Suchergebnisse

Visualizing Theory is a lavishly illustrated collection of provocative essays, occasional pieces, and dialogues that first appeared in Visual Anthropology Review between 1990 and 1994. It contains contributions from anthropologists, from cultural, literary and film critics and from image makers themselves. Reclaiming visual anthropology as a space for the critical representation of visual culture from the naive realist and exoticist inclinations that have beleaguered practitioners' efforts to date, Visualizing Theory is a major intervention into this growing field

The Ethnographer's Eye: Ways of Seeing in Modern Anthropology. Anna Grimshaw. Cambridge: University of Cambridge Press, 2001. 222 pp.Visual Methods in Social Research. Marcus Banks. New York City: Sage Publications, 2001. 201 pp.

Rethinking Visual Anthropology. Marcus Banks and Howard Morphy. eds. New Haven, CT: Yale University Press, 1997. 306 pp.Principles of Visual Anthropology. Paul Hockings. ed. Berlin: Mouton de Gruyter, 1995. 562 pp.Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography. Leslie Devereaux and Roger Hillman. eds. Berkeley: University of California Press, 1995. 362 pp.

Frontmatter -- Contents -- Illustrations -- Preface -- Introduction -- PART ONE -- 1. The Fate of the Cinema Subject -- 2. Visual Anthropology and the Ways of Knowing -- 3. The Subjective Voice in Ethnographic Film -- PART TWO -- 4. Beyond Observational Cinema -- 5. Complicities of Style -- 6. Whose Story Is It? -- 7. Subtitling Ethnographic Films -- 8. Ethnographic Film: Failure and Promise -- PART THREE -- 9. Unprivileged Camera Style -- 10. When Less Is Less -- 11. Film Teaching and the State of Documentary -- 12. Films of Memory -- 13. Transcultural Cinema -- Bibliography -- Filmography -- Index

Making Forest of Bliss: Intention, Circumstance, and Chance in Nonflction Film. Robert Gardner and Ákos Östör. Cambridge, MA: Harvard University Press, 2002. 135 pp., DVD.