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MPs' expenses in 2009. Phone hacking in 2011. ?Plebgate' in 2012. If a good speech or a ground-breaking new policy fails to get people talking, you can be sure a juicy scandal will do the trick. Our instantaneous news culture of social networks, blogs and Twitter feeds means politicians now, more than ever, can find themselves the focus of every journalist in the country in what seems like the blink of an eye. But behind this hostile media landscape, behind the storm of camera flashes and the clamour of opponents on all sides baying for blood, are the politicians themselves. With the benefit o

Intro -- Contents -- Preface. Searching for "the Local": Hawai'i as Miss Universe? -- Introduction. "How Did You Find America?": On Becoming Asia/Pacific -- Chapter 1. Imagining "Asia-Pacific" Today: Forgetting Colonialisms in the Magical Waters of the Pacific -- Chapter 2. American Trajectories into Hawai'i and the Pacific: Imperial Mappings, Postcolonial Contestations -- Chapter 3. Megatrends and Micropolitics in the America Pacific: Tracing Some "Local Motions" from Mark Twain to Bamboo Ridge -- Chapter 4. Blue Hawai'i: Bamboo Ridge as "Critical Regionalism" -- Chapter 5. Bloody Mary Meets Lois-Ann Yamanaka: Imagining Hawaiian Locality, from South Pacific to Bamboo Ridge and Beyond -- Chapter 6. Shark God on Trial: Invoking Chief Ka-lani-o'pu'u in the Local/Indigenous/American Struggle for Place -- Chapter 7. Good-Bye Paradise: Theorizing Place, Poetics, and Cultural Production in the American Pacific -- Chapter 8. Becoming Global and Local in the U.S. Transnational Imaginary of the Pacific -- Chapter 9. Postmodern X: Honolulu Traces -- Coda. Part Italian, Part Many Things Else: Creating "Asia/Pacific" along a Honolulu-Taipei Line of Flight -- Index.

In this compelling critique Rob Wilson explores the creation of the "Pacific Rim" in the American imagination and how the concept has been variously adapted and resisted in Hawai'i, the Pacific Islands, New Zealand, and Australia. Reimagining the American Pacific ranges from the nineteenth century to the present and draws on theories of postmodernism, transnationality, and post-Marxist geography to contribute to the ongoing discussion of what constitutes "global" and "local."Wilson begins by tracing the arrival of American commerce and culture in the Pacific through missionary and imperial forces in the nineteenth century and the parallel development of Asia/Pacific as an idea. Using an impressive range of texts--from works by Herman Melville, James Michener, Maori and Western Samoan novelists, and Bamboo Ridge poets to Baywatch, films and musicals such as South Pacific and Blue Hawaii, and native Hawaiian shark god poetry--Wilson illustrates what it means for a space to be "regionalized." Claiming that such places become more open to transnational flows of information, labor, finance, media, and global commodities, he explains how they then become isolated, their borders simultaneously crossed and fixed. In the case of Hawai'i, Wilson argues that culturally innovative, risky forms of symbol making and a broader--more global--vision of local plight are needed to counterbalance the racism and increasing imbalance of cultural capital and goods in the emerging postplantation and tourist-centered economy. Reimagining the American Pacific leaves the reader with a new understanding of the complex interactions of global and local economies and cultures in a region that, since the 1970s, has been a leading trading partner of the United States. It is an engaging and provocative contribution to the fields of Asian and American studies, as well as those of cultural studies and theory, literary criticism, and popular culture

This essay aims to think through the worldly presence of two important and culturally influential American writers in the cultural contact zones of Tangier and North Africa: Paul Bowles and Jack Kerouac. It contrasts their differing attitudes toward "conversion" and toward the implicit poetics and politics of converting the writing subject into a medium of worlded multicultural otherness and/or the consolidation of selfhood and cultural-political belief in such settings. In Cold War contexts threatened with the allure and bad faith of orientalism and the romantic sublime, the stylistic austerity of Bowles is countered by the mimetic exuberance of Kerouac in world-cultural contact zones from San Francisco and Mexico City to Paris and Tangier. Resonances of stance and style are brought forward in text and context, urging an overall contrast between modernist and Beat writers on the transatlantic world edge where Christian and Islamic mores interact, fuse, and clash.