Suchergebnisse

The emergent movement of reverse Sue (Nisu) in China refers to the practice of (especially female) fans imagining themselves as having a strong male role to their idols' weak female role. In this process, female fans take on a powerful, active role to protect and look after their male idols in female form. Examining how Nisu fans interact with other types of fans and negotiate a mainstream gender discourse dominated by traditional heterosexual norms reveals how, as a burgeoning subcultural group, female Nisu fans express their subversive potential by seeking the power of an imaginary phallus to defy male hegemony. However, their internal divergence and self-contradiction might weaken this defiance.

In light of the Fan Studies Network's statement regarding fan studies being overrun with whiteness, we are in a unique position to engage in scholarship that challenges the overwhelmingly white and Global North–centric structures that define how we study fan cultures. Multidisciplinarity, which may be understood as disciplines laid side by side, should be contrasted with interdisciplinarity, which requires true dialogue. Despite recent field-shifting work by fan studies scholars such as Bertha Chin, Lori Morimoto, Rukmini Pande, and Rebecca Wanzo, more work needs to be done to both acknowledge and build on current research in transcultural fandom. In a dialogue that reflects the progress of our own striving toward interdisciplinary and transcultural work in fan studies, we seek to demonstrate a possible way forward for the field of fan studies to become more truly interdisciplinary and transcultural in its focus.

Researchers, universities, and academic libraries develop a range of tools and platforms to make scholarship more accessible. What could these scholarly communications and open access projects learn from examples set by fandom and fan activists, for example, the fan works platform Archive of Our Own (AO3)? This conceptual paper, the result of a brainstorming session by scholars and librarians, proposes that a Fantasy Research Archive of Our Own should excel at making scholarly knowledge production into a visibly, enthusiastically collective endeavor that recognizes many kinds of contributions beyond the publication of traditional research papers.