Suchergebnisse

Notions such as insularity, historical erasure and racial and cultural homogeneity all constitute the European myth and contribute to the idea of Europe as an exceptional place. This is further legitimized by discursive, institutional and symbolic processes of inclusion and exclusion as well as the instituting of borders in the name of Europe. Drawing on postcolonial and feminist theory, as well as border studies, cultural studies and postsocialist scholarship, I study Europe as a discursive formation that is operationalized through the instituting of material and symbolic borders. My highlighting of these bordering mechanisms is a simultaneous critique of their workings by showcasing their inherent fallibility, alongside which I offer different forms of critique, in the form of artistic interventions and individual narratives that open up the question of Europe to alternative significations. This dissertation represents a critical interrogation of the idea of Europe from two vantage points that I conceptualize as border figurations in a European context: the figure of the refugee-migrant, and the geopolitical space of the Balkans, with a specific focus on the former Yugoslavia. These figurations represent peripheral actors and phenomena that are relegated to Europe's limits, but also potent discursive clusters that are operationalized together in light of the recent European migration 'crisis' and the European Union's eastward expansion towards the Balkans. The two border figurations are foregrounded here analytically in order to glean insight into Europe's historical self-definition vis-à-vis the (cultural) Other. The intervention I make in this dissertation is three-fold. First, I combine an analysis of institutionalized and enacted bordering practices and discourses in Europe with a foregrounding of critical knowledges, practices and articulations that interrogate those very same processes. Secondly, I critique the 'exceptionality' and anxieties surrounding the current European migration crisis by placing ...

In her work on cultural critique, Rosemarie Buikema conceptualizes culture as a terrain for the elaboration and contestation of collective memory, a form that mediates social formations, and a practice that critically supplements the political. Taking the polysemic relationship between culture and critique as our starting point, we bring Buikema's reflections to bear on our own work on post-Yugoslav visual art, feminist graphic narratives, and digital media. We pay special attention to the question of "medium specificity", which is central to Buikema's conceptual intervention. Our goal is to illustrate the expansive reach of this intervention across multiple fields of inquiry.