The Films of Johnny Depp. William B.Parrill. Jefferson, NC: McFarland, 2009
In: The journal of popular culture: the official publication of the Popular Culture Association, Volume 45, Issue 1, p. 231-233
ISSN: 1540-5931
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In: The journal of popular culture: the official publication of the Popular Culture Association, Volume 45, Issue 1, p. 231-233
ISSN: 1540-5931
In: Shofar: a quarterly interdisciplinary journal of Jewish studies ; official journal of the Midwest and Western Jewish Studies Associations, Volume 29, Issue 2, p. 50-72
ISSN: 1534-5165
The Jewish legend of the golem is often considered the prototype as the "original" superhero (influencing the creation of Superman and other characters). During the 1970s Marvel Comics used the golem legend to create their own unique brand of "monster" superhero. This essay describes the various ways Marvel has used the golem motif in its sequential art stories. First appearing in the pages of Strange Tales , this golem differed from the original stories of Rabbi Loew's supernatural savior. The character really did not resonate with the comic book-buying public, lasting only three issues and one guest appearance. Yet the concept of the golem was too powerful a metaphor to be discarded. Marvel Comics brought back another type of golem for their Invaders World War II series. The creators (specifically writer Roy Thomas) tried to answer the question, what if a golem had been there to protect Jews during the Holocaust? This golem was a man/ clay hybrid who was also a Rabbi.
In: The journal of popular culture: the official publication of the Popular Culture Association, Volume 43, Issue 6, p. 1309-1310
ISSN: 1540-5931
In: The journal of popular culture: the official publication of the Popular Culture Association, Volume 43, Issue 6, p. 1317-1318
ISSN: 1540-5931
In: The journal of popular culture: the official publication of the Popular Culture Association, Volume 43, Issue 5, p. 1145-1146
ISSN: 1540-5931
In: The journal of popular culture: the official publication of the Popular Culture Association, Volume 42, Issue 3, p. 583-584
ISSN: 1540-5931
In: The journal of popular culture: the official publication of the Popular Culture Association, Volume 42, Issue 2, p. 398-399
ISSN: 1540-5931
In: The journal of popular culture: the official publication of the Popular Culture Association, Volume 41, Issue 5, p. 909-911
ISSN: 1540-5931
In: The journal of popular culture: the official publication of the Popular Culture Association, Volume 40, Issue 6, p. 1101-1102
ISSN: 1540-5931
In: The journal of popular culture: the official publication of the Popular Culture Association, Volume 40, Issue 4, p. 757-759
ISSN: 1540-5931
In: The journal of popular culture: the official publication of the Popular Culture Association, Volume 38, Issue 2, p. 450-452
ISSN: 1540-5931
In: The journal of popular culture: the official publication of the Popular Culture Association, Volume 37, Issue 3, p. 534-536
ISSN: 1540-5931
In: The Routledge History of the Holocaust
In: Palgrave Studies in Comedy
Python beyond Python -- Acknowledgements -- Contents -- Introduction: The Whole of the Parts -- Notes -- Bibliography -- Part I Solo Work(s) -- How Eric Idle Found His Grail: The Journey of Monty Python's Spamalot from Film to Broadway -- A Horse, a Spoon, and a Bucket -- Camelot: A Very Silly Place -- Idle Finds His Grail -- Notes -- Bibliography -- From Silly to Scholarly: The Complete and Utter History of Terry Jones -- Notes -- Bibliography -- Python, Heritage, and Michael Palin's Diaries -- Recent Histories of "Heritage" -- Palin and the Politics of the Everyday -- Palin as Critic of Celebrity -- Public Patron -- Conclusion -- Notes -- Bibliography -- Getting There: Michael Palin's Travels -- Notes -- Bibliography -- Grotesque Unrealism: Terry Gilliam's Jabberwocky -- Notes -- Bibliography -- From Witness Box to the Bench: Meetings, Bloody Meetings, Video Arts, and the Evolution of John Cleese -- Monetizing Humor: Video Arts -- Cleese in Need of Instruction: 1976 -- Cleese Is Still Learning: 1993 -- Cleese as the Authority: 2012 -- Conclusion -- Notes -- Bibliography -- Part II Pre- and Post-Python Collaborations -- Joining the Circus: The Pythons before Monty Python -- The Frost Report and That Was the Week That Was -- At Last the 1948 Show -- Do Not Adjust Your Set -- The Complete and Utter History of Britain -- Conclusion: Off to Join the Circus -- Notes -- Bibliography -- Playing with the Past: The Complete and Utter History of Britain in the Context of Sixties Television -- From History to Television -- BBC and ITV -- The Complete and Utter History of Britain and the Field of Historical Television -- Genres and Styles A-Go-Go -- Towards Python -- Beyond Python -- Notes -- Bibliography -- Thrilling Adventures in Post-Colonial Culture: From Empire to Commonwealth in Ripping Yarns and British Popular Culture -- Notes -- Bibliography