Suchergebnisse

In this paper, I provide an arts-based posthumanist cartography of a theatre play, Apple Time performed by deaf youth in Regina, Saskatchewan. This play was co-constructed by deaf youth performers, two deaf adults, a hearing teacher, and a hearing director. Apple Time premiered in Regina, Saskatchewan on June 2, 2018, and was remounted again at the Globe Theatre (Regina) in February 2019 and again at the SoundOff Festival in Edmonton, Alberta. The arts-based cartography examines intelligibility as a methodological problem as posited by Graif (2018), in which the actions of deaf children and youth often remain invisible due to the ontological position that perception of the world is predicated upon the ability to hear. Intelligibility as a methodological problem poses a challenge to the deficit perspective commonly held by families and service providers working with deaf children and youth (Glickman & Hall, 2019). The performers in this play were able to re-align audience perceptions through the presentation of their inner worlds and preoccupations, thereby making their multiple deaf worlds more intelligible.

Using an arts based posthumanist lens, (Deleuze & Guattari, 1987; jagodzinski & Wallin, 2013) I examine my evolving beliefs about American Sign Language (ASL) through the analysis of arts based data (poetry) (Leavy, 2015). Central to my analysis is an examination of Western domination and control of the language used by 'othered' communities through the imposition of dualisms, binaries and categories in sign language ideologies (Canagarajah, 2013). This exploration traces the evolution of sign language ideologies embraced by the deaf cyborg subject featured in the poetry volume as she explores ways to survive and resist the effects of a monolingual language ideology embedded in an imaginary assemblage containing intra-actions between human, animal, earth and machine (Deleuze & Guattari, 1987).

This commentary describes our perspective on transinstitutionalization as deaf teachers and researchers from different regions of Canada, and accounts for some of the ways in which transinstitutionalization manifests in the lives of deaf people, particularly in educational settings. In the present day, so-called inclusive education is often presented as the progressive alternative to institutionalization, or deaf schools. However, mainstream education in regular settings without adequate sign language support and the continuing polarization of language and identity options for deaf children are two of the main ways in which transinstitutionalization recurs for deaf children and adults and threatens the vitality of sign languages.

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On November 28, 2019, a group of sixty or so people gathered in a sunny room at the University of Regina for the Disability Artivism in the Flyover Provinces symposium. The purpose of the event was to gather artists, students, and community members and arts organization representatives for collaborative reflection on the state of disability, deaf, and mad arts in the prairie provinces.