Suchergebnisse

"Deep below the ground in Tucson, Arizona, lies an aquifer forever altered by the detritus of Tucson's postwar boom. Once the ancient water body became polluted, so did the drinking water of the largely Mexican American community living above. Drawing on her own complex relationship to this long-ago injured landscape, Taylor takes us with her as she follows the site's disabled ecology-the networks of disability, both human and wild, that are created when ecosystems are corrupted and profoundly altered. What she finds is a story of entanglements that reach far beyond the Sonoran Desert. These stories often tell of debilitating and sometimes life-ending injuries, but they also map out alternative modes of connection, solidarity, and resistance-an environmentalism of the injured. An original and deeply personal reflection on what disability means in an era of increasing multispecies disablement, this book is a powerful call to reflect on the kinds of care, treatment, and assistance this age of disability requires"--

Intro -- Prologue : Chicken Truck -- 1 Strange but True -- 2 What is Disability? -- 3 Animal Crips -- 4 The Chimp Who Spoke -- 5 Ableism and Animals -- 6 What Is an Animal? -- 7 The Chimp Who Remembered -- 8 Walking Like a Moneky -- 9 Animal Insults -- 10 Claiming Animal -- 11 Freak of Nature -- 12 All Animals Are Equal -- 13 Toward a New Table Fellowship -- 14 Romancing the Meat -- 15 Meat: A Natural Disaster -- 16 A Conflict of Needs -- 17 Caring Across Species and Ability -- 18 The Service Dog -- Acknowledgments -- Notes.

Frontmatter -- Contents -- Introduction: Messy Eating -- 1. Turning Toward and Away -- 2. Subjectivities and Intersections -- 3. Being in Relation -- 4. The Tyranny of Consistency -- 5. Justice and Nonviolence -- 6. Doing What You Can -- 7. Waking Up -- 8. Entangled -- 9. Disability and Interdependence -- 10. Asking Hard Questions -- 11. Interspecies Intersectionalities -- 12. Living Philosophically -- 13. Taking Things Back, Piece by Piece -- Coda: Toward an Analytic of Agricultural Power -- Coda: Thinking Paradoxically -- Acknowledgments -- Recommended Reading -- List of Contributors -- Index

Frontmatter -- CONTENTS -- Introduction -- PART I Post-Identity Politics -- Chapter One Interview with Cassils -- Chapter Two From SF -- Chapter Three From Nomadic Theory (2011) -- Chapter Four From Towards a New Class of Being -- Chapter Five A Feminist Genealogy of Posthuman Aesthetics in the Visual Arts (2016) -- Chapter Six Animality and Blackness (2020) -- Chapter Seven Asserting Aboriginal Territories in Cyberspace -- Chapter Eight From Posthumanism and the Graphic Novel in Latin America (2017) -- Chapter Nine Witnessing Animals -- Chapter Ten Video Dog Star -- Chapter Eleven Interview with Garry Marvin -- Chapter Twelve From Plant Thinking -- Chapter Thirteen A Program for Plants (2016) -- Chapter Fourteen No Manifesto (1965, 2008) -- PART II Material Dimensions -- Chapter Fifteen Interview with Nandipha Mntambo -- Chapter Sixteen Locating Me in Order to See You (2007) -- Chapter Seventeen From The Rendered Material of Film Stock (2009) -- Chapter Eighteen Interview with Heide Hatry -- Chapter Nineteen On Some Limits of Materiality in Art History (2008) -- Chapter Twenty Elephants in the Room -- Chapter Twenty-One From Second Skins -- Chapter Twenty-Two Hunting and Gathering as Ways of Perceiving the Environment (2012) -- Chapter Twenty-Three Super-natural Futures -- Chapter Twenty-Four Rhythms of Relation -- Chapter Twenty-Five Proliferation, Extinction, and an Anthropocene Aesthetic (2017) -- Chapter Twenty-Six Interview with Graham Harman -- Chapter Twenty-Seven From Dark Ecology (2016) -- Chapter Twenty-Eight From What Is the Measure of Nothingness? -- PART III Registering Interconnectedness -- Chapter Twenty-Nine Interview with Kathy High -- Chapter Thirty From Writing Machines (2002) -- Chapter Thirty-One From Unexpress the Expressible (2012) -- Chapter Thirty-Two Introduction to Nocturnal Fabulations -- Chapter Thirty-Three Posthuman Performance (2010) -- Chapter Thirty-Four Critical Relationality -- Chapter Thirty-Five Ecosex ManiFesto (2011) -- Chapter Thirty-Six Interview with Jane Bennett -- Chapter Thirty-Seven Interview with Pauline Oliveros -- Chapter Thirty-Eight Animals, Nostalgia and Zimbawe's Rural Landscape in the Poetry of Chenjerai Hove and Musaemura Zimunya (2016) -- Chapter Thirty-Nine Waiting for Gaia -- Chapter Forty Interview with Newton Harrison -- Chapter Forty-One Seeds = Future (2013) -- PART IV Emerging Ecologies -- Chapter Forty-Two Interview with Katherine McKittrick: (2021) -- Chapter Forty-Three Interview with Doo-Sung-Yoo -- Chapter Forty-Four Interview with Kelly Jazvac -- Chapter Forty-Five A Questionnaire on Materialisms -- Chapter Forty-Six Art as Remembrance and Trace in Post-Conflict Latin America (2016) -- Chapter Forty-Seven Interview With Manuela Rossini -- Chapter Forty-Eight African Afro-futurism -- Chapter Forty-Nine Whose Anthropocene? A Response (2016) -- Chapter Fifty Unruly Edges -- Chapter Fifty-One The Rise of Cheap Nature (2016) -- Chapter Fifty-Two From Forensic Architecture -- Chapter Fifty-Three Letters to Dear Climate (2017) -- Coda -- LIST OF CONTRIBUTORS -- INDEX