Suchergebnisse

The Eastern Hemlock, massive and majestic, has played a unique role in structuring northeastern forest environments, from Nova Scotia to Wisconsin and through the Appalachian Mountains to North Carolina, Tennessee, and Alabama. A "foundation species" influencing all the species in the ecosystem surrounding it, this iconic North American tree has long inspired poets and artists as well as naturalists and scientists. Five thousand years ago, the hemlock collapsed as a result of abrupt global climate change. Now this iconic tree faces extinction once again because of an invasive insect, the hemlock woolly adelgid. Drawing from a century of studies at Harvard University's Harvard Forest, one of the most well-regarded long-term ecological research programs in North America, the authors explore what hemlock's modern decline can tell us about the challenges facing nature and society in an era of habitat changes and fragmentation, as well as global change

Posthumno objavljen roman Ernesta Hemingwaya Rajski vrt je tekst prepun sukobljenih čežnja, posebice onih između heteroseksualiteta, homoseksualiteta i hermafroditizma. To je također roman koji iskazuje Hemingwayeve osjećaje nesigurnosti kada je riječ o muškosti i hermafroditizmu. U svome protagonistu, piscu Davidu Bourneu, Hemingway predstavlja ne samo osobne čežnje i strahove o seksualnosti nego i način na koji "pisanje" može omogućiti rješenje ovih nesigurnosti. ; Ernest Hemingway's posthumous novel The Garden of Eden is a text rife with competing desires, especially those between heterosexuality, homosexuality, and androgyny. It is a novel that also rehearses its author Ernest Hemingway's ambiguous feelings concerning masculinity and androgyny. Through his writer-protagonist David Bourne, Hemingway dramatizes not only his personal desires and fears about sexuality, but also how "writing" can provide a solution for such insecurities.

U usporedbi s drugim pričama u knjizi Dablinci, priči "Pansion" pridavalo se relativno malo pozornosti. Jedan od razloga jest njezina očita jednostavnost u odnosu na druge priče u ovoj knjizi. To je, naizgled, stara priča, poput narodne, o tome kako spletkarske majka i kći prevare naivnoga muškarca. Namjera je ovoga rada demonstrirati uistinu profinjenu strategiju pripovijedanja, kako se "varanje" Boba Dorana najbolje razumijeva u usporedbi sa serijom drugih duplikata, dvojnika, priča koje ju dopunjuju te kroz takvo štivo ponuditi objašnjenje seksualne/tekstualne politike u priči "Pansion". S tim ciljem autor je krenuo od širokih razmatranja ove priče i konteksta djela kao cjeline, progresivno do posebnih koncepata pripovijedanja i jezika, završavajući s gramatičkim ispitivanjem jedne riječi. ; Compared with many of the stories in Dubliners, "The Boarding House" has received relatively little attention. This is due perhaps to its apparent "simplicity" when compared with the other stories in the volume. It is, on the surface, an old story, the folktale-like tricking of the naive male by a scheming mother and daughter. It is the purpose of this paper to demonstrate just how sophisticated the narrative strategy really is, how the "duping" of Bob Doran is best read against/within a series of other duplications, or doublings, or counterparts, and through such a reading to offer an explication of the sexual/textual politics of "The Boarding House." In order to do this I move from a broad consideration of the story in the context of the volume as a whole to a progressively more particular concern with narrative and language, ending with the grammatical interrogation of one word.

Discusses reasons for the departure from the Maoist journalistic practices; comparison with the Review's reporting of student demonstrations in the winter of 1986-87.