Sociology in a New Key: Essays in Social Theory and Aesthetics
In: Springer eBook Collection
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In: Springer eBook Collection
In: Österreichische Zeitschrift für Soziologie
In: Sonderband 6
In: The American sociologist
ISSN: 1936-4784
AbstractNine distinguished scholars contributed to the review symposium on Sociology in a New Key, offering critiques, approval, and suggestions for further refinements: James J. Chriss, Alberto Luis Cordeiro de Farias, Jayme Gomes, Victor Lidz, Isaac Arial Reed, Jeremy Tanner, Frédéric Vandenberghe, Raf Vanderstraeten, and Daniel Wehinger. My rejoinder focuses on five issues: (1) Aesthetic experiences and metaphors for sociology; (2) Meaning, the senses, and the body; (3) The aesthetic and culture-theoretical common denominator of Adorno, Parsons, and Simmel; (4) Aesthetics and individuality; and (5) Comparisons and prospects for a sociology in a new key.
C. Wright Mills was one of the most important critics of Talcott Parsons who succeeded in establishing the image of Parsons as a conservative "grand theorist" out of touch with the real world and its real problems, as passed on in sociological textbooks. In this essay, it is argued that Mills "translation of Parsons into English" is a one-sided interpretation based on his own theoretical premises, which he called the sociological imagination. The way Mills conceptualized sociological imagination leans towards an ideological world-view with political ambitions but lacks the necessary theoretical differentiation for an adequate evaluation of Parsons general theory of action and the conceptualization of the social system in particular. Given Mills premises, it appeared to him as if Parsons could not deal with social conflict, social change, domination and power relationships, which laid the foundations of a narrative quite distinct from the "real" Parsons. The conceptual deficiencies of Mills sociological imagination lead into theoretical antinomies and the practical inability to resolve political issues outside of forceful intervention as suggested in the theoretical tradition of Thomas Hobbes. Independent of a political positioning, Parsons sophistications in his understanding of power as one of several generalized symbolic media of interaction beyond the Hobbesian utilitarian model are necessary to come to terms with the increased complexity of modern society, both in theoretical and in political terms. ; Version of record
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In: Soziopolis: Gesellschaft beobachten
: Simmel-Handbuch: Begriffe, Hauptwerke, Aktualität. Berlin: Suhrkamp 2018. 978-3-518-29851-0
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ISSN: 0891-4486