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Abstract
This article explores the question of "excavating the future" and utopia's potential to expand the modalities within which history has been written and thought. Here, utopia is positioned both as a lens through which to understand the growth of modern historical thinking and as a method for historical analysis. The first part of the article investigates the emergence of the temporal utopia in the modern period and its entanglement with history. The second part of the article begins to trace the contours of utopia as a framework for interrogating history. This framework draws from a branch of utopianism, adapted from the work of Ruth Levitas and Fredric Jameson, via reference to Michel Foucault's writing on genealogical methods. The article ends by highlighting some examples of historical studies in which the future emerges as an analytical category, to signal a way forward for utopia as a method of historical analysis.

Museums, libraries and archives have long been considered the retainers of some form of collective memory. Within the last twenty years, the term 'memory institution' has been coined to describe these entities, which is symptomatic of the fact that such places are increasingly linked through digital media and online networks. The concept of the memory institution is also part of the vocabulary used to promote broader cultural integration across nations, and appears in discussions of European heritage and in policy documents concerning the digitization of cultural heritage collections. To explore the relationship between cultural heritage, memory and digital technology further, this paper will examine the large-scale digitization project Europeana, under which museums, libraries and archives are re-defined as cultural heritage institutions or memory institutions. My purpose is to trace the conceptual trajectory of memory within this context, and to address how the idea of a European cultural memory structured by technology holds implications for institutions traditionally associated with practices of remembering.Key words: Cultural heritage, collective memory, digitization, network, memory institution, Europe, integration

This article reassesses the debate around the meaning of 'libertarian communism' within the Spanish anarcho-syndicalist movement in the years prior to and during the Civil War. Drawing on recent historical and theoretical literature that argues for a non-pejorative and analytical understanding of utopia, it brings renewed attention to this aspect of Spanish anarcho-syndicalism. The article focuses on the proposals for a definition of libertarian communism that were debated in the run up to and during the National Confederation of Labour's (CNT) Zaragoza Congress in May 1936. It argues that a utopian imagination was central to the movement's self-understanding and concrete achievements, and not confined to its more idealist currents.

Critical Heritage Studies is a new and fast-growing interdisciplinary field of study seeking to explore power relations involved in the production and meaning-making of cultural heritage. Politics of Scale offers a global, multi- and interdisciplinary point of view to the scaled nature of heritage, and provides a theoretical discussion on scale as a social construct and a method in Critical Heritage Studies. The international contributors provide examples and debates from a range of diverse countries, discuss how heritage and scale interact in current processes of heritage meaning-making, and explore heritage-scale relationship as a domain of politics