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Frontmatter -- Contents -- Acknowledgments -- Introduction Genealogical Pleasures, Genealogical Disruptions -- I. THEORIES OF REPRODUCTION -- Generation, Degeneration, Regeneration: Original Sin and the Conception of Jesus in the Polemic between Augustine and Julian of Eclanum -- Maternal Imagination and Monstrous Birth: Tasso's Gerusalemme liberata -- 2. BOUNDARIES OF SEX AND GENDER -- Contradictions of Masculinity: Ascetic Inseminators and Menstruating Men in Greco-Roman Culture -- Menstruating Men: Similarity and Difference of the Sexes in Early Modern Medicine -- The Psychomorphology of the Clitoris, or, The Reemergence of the Tribade in English Culture -- 3. FEMALE GENEALOGIES -- Genealogies in Crisis: María de Zayas in Seventeenth-Century Spain -- Incest and Agency: The Case of Elizabeth I -- 4. THE POLITICS OF INHERITANCE -- In Search of the Origins of Medicine: EgyptianWisdom and Some Renaissance Physicians -- The Conflicted Genealogy of Cultural Authority: Italian Responses to French Cultural Dominance in Il Tesoretto, Il Fiore, and La Commedia -- Hauntings: The Materiality of Memory on the Renaissance Stage -- Index

Frontmatter -- Contents -- Introduction -- BOWERS V. HARDWICK in the Renaissance -- Homosexuality and the Signs of Male Friendship in Elizabethan England -- The (In ) Significance of "Lesbian" Desire in Early Modern England -- Fraudomy.· Reading Sexuality and Politics in Burchiello -- Practicing queer philology with Marguerite de Navarre: nationalism and the castigation of desire -- Erasmus's Tigress : the language of Friendship, pleasure and the renaissance letter -- John Bale and Early Tudor sodomy discourse -- "To serve the Queere": Nicholas Udall, master of revels -- Into other arms: Amoret's evasion -- Romeo and Juliet's Open Rs -- The epistemology of expurgation: bacon and the masculine birth of time -- Pleasure and devotion: the body of Jesus and seventeenth-century religious lyric -- My two dads: collaboration and the reproduction of Beaumont and Fletcher -- Fighting women and loving men: Dryden's representation of Shakespeare in all for love -- New English Sodom -- Afterword -- Notes on contributors -- Index

Frontmatter -- Contents -- Introduction -- Responsibilities of a Gay Film Critic -- Lesbians and Film -- The Hypothetical Lesbian Heroine in Narrative Feature Film -- The Great Escape -- There's Something Queer Here -- Supporting Character: The Queer Career of Agnes Moorehead -- The Ambiguities of "Lesbian" Viewing Pleasure: The (Dis)articulations of Black Widow -- From Repressive Tolerance to Erotic Liberation: Modchen in Uniform -- Acting Like a Man: Masculine Performance in My Darling Clementine -- Dossier on Hitchcock -- Introduction -- Hitchcock's Homophobia John Hepworth (with "Letter to the Editor" by Robin WOod and "Response" -- The Murderous Gays: Hitchcock's Homophobia -- "Crisscross": Paranoia and Projection in Strangers on a Train -- "I'm not the sort of person men marry": Monsters, Queers, and Hitchcock's Rebecca -- The Queer Voice in Mamie -- Flaming Closets -- Men's Pornography: Gay vs. Straight -- Freud's "Fetishism" and the Lesbian Dildo Debates -- Tom of Finland: An Appreciation -- Visible Lesions: Images ofthe PWA -- Pee Wee Herman: The Homosexual Subtext -- In Living Color: Toms, Coons, Mammies, Faggots, and Bucks -- Dossier on Popular Music -- Introduction -- In Defense of Disco -- Crossover Dreams: Lesbianism and Popular Music since the 1970s -- Immaculate Connection -- The House the Kids Built: The Gay Black Imprint on American Dance Music -- Children of Paradise: A Brief History of Queens -- The Politics of Drag -- Black Macho Revisited: Reflections of a Snap! Queen -- All Dressed Up But No Place to Go? Style Wars and the New Lesbianism -- Commodity Lesbianism -- Gay, Lesbian, and Queer Popular Culture Bibliography -- Acknowledgments of Copyright -- Contributors -- Index