Suchergebnisse

The article refers to the fact that the genres of journalistic texts, the functional purpose of which has historically been to inform the audience, today form the basis of multimedia formats in which information occurs with elements of entertainment. When analyzing the formats of new media, we came to the conclusion that the core of the format is made up of elements of a particular genre, that only the "packaging" is changing in order to promote the format and taking into account the new information needs of society. The next important conclusion of the study is that visualization is the main means of creating a format in view of the spectacular nature of modern culture.

A judicial review of the infringement decisions of the competition authority substantially affects the standard of evidence in competition enforcement as well as the structure of cases that the competition authority takes. Enforcement against concerted practice in Russia represents a case-study of interaction between commercial courts of first instance, the Highest Court, the competition authority as enforcer, market participants and the legislator to influence the standards of liability under investigation of concerted practice. We examine the judicial review of infringement decisions on concerted practice and track the evolution of legal definition and sufficiency of evidence in such cases. We show, first, that in Russian enforcement, the ability of the Highest Court to influence the criteria of first instance courts is limited (in contrast to the ability of the first instance court to influence the strategy of enforcement by the competition authority). Second, the increase in the burden of proof motivates the competition authority to refrain from an investigation of concerted practice, in accordance with the prediction of the model of the selection of enforcement target by reputation-maximizing authority.

The paper presents various approaches to defining the essence of a sign in cognitive science and philosophy of language. It offers presentations of critical review of research publications on sign processes. Based on extensive theoretical work in a cognitive approach to communication process, the hypothesis that each speaker of a language acts exclusively within the framework of their cognitive area is supported in the article. Given the results, meaning as a fact of consciousness is closed in it and during the "translation" of meanings they are not transmitted: signs cannot be considered to be carriers of meanings in the sense that meanings making up a part of their material body are contained in them. The material components of signs stimulate the appearance of identical or similar meanings, actuating analogous conceptual spheres in communicating minds.

Was zeichnet eine (Kunst-)Ausstellung aus? Und was kann es heißen, wenn wir diese nicht nur als eine ›institutionelle Ansammlung von Dingen‹ begreifen, sondern die Ausstellung ›ökologisch‹ verstehen - d.h. ihre ganz spezifischen Milieus, Praktiken und situativen Konfigurationen in den Fokus rücken? Svetlana Chernyshova nimmt eine ontologische Verschiebung vor, indem sie die Ausstellung als eine Existenzweise - [EXP]osition - herausstellt und diese als ein Resultat von vielfältigen ›Metastabilisierungen‹ begreift. Auf der Grundlage von acht Parametern entsteht so ein Modell, welches das komplex-synthetische Phänomen Ausstellung systematisch in seinen Ebenen verhandelbar macht. Dabei rücken neben deren ästhetischen und epistemologischen Bedingungen auch die politischen Implikationen ins Blickfeld und zeigen: Ausstellungen lassen sich diffraktiv denken.

Was zeichnet eine (Kunst-)Ausstellung aus? Und was kann es heißen, wenn wir diese nicht nur als eine 'institutionelle Ansammlung von Dingen' begreifen, sondern die Ausstellung 'ökologisch' verstehen - d.h. ihre ganz spezifischen Milieus, Praktiken und situativen Konfigurationen in den Fokus rücken? Svetlana Chernyshova nimmt eine ontologische Verschiebung vor, indem sie die Ausstellung als eine Existenzweise - [EXP]osition - herausstellt und diese als ein Resultat von vielfältigen 'Metastabilisierungen' begreift. Auf der Grundlage von acht Parametern entsteht so ein Modell, welches das komplex-synthetische Phänomen Ausstellung systematisch in seinen Ebenen verhandelbar macht. Dabei rücken neben deren ästhetischen und epistemologischen Bedingungen auch die politischen Implikationen ins Blickfeld und zeigen: Ausstellungen lassen sich diffraktiv denken.

The Routledge Handbook of Contemporary Central Asia offers the first comprehensive, cross-disciplinary overview of key issues in Central Asian Studies. The 30 chapters by leading and emerging scholars summarise major findings in the field and highlight long-term trends, recent observations, and future developments in the region. The handbook features case studies of all five Central Asian republics and is organised thematically in seven sections: History, Politics, Geography, International Relations, Political Economy, Society and Culture, Religion. An essential cross-disciplinary reference work, the handbook offers an accessible and easy to understand guide to the core issues permeating the region to enable readers to grasp the fundamental challenges, transformations and themes in contemporary Central Asia. It will be of interest to researchers, academics and students of the region and those working in the field of Area Studies, History, Anthropology, Politics and International Relations.

Frontmatter -- Acknowledgments -- Contents -- Introduction: Theoretical Common Places -- 1. Mythologies of Everyday Life -- 2. Living in Common Places: The Communal Apartment -- 3. Writing Common Places: Graphomania -- 4. Postcommunism, Postmodernism -- Conclusion: Nostalgia for the Common Place -- Notes -- Index

Introduction -- 'Son of the working people' -- 'We catch up or they will crush us' -- 'What the country needs is a real big laugh' -- 'Agent 001' -- 'A nice fellow to talk to' -- 'Is this really my motherland?' -- 'Questionable from conception' -- 'The wily Armenian' -- Whistle stop inspections -- Glory to Stalin's falcons -- Back in the USSR -- Project 'AIR' -- ENORMOZ -- Mission accomplished.