DIY House Shows and Music Venues in the US: Ethnographic Explorations of Place and Community
In: SOAS Studies in Music Ser.
Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of Contents -- Figures and Table -- Acknowledgments -- Introduction: Material and Spatial Constitution of DIY Communities in the United States -- Discovering DIY America -- Do It Yourself: Methods, Ethics, and Communities -- Theoretical Framework: Place/Space, Materiality/Discourse, and Social Intimacy -- Methodology: Living and Touring With American DIY Participants -- The Lack of Space: From Bars to Houses -- Notes -- Part I Physical Place and Social Space of DIY Music Venues in the United States -- 1 Physical Place and DIY House Shows in the United States -- Introduction -- Experiencing a DIY House Show -- Physicality of DIY Show Houses, and Its Relation to Music and Social Experiences -- Recontextualization of Musical Sound and Experience Through Place -- Subversion of Normative Spatiality of DIY Houses -- Socio-spatial Musical Interactions at DIY House Shows -- Relationship Between DIY Venues, Sound, and Community -- Conclusions -- Notes -- 2 Social Space and DIY Venues in the United States -- Introduction -- History of Punk and DIY Socio-Spatial Tactics in the United States -- Between DIY Discourse and DIY Socio-Spatial Practice -- DIY Door and Programming Policies -- DIY Safer Space Policies -- Notes -- 3 Private and Public Aspects of DIY Spaces and Shows -- Private, Public, and Counterpublic: A Theory -- Genealogy of the Private-Public Dimension of American DIY House Shows -- American DIY Counterpublics -- The House and DIY Publicness -- The Body and DIY Publicness -- The Scene and DIY Publicness -- Conclusions -- Notes -- Part II Geographic Place and DIY Venues and Scenes in the United States -- Introduction -- 4 Small College-Town DIY Scenes: Davis and Olympia -- Coops, Students, and Radio-People: Davis DIY Scene -- Culture of Commons: Olympia DIY Scene.