Suchergebnisse

"Using real-world examples and vivid illustrations drawn from other disciplines, An Introduction to Moral Philosophy challenges preconceived notions about morality and demonstrates why ethics matters. From respected philosopher and writer Jonathan Wolff, this edition features a thoughtful and contemporary treatment of the ethics of gender, race, and non-Western moral philosophy, engaging narrative introductions to moral theories and the thinkers behind them"--

Secular Power Europe and Islam argues that secularism is not the central principle of international relations but should be considered as one belief system that influences international politics. Through an exploration of Europe's secular identity, an identity that is seen erroneously as normative, author Sarah Wolff shows how Islam confronts the EU's existential anxieties about its security and its secular identity. Islam disrupts Eurocentric assumptions about democracy and revolution and human rights. Through three case studies, Wolff encourages the reader to unpack secularism as a bedrock principle of IR and diplomacy. This book argues that the EU's interest and diplomacy activities in relation to religion, and to Islam specifically, is shaped by the insistence on a European secular identity, which should be reconsidered in areas of religion and foreign policy.

"A literary gem researched over a year the author spent living in Berlin, Endpapers excavates the extraordinary histories of the author's grandfather and father: the renowned publisher Kurt Wolff, dubbed "perhaps the twentieth century's most discriminating publisher" by the New York Times Book Review, and his son Niko, who fought in the Wehrmacht during World War II before coming to America. Kurt Wolff was born in Bonn into a highly cultured German-Jewish family, whose ancestors included converts to Christianity, among them Baron Moritz von Haber, who became famous for participating in a duel that led to bloody antisemitic riots. Always bookish, Kurt became a publisher at twenty-three, setting up his own firm and publishing Franz Kafka, Joseph Roth, Karl Kraus, and many other authors whose books would soon be burned by the Nazis. Fleeing Germany in 1933, a day after the Reichstag fire, Kurt and his second wife, Helen, sought refuge in France, Italy, and ultimately New York, where in a small Greenwich Village apartment they founded Pantheon Books. Pantheon would soon take its own place in literary history with the publication of Nobel laureate Boris Pasternak's novel Doctor Zhivago, and as the conduit that brought major European works to the States. But Kurt's taciturn son Niko, offspring of his first marriage to Elisabeth Merck, was left behind in Germany, where despite his Jewish heritage he served the Nazis on two fronts. As Alexander Wolff visits dusty archives and meets distant relatives, he discovers secrets that never made it to the land of fresh starts, including the connection between Hitler and the family pharmaceutical firm E. Merck, and the story of a half-brother Niko never knew. With surprising revelations from never-before-published family letters, diaries, and photographs, Endpapers is a moving and intimate family story, weaving a literary tapestry of the perils, triumphs, and secrets of history and exile"--

"Mongameli Anthony Mabona (1929) is a singular South African scholar with an exceptional life path. The history of British imperialism and apartheid shaped the world into which he was born. To a large extent, these powers had his destiny carved out for him. Nevertheless, a curious set of coincidences enabled him to obtain a tertiary education as a priest, to pursue his doctoral studies in Italy and to befriend Alioune Diop. He is one of the first published philosophers of Anglophone Africa and holds doctorates in theology and anthropology. His opposition to institutionalised racism - including co-authoring the 1970 'Black Priests' Manifesto' - eventually led to his exile. This book documents his life and offers a synoptic reading of his scholarly and poetic work"-- Back cover

Not Quite Hope and Other Political Emotions in the Gilded Age' argues that late nineteenth-century US fiction grapples with and helps to conceptualize the disagreeable feelings that are both a threat to citizens' agency and an inescapable part of the emotional life of democracy-then as now. In detailing the corruption and venality for which the period remains known, authors including Mark Twain, Harriet Beecher Stowe, Henry Adams, and Helen Hunt Jackson evoked the depressing inefficacy of reform, the lunatic passions of the mob, and the revolting appetites of lobbyists and office seekers. Readers and critics of these Washington novels, historical romances, and satiric romans a clef have denounced these books' fiercely negative tone, seeing it as a sign of elitism and apathy. The volume argues, in contrast, that their distrust of politics is coupled with an intense investment in it. 0Chapters examine both common and idiosyncratic forms of political emotion, including 'crazy love', disgust, cynicism, 'election fatigue', and the myriad feelings of hatred and suspicion provoked by the figure of the hypocrite. In so doing, the book corrects critics' too-narrow focus on 'sympathy' as the American novel's model political emotion. We think of reform novels as fostering feeling for fellow citizens or for specific causes. This volume argues that Gilded Age fiction refocuses attention on the unstable emotions that shape our relation to politics as such. It also positions this literature's fraught fascination with formal politics as a necessary counterpoint to histories of US literature that focus only on the nineteenth-century novel's anti-institutional imaginaries