Suchergebnisse

Regimes of Invisibility in Contemporary Art, Theory and Culture -- Contents -- List of Tables and Figures -- 1 Introduction: Image, Racialization, History -- Part I Theoretical-Political Interventions -- 2 Racialized Bodies and the Digital (Financial) Mode of Production -- Introduction -- Part 1: From the Cinematic Image to… -- The Movement-Image-Indirect-Time Interval-Exteriority of Space-Organic Form -- The Time-Image-Direct-Time Interval-Anteriority of Space-Serial Form -- Time Through Space -- The Movement-Image-Indirect-Time Interval-Exteriority of Space-Organic Form -- The Time-Image-Direct-Time Interval-Anteriority of Space-Serial Form -- The Movement-Image-Indirect-Time Interval-Exteriority of Space-Organic Form-Nation -- The Time-Image-Direct-Time Interval-Anteriority of Space-Serial Form-Postwar Middle Class, A New Form Of Intellectual, The Bourgeoisie -- Shifts in the Space-Time Paradigm -- Part 2: In Cyberspace with the Virtual-Image -- Space Through Time -- The Virtual-Image-Real-Time Interval-Non-Space-Synthetic (Artificial, Simulated) Form -- The Virtual-Image-Real-Time Interval-Non-Space-Synthetic (Artificial, Simulated) Form-The Multitude, Swarms -- Part 3: In The Midst of The Trophy Image, or Europe's Forgotten History: From "Human Zoos" to "Human Trophies" Displayed in Colonial Museums -- Racialized Space and Time -- The Trophy-Image-Without Time-Erased Space-Racialized Form -- The Trophy-Image-Without Time-Erased Space-Racialized Form-The Wretched (The Superfluous and The Disposable) -- Notes -- 3 Politics and Aesthetics of Databases and Forensics -- Expanding the Visions of Governmentality Beyond the West and Back -- Database as Major Global Neoliberal Governmental Technology -- Practices and Forms of Knowledge Production and Visibility -- "The ICTY's Archive/database" -- Public Exhibition as a "Forum