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"Addresses the role of modern for-profit corporations as a distinctive kind of social formation within democratic national states. Scholars of legal studies, business ethics, politics, history, and anthropology bring their perspectives to bear on particular case studies, such as Enron and Wall Street at the time of the 2008 financial meltdown, as well as broader issues of belonging, social responsibility, for-profit higher education, and regulation. Together, these essays establish a complex and detailed understanding of the ways corporations contribute positively to human well-being as well as the dangers that they pose."--

From the Declaration of Independence to the movie Babe, from the Amazon River to the film studio, from microscopic studies of the words making up myths and books to the large-scale forces of conquest, conversion, and globalization that drive history, Urban follows the clues to a startling revelation: "metaculture" makes the modern, entrepreneurial form of culture possible. In Urbans work we see how metaculture, in its relationship to newness, explains the peculiar shape of modern society and its institutions, from the prevalence of taste and choice to the processes of the public sph

From the Declaration of Independence to the movie Babe, from the Amazon River to the film studio, from microscopic studies of the words making up myths and books to the large-scale forces of conquest, conversion, and globalization that drive history, Urban follows the clues to a startling revelation: "metaculture" makes the modern, entrepreneurial form of culture possible. In Urbans work we see how metaculture, in its relationship to newness, explains the peculiar shape of modern society and its institutions, from the prevalence of taste and choice to the processes of the public sph

ABSTRACT  Beginning with Edward Tylor's (1889) definition of culture as socially "acquired," I focus in this article on motion as social acquisition and transmission through "artifacts"—both durable (like ceramic pots) and fleeting (like sounds). Motion can be detected by comparison of the artifacts to which people are exposed with those they in turn produce. I examine rates of interaction with artifacts and changes in rates as evidence of the operation of "forces" such as interest and metaculture. I develop a set of axioms or laws of motion, growing out of fine‐grained research on naturally occurring discourse, and endeavor to demonstrate their utility through application to three empirical cases. Although I deal with relatively small‐scale artifacts, I conclude this article with the suggestion that its methods may prove useful in the broader study of cultural phenomena.

Over the past two decades, comparative linguistic anthropological research has disclosed the significance of metadiscourse and metasignaling forthe establishment, maintenance, and transformation of social relations. One type of metasignal‐signal relationship has, because of its role in producing sociability, come to seem especially interesting with regard to the evolutionary origins of human language—the type wherein a strategically (and presumably neocortically) induced metasignal is modeled after, but distinct from, an instinctively triggered signal, as in ritualized lamentation. Strategic vocal deceptions in nonhuman primates are possible precursors of true socially constructed, socially shared metasignals, which in turn may be ancestors of modern human language. This article charts an evolutionary path from strategic vocal manipulation, to cultural metasignals, to language, using data from primate studies, discourse‐centered research, and early child language acquisition. [Key words: language origins, semiotics, metacommunication, chimpanzees, early language acquisition]

Language and Communicative Practices. William F. Hanks. Boulder, CO: Westview Press, 1996. 335 pp.