Suchergebnisse

The history of modern innovation is primarily that of the industrial research laboratory, but the demise of the independent inventor —like that of the entrepreneur —has been much exaggerated. Independent inventing, in fact, continues to flourish as a cultural and technical practice in the contemporary United States. There are, however, a number of structural and cultural impediments in the way of independent inventors who seek to translate their invention into a commercial innovation. By drawing a comparison with the art world, this article explores these impediments and argues that their existence is revealing of the deep social embeddedness of the invention and innovation process.

The paper explains a cultural political economy "framing" for interpreting heritage tourism in urban contexts. Key ideas behind this research perspective are explained and illustrated through discussion of past research studies of urban heritage tourism. It is underpinned by a relational view of the inter-connectedness of societal relations, and an emphasis on taking seriously both the cultural/semiotic and the economic/political in the co-constitution of urban heritage tourism's social practices and features. A case study of heritage tourism in Nanjing, China considers cultural political economy's relevance and value, including the distinctive research questions it raises. It reveals, for example, how economic relations in the built environment were related to tourist meaning-making and identities in the cultural/semiotic sphere.