Suchergebnisse

Religion meant far more in early modern England than church on Sundays, a baptism, a funeral or a wedding ceremony. The Church was fully enmeshed in the everyday lives of the people; in particular, their morals and religious observance. The Church imposed comprehensive regulations on its flock, such as sex before marriage, adultery and receiving the sacrament, and it employed an army of informers and bureaucrats, headed by a diocesan chancellor, to enable its courts to enforce the rules. Church courts lay, thus, at the very intersection of Church and people.
The courts of the seventeenth century – when 'a cyclonic shattering' produced a 'great overturning of everything in England' – have, surprisingly, had to wait until now for scrutiny. Church Courts and the People in Seventeenth-Century England offers a detailed survey of three dioceses across the whole of the century, examining key aspects such as attendance at court, completion of business and, crucially, the scale of guilt to test the performance of the courts.
While the study will capture the interest of lawyers to clergymen, or from local historians to sociologists, its primary appeal will be to researchers in the field of Church history. For students and researchers of the seventeenth century, it provides a full account of court operations, measuring the extent of control, challenging orthodoxies about excommunication, penance and juries, contextualising ecclesiastical justice within major societal issues of the times and, ultimately, presents powerful evidence for a 'church in danger' by the end of the century.

An authoritative account of the life and achievements of George Morley, who was for years a teacher at Christ Church, Oxford, before becoming Dean of the College, and then ultimately the Bishop of Worcester and then Winchester. He was as such an important C17th figure, even beyond the University of Oxford and Dioceses of Worcester and Winchester, and fundamentally entwined nationally in the heightened political and religious controversies of his time. He was involved in the restoration of the monarch in 1660, as well as in the consequent deliberations regarding a settlement with a view to establishing church unity in the subsequent decades. He was also a man who straddled cultures and political epochs, born at the end of the C16th and living through much of the C17th, thus a life that began in the era of the Gunpowder plot and which ended in the run-up to the so-called Glorious Revolution. This meant that Morley's personal and professional evolution touches on moments of extraordinary tumult and contention, requiring him to develop profound skills of negotiation, compromise, and bridge-building. As such he become a skilled mediator, a diplomat at a time when this was most in demand.

Death metal is the most brutal music in existence. It is a subgenre of music that seeks pure heaviness punctuated by guttural vocalizations more akin to a wounded beast than a human singing lyrics. To the mainstream world, death metal is sometimes misunderstood and enigmatic: how do people listen to such harsh, aggressive music? Death metal fans create a unique corner of fandom, an insular group joined together by a passion for music that is frequently rejected and feared by normative society. This fandom has developed into much more for many fans: it has become a community that has further developed into a world-view. This research aims to argue the theoretical connections between the fandom of death metal music and the studies undertaken through terror management theory (TMT). The central idea of TMT is that our fear of death serves as the primary driver of our actions. The primary aim of this article is to explore the question of how a genre of music that is focused primarily on death serves as a buffer against existentialist dread and considerations of our own mortality? Death metal fandom occupies a unique, dichotomous territory within TMT, as it serves as both a mortality salient (MS) (a threat to the world-views of the mainstream) and a preventative measure against Death Thought Accessibility (thoughts and considerations of our own deaths). Death metal fandom, often vilified by mainstream culture and frequently perceived as a monstrous and violent outlier to normative society, is ironically non-political and not a true threat to the establishment and its tenets. The death metal community does not attack the mainstream, but it is attacked by the mainstream. Threatened by the rejection of beauty and musical normativity exhibited by death metal, the world-view of the mainstream is threatened, causing it to lash out at that which differs from it. This research intends to explore potential assemblages through a mapping of connectives untethered by methodological expectations. It will explore this irony through a developed exploration of death metal fans, the music and the brutality that has helped create a community of fandom that is more supportive and effective at warding off fears of mortality than might initially be expected.

Insecurities associated with the credible commitment problem during disarmament, demobilisation, and reintegration (DDR) processes are usually examined within a dyadic relationship between the government and a rebel group, ignoring how these insecurities play themselves out in the context of multiple warring parties. In addition, most studies on these dynamics take an overview macro-perspective, leaving out micro-dynamics such as how insecurity is experienced by those undertaking the disarmament process. This paper examines FARC members' perception of insecurity and threat during the disarmament process in Colombia in the context of multiple armed groups. Drawing on semi-structured interviews with FARC combatants in three different demobilisation camps during the process of disarmament, this paper sheds light on how credible commitment problems between the FARC and the Colombian government were influenced by the presence of additional armed actors and how associated insecurities are perceived by combatants who are disarming vis-à-vis various armed actors.