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In: Critical times: interventions in global critical theory, Band 2, Heft 3, S. 493-517
ISSN: 2641-0478
Abstract
In this text, the script of a performance/lecture, which combines live puppetry, digital film, and a lecture, is paired with a prefatory essay that seeks to address the theoretical questions raised by the play about embodiment, mind, AI, and the staging of consciousness. The play was performed at the Centre for the Less Good Idea, an arts laboratory, in Maboneng, Johannesburg, South Africa, in October 2018. In the play, two characters stand in as the early pioneers of primate research, Wolfgang Köhler (an early Gestalt psychologist) and Jane Goodall, whose observational fieldwork shifted primate studies profoundly. These two distinctive intellects advanced the commitment of the human species to work toward the preservation of, and engagement with, higher primates and in such ways altered our apprehension of the limits of the human through a challenge posed by our closest nonhuman kin. The play also explores the research of Norbert Wiener, the pioneer of the field of cybernetics (a term that he invented). Wiener inaugurated the massive proliferation of research into "feedback" theory, which he saw as fundamental to mechanic intelligence. In such terms, Wiener too was thinking about the limits of the human. The play introduces some discussion of artistic responses to these fields of inquiry through exploring the writings of Samuel Beckett and J. M. Coetzee. The play also addresses ethical questions about the uses of research. Both Wiener and Köhler used their work on the humanities in order to address our obligation to the human. At the same time, the play addresses our relations to those who, for reasons of ideology, "fall" outside of our definitions of the fully human. Much of the persuasive power of the work arises from the uncanny performances and in particular the staging of a life-sized wooden chimpanzee puppet. In this sense, the work makes an argument about meaning as embodied.
In: Bulletin du bibliophile, Band 354, Heft 2, S. 373-375
In: International journal of legal information: IJLI ; the official journal of the International Association of Law Libraries, Band 24, Heft 2, S. 113-136
ISSN: 2331-4117
What is the future of copyright and authors' rights in the light of what is being called "the digital information society?"It is generally recognised that the law responds to a given situation: if the legal fraternity doesn't take the time to observe and understand what is actually happening, it will be almost impossible to ascertain where and what the problems are. Only by careful observation can the lawmakers suggest possible solutions and appreciate their value.
In: Social dynamics: SD ; a journal of the Centre for African Studies, University of Cape Town, Band 20, Heft 2, S. 1-1
ISSN: 1940-7874
In: Social dynamics: SD ; a journal of the Centre for African Studies, University of Cape Town, Band 20, Heft 1, S. 1-2
ISSN: 1940-7874
In: Social dynamics: SD ; a journal of the Centre for African Studies, University of Cape Town, Band 19, Heft 2, S. 1-2
ISSN: 1940-7874
In: British journal of sociology of education, Band 11, Heft 1, S. 49-64
ISSN: 1465-3346
World Affairs Online
In: Land use policy: the international journal covering all aspects of land use, Band 10, Heft 3, S. 205-226
ISSN: 0264-8377
In: Land use policy, Band 10, S. 205-226
ISSN: 0264-8377
In: Reflective practice, Band 18, Heft 5, S. 627-640
ISSN: 1470-1103
In: Social dynamics: SD ; a journal of the Centre for African Studies, University of Cape Town, Band 22, Heft 1, S. 1-1
ISSN: 1940-7874
In: Social dynamics: SD ; a journal of the Centre for African Studies, University of Cape Town, Band 21, Heft 1, S. 1-1
ISSN: 1940-7874