 in the provisional facilities that the Museum had in the Centennial School; event that summoned in the city to the wide and diverse scene of the plastic arts of the country, in a particularly significant year. In the first part, we recover some issues already analyzed previously about the foundation of the Museum, the prominence of certain actors in its realization and the first steps related to its artistic heritage; then, we analyze the journalistic coverage of the event and, finally, we make a brief analysis of the works acquired in the Exhibition by the Government of the Province of Entre Ríos through the Museum, thus constituting one of the modalities of entry to the founding collection. This article gives preeminent place to documentary quotes for the purpose of socializing and putting into consideration, in a systematic and explanatory way, unpublished or scarcely known testimonies about the artistic heritage of Entre Ríos. ; Desde el año 2016 y con el apoyo del Museo Provincial de Bellas Artes y de la Facultad de Humanidades, Artes y Ciencias Sociales (Universidad Autónoma de Entre Ríos), venimos estudiando los años fundacionales de dicho Museo, el papel decisivo de Pedro Ernesto Martínez en su organización y la institucionalización de su primer acervo artístico entre 1925 y 1936. Con esta presentación, damos cuenta de un nuevo avance en la investigación, procurando aportar conocimientos y lecturas sobre el 1° Salón Anual de Bellas Artes de Paraná, realizado en 1930 en las instalaciones provisorias con las que contaba el Museo en la Escuela Centenario; evento que convocó en la ciudad a la amplia y diversa escena de las artes plásticas del país, en un año particularmente significativo. En una primera parte, recuperamos algunas cuestiones ya analizadas con anterioridad sobre la fundación del Museo, el protagonismo de ciertos actores en su realización y las primeras gestiones vinculadas con su acervo artístico; a continuación, analizamos la cobertura periodística del encuentro y, finalmente, efectuamos un somero análisis de las obras adquiridas en el Salón por el Gobierno de la Provincia de Entre Ríos, a través del Museo, constituyendo así una de las modalidades de ingreso a la colección fundacional. El artículo otorga un lugar preeminente a las citas documentales a los fines de socializar y poner en consideración, de forma sistemática y explicativa, testimonios –inéditos o escasamente conocidos– relacionados con el patrimonio artístico de Entre Ríos.

Since 2016 and with the support of the Provincial Museum of Fine Arts and the Faculty of Humanities, Arts and Social Sciences (UADER) we have been studying the foundational years of this Museum, the decisive role of Pedro Ernesto Martínez in its organization and the institutionalization of his first artistic collection between 1925 and 1936. With this presentation we offer a new advance in the investigation, trying to contribute knowledge and readings on the 1st Annual Exhibition of Fine Arts of Paraná, held in 1930 in the provisional facilities that the Museum had in the Centennial School; event that summoned in the city to the wide and diverse scene of the plastic arts of the country, in a particularly significant year. In the first part, we recover some issues already analyzed previously about the foundation of the Museum, the prominence of certain actors in its realization and the first steps related to its artistic heritage; then, we analyze the journalistic coverage of the event and, finally, we make a brief analysis of the works acquired in the Exhibition by the Government of the Province of Entre Ríos through the Museum, thus constituting one of the modalities of entry to the founding collection. This article gives preeminent place to documentary quotes for the purpose of socializing and putting into consideration, in a systematic and explanatory way, unpublished or scarcely known testimonies about the artistic heritage of Entre Ríos. ; Desde el año 2016 y con el apoyo del Museo Provincial de Bellas Artes y de la Facultad de Humanidades, Artes y Ciencias Sociales (Universidad Autónoma de Entre Ríos), venimos estudiando los años fundacionales de dicho Museo, el papel decisivo de Pedro Ernesto Martínez en su organización y la institucionalización de su primer acervo artístico entre 1925 y 1936. Con esta presentación, damos cuenta de un nuevo avance en la investigación, procurando aportar conocimientos y lecturas sobre el 1° Salón Anual de Bellas Artes de Paraná, realizado en 1930 en las instalaciones ...