Chapter 1: Travel Theory and Meaningful Mobility -- Chapter 2: Mobilising and Immobilising Travel -- Chapter 3: Special Anniversaries, Memorials and Travel -- Chapter 4: Tourist Pilgrimage and Reimagining the Nation -- Chapter 5: The New Tyranny of Distance and Conflict Creation. .
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AbstractThe Invictus Games is an international sporting competition involving military veterans who have become either wounded, injured or sick during their service. Having become a prominent event in the public sphere of participating nations that are drawn from Western security alliances, this article outlines results from a thematic analysis of Australian media surrounding the 2018 Sydney Games. While reporting of the Games included the use of cultural frames that reflect traditional symbolic relationships between sport and war, the data reveal new military–civilian discourses drawn from identity politics and focused on cultural recognition. These discourses emerge through the Invictus Games by (1) disability providing a cultural basis to demand greater respect for contemporary veterans and military service; and (2) empowerment narratives of rehabilitation being symbolically connected to participants' reengagement with their former military identity. Institutional problems central to rising political activism amongst contemporary veterans did not feature in the media coverage. It is argued that the Invictus Games illustrates the need for sociology to conceive of militarization in more multidimensional ways, appreciating both the prominence of a civilian–military gap in contemporary culture and how various social actors in Defense utilize post-heroic narratives in seeking to redress this cultural divide.
1 Introduction: Paramilitarization and the globalization of paramilitary culture -- Part 1 Projecting the post-heoric warrior in new popular cultural forms -- 2 Techniques of empathy and embodiment in the paramilitary film: Learning from The Hurt Locker -- 3 Press X to pay respects: Evolving depictions of war in Call of Duty and Battlefield -- 4 Re-narrating the paramilitary in the Colombian conflict: Examining the Medellin memory museum -- Part 2 Projecting the paramilitary warrior in practices of social memory -- 5 The social memory of the North Vietnamese soldier in Vietnam and United States popular culture -- 6 From nationalization to Islamization of the Ottoman Soldier at the Canakkale/Gallipoli WWI Battlefields -- 7 The Danish soldier reimagined: Civil religion and religion of the self in the post-9/11 era -- Part 3 Paramilitary, organisations and the advancement of paramilitary culture -- 8 Profession and identity: Warriors in the 21st Century -- 9 The poetics of paramilitarization: Hizbollah and the Shade of Resistance in Southern Lebanon -- 10 Firefights and the performance of occupational masculinity during downtime.
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In this article we analyze the social memories of the Vietnam War afforded by tourism at the Cu Chi battlefield. Specifically, we explore the experiences of tourists at the site in order to address the under-theorized relationship between carnivalesque and dialogical discourses. Drawing on field interviews and ethnographic engagement with young adult Western tourists who took tours led by Vietnamese guides, we document how the tourists' playful engagement with the past at Cu Chi facilitates the development of new dialogical memories of the war. Our interviews reveal a strong concern with the suffering of both occupying forces and the Vietnamese communist forces, a finding that points to the need for scholars to better appreciate the multiplicity of ways that social performances function in shaping social memory. Ultimately, we challenge social performance theories whose explanations reduce shifts in social memory to audience interpretations of authenticity.