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"This book argues that Adorno's writings allow us to address what is arguably the central challenge of modern philosophy: how to picture a world beyond suffering and injustice without betraying its vital impulse. By re-appraising his writings on politics, philosophy, and art, Sebastian Truskolaski reconstructs Adorno's overall project from a radically new perspective. Taking his 'standpoint of redemption' at its starting point, whilst also dealing with his recurrent reference to the Old Testament ban on images, this book brings Adorno's central concerns to bear on debates about Utopia that have come to define political visions across the political spectrum"--

During a radio debate in 1964, Bloch and Adorno clashed over the status of Utopia in Marx's thinking. In particular, the disagreement concerned the possibilities (or, rather, limitations) of picturing – with Marx and beyond Marx – a condition in which all societal antagonisms have been reconciled. It is telling, then, that their conversation quickly came to turn on a surprising term: the Old Testament interdiction against making images of God. Given both authors' commitment to an ostensibly secular critique of capitalist modernity, the prominence of this figure, which is emblematic of the decades-long exchange between these authors, invites further questions. What, for instance, are the epistemic and aesthetic conditions under which Bloch and Adorno propose to present their Marxian Utopias? By considering these questions in light of issues arising from their debate, and applying it to their writings more generally, mypaper aims to contribute to the on-going exploration of "Utopia" in German Critical Theory.