Suchergebnisse

Abstract
Whether in the form of Google searches, interactive games, or responsive textual environments, the reassuring subject-object binary so fundamental to the modern era's representation systems is fast slipping away. In its place, a recursive epistemological order that actively parses the subject and shapes the textual world is fast emerging, posing challenges to established notions of agency and to narrative as a cultural operating system. Assessments of the terms and implications of this shift will benefit from the distinctive analytic perspective that distinguishes the Nordic from many of its Anglo-American and European peers.

Programming scarcity that characterized the broadcast era, or what this article refers to as constraint , served very different goals. Often intertwined, these goals ranged from the formation of an ideologically coherent national public, to the protection of economic self-interest, to the explicit promotion of products and messages. They were deployed rather differently in the commercial American and state/public European spaces of television. The article explores a number of assumptions regarding the institution and medium of television that have persisted from the broadcast era into our own and that might well, given the very different structures of contemporary television, be repositioned. It outlines the contours of that repositioning, sketching the implications for some of our theoretical and methodological defaults.

Programming scarcity that characterized the broadcast era, or what this article refers to as constraint, served very different goals. Often intertwined, these goals ranged from the formation of an ideologically coherent national public, to the protection of economic self-interest, to the explicit promotion of products and messages. They were deployed rather differently in the commercial American and state/public European spaces of television. The article explores a number of assumptions regarding the institution and medium of television that have persisted from the broadcast era into our own and that might well, given the very different structures of contemporary television, be repositioned. It outlines the contours of that repositioning, sketching the implications for some of our theoretical and methodological defaults. [Reprinted by permission of Sage Publications Inc., copyright The American Academy of Political and Social Science.]