Suchergebnisse

Traveling anatomy exhibitions import plasticized, posed human cadavers and place them on display. We explore the current industry, its history, and the spectacle of anatomy exhibits. The commodification of cadavers is examined as a problem in global political economy. The absence of global rules identifying plastinated cadavers as human remains allows a globalized plastination and exhibition industry. The spectacle of the exhibitions themselves divert attention away from important moral questions about the proper use of human remains and about the provenance of the cadavers used to create plastinates. The absence of global norms and the distraction of spectacle results in a global regime permitting commodification of cadavers. Adapted from the source document.