Suchergebnisse

Using the aesthetic and political concerns of Parry's oeuvre as a touchstone, this book explores new directions for postcolonial studies, Marxist literary criticism, and world literature in the contemporary moment, seeking to re-imagine the field, and alongside it, new possibilities for left critique. It is the first volume of essays focusing on the field-defining intellectual legacy of the literary scholar Benita Parry. As a leading critic of the post-structuralist turn within postcolonial studies, Parry has not only brought Marxism and postcolonial theory into a productive, albeit tense, dialogue, but has reinvigorated the field by bringing critical questions of resistance and struggle to bear on aesthetic forms. The book's aim is two-fold: first, to evaluate Parry's formative influence within postcolonial studies and its interface with Marxist literary criticism, and second, to explore new terrains of scholarship opened up by Parry's work. It provides a critical overview of Parry's key interventions, such as her contributions to colonial discourse theory; her debate with Spivak on subaltern consciousness and representation; her critique of post-apartheid reconciliation and neoliberalism in South Africa; her materialist critique of writers such as Kipling, Conrad, and Salih; her work on liberation theory, resistance, and radical agency; as well as more recent work on the aesthetics of "peripheral modernity." The volume contains cutting-edge work on peripheral aesthetics, the world-literary system, critiques of global capitalism and capitalist modernity, and the resurgence of Marxism, communism, and liberation theory by a range of established and new scholars who represent a dissident and new school of thought within postcolonial studies more generally. It concludes with the first-ever detailed interview with Benita Parry about her activism, political commitments, and her life and work as a scholar.

This article provides an introduction to the special issue, 'Marxism and Postcolonial Theory: What's Left of the Debate?' It casts a critical glance at the long history of engagements between Marxism and postcolonial theory that have been both collaborative and antagonistic. The authors argue that far from materializing the end of either postcolonial theory or of Marxist approaches, these exchanges have been productive and have underscored the continuing currency of both, pointing to ways that go beyond the impasse. The article also provides a critical overview of the debates within different disciplines and suggests new and creative ways of reconceptualizing Marxism and postcolonial theory for the current conjuncture.

This dialogic roundtable discussion elaborates the possibilities opened up by the use of social reproduction theory in intersection with world-literary, materialist feminist, queer Marxist and world-systems approaches to literature and culture. In particular, contributors consider how the analysis of social reproduction might illuminate the politics of everyday life, the representational challenges accompanying the banality or ubiquity of women's work, the potential gaps of social reproduction feminism, and the aesthetic challenges accompanying or following from an interest in social reproduction. Topics covered include digital media as foundational operating mode of Hindu nationalism, the sexuality- and race-based exclusions of employment in higher education, Philippine literature as 'reproductive fiction', the Latin American novel vis-à-vis its registration of domestic service, the short story as bellwether for global issues surrounding women's labour, and questions of complicity in the kinds of labour some women and sexual minorities enact for larger authoritarian, patriarchal projects. If women do much of the work of producing the everyday then we must also ask how women might re-make the everyday along more radical, and radically egalitarian lines.

Abstract
From Singapore to New York, via New Delhi, Johannesburg, London, Glasgow and Buenos Aires, "Cities in Flux" registers some of the most profound impacts of the COVID-19 pandemic on cities around the world. Narrated in different styles, the individual pieces draw on theories of global cities in neoliberal times as well as on the phenomenological truths of inhabiting these disparate places bound together by a global crisis. The pieces make use of a plethora of urban signs—flashing images, sounds of silence and emergency vehicles, Whatsapp chatter, billboards, found objects, and media noise—to reflect on experiences that are both deeply personal and embodied as well as reflective of a common urban predicament. Even as the pandemic exacerbated problems of housing, transport, health, schooling, employment, environment, and food supply, it also created feelings of waste, loss, and loneliness. All the pieces draw inspiration from a range of urban projects such as the Hot City Collective in New York, the Workers' Stories Project in Glasgow, the Black Lives Matter movement in London, the Feminist Assembly in Buenos Aires, the C-19 People's Coalition in Johannesburg, and the anti–citizenship law protests and the farmers' movement in Indian cities. Against the multiplying crises of cities during the time of the pandemic, the different pieces in this pod come together to hope for an urban commons that is based on justice and freedom.