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Does Size Matter in the Context of the Global South? Theorizing the Smallest States
In: Polity, p. 000-000
ISSN: 1744-1684
Supernova
In: Critical studies on security, p. 1-2
ISSN: 2162-4909
Small states and international relations pedagogy: Exploring the creative agency frontier
The world's smallest sovereign states, which in fact comprise the majority of sovereign states worldwide, have a great deal to teach us about different interpretations of power. Much international relations (ir) scholarship has traditionally focused on power as control or coercion; however, power can also mean capability, which is accomplished through what this article identifies as creative agency. Here creative agency is defined as capability according to how one interprets power and the benefits associated with that power. Thus, certain components of power, such as regional or global hegemony, may not be relevant to creative agency; conversely, strong cultural identity or a niche economy may be essential. This article divides small states into three categories: (1) microstates, defined herein as states with populations of fewer than a half million and/or a non-sea area of fewer than 1,000 square kilometers; (2) states with populations of between a half million and one million; and (3) states considered small primarily in relation to their larger neighbors. It uses examples from all these categories to illustrate the phenomenon of creative agency with regard to state formation and type of government and governance. Because the focus of the article is pedagogy, the text includes references to key themes that instructors can introduce with small states, as well as to representative works on small states from political science, law, history, and anthropology. ; Los Estados soberanos más pequeños del mundo, que de hecho comprenden la mayoría de los Estados soberanos en todo el mundo, tienen mucho que enseñarnos sobre las diferentes interpretaciones del poder. La gran parte de los estudios de relaciones internacionales (ir) se han centrado tradicionalmente en el poder como control o coerción; sin embargo, el poder también puede significar capacidad, que se logra a través de lo que este artículo identifica como agencia creativa. Aquí, la agencia creativa se define como la capacidad de acuerdo con la forma en que uno interpreta el poder y los beneficios asociados con ese poder. Por lo tanto, ciertos componentes del poder, como la hegemonía regional o global, pueden no ser relevantes para la agencia creativa; por el contrario, una identidad cultural fuerte o una economía de nicho puede ser esencial. Este artículo divide los Estados pequeños en tres categorías: (1) 2 microestados, definidos aquí como Estados con poblaciones de menos de medio millón y/o un área no marítima de menos de 1,000 kilómetros cuadrados; (2) Estados con poblaciones de entre medio millón y un millón; y (3) Estados considerados pequeños principalmente en relación con sus vecinos más grandes. Utiliza ejemplos de todas estas categorías para ilustrar el fenómeno de la agencia creativa con respecto a la formación del Estado y el tipo de gobierno y gobernanza. Debido a que el enfoque del artículo es la pedagogía, el texto incluye referencias a temas clave que los instructores pueden presentar con Estados pequeños, así como a trabajos representativos sobre Estados pequeños de ciencias políticas, derecho, historia y antropología
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Treading on Tradition: Approaches to Teaching International Relations to the Nontraditional Undergraduate
In: International studies perspectives: ISP, Volume 3, Issue 1, p. 15-24
ISSN: 1528-3585
Pedagogy in International Studies: Treading on Tradition: Approaches to Teaching International Relations to the Nontraditional Undergraduate
In: International studies perspectives: a journal of the International Studies Association, Volume 3, Issue 1, p. 15-24
ISSN: 1528-3577
Treading on Tradition: Approaches to Teaching International Relations to the Nontraditional Undergraduate
In: International studies perspectives: a journal of the International Studies Association, Volume 3, Issue 1, p. 15-24
ISSN: 1528-3577
Nontraditional undergraduates (NTUs), undergraduates who typically are older than average, work full-time, &/or are entrusted with substantial family responsibilities, pose a special challenge to international relations educators. Severe constraints on time & access to library facilities both impede progress & may give an erroneous impression that NTUs are not as committed to their education as more conventional college undergraduates. The lack of continuity in education that typifies the NTU experience often manifests itself in anxiety, frustration, & gaps in fundamental knowledge. At the same time, the maturity & sophistication that come with life experience often far exceed that of the more conventional college student. Furthermore, typical requirements of international relations & international studies majors, such as second & third language proficiency, internships with international organizations, & overseas study are often not feasible for the working student with family responsibilities. Possibilities for meeting the challenges of teaching NTUs include greater use of open-book examinations, research proposals, case studies, simulations, problem-based learning (PBL), use of the Internet, & the development of short-term intensive overseas study opportunities that accommodate the working student's schedule. 4 References. Adapted from the source document.
Defying Conventional Wisdom: Political Movements and Popular Contention against North American Free Trade
In: Mobilization: the international quarterly review of social movement research, Volume 6, Issue 1, p. 103-104
ISSN: 1086-671X
Cross-cultural Conflict about Property Rights in Wild Animals in Australia: Law and Cinema
In: Law, culture & the humanities, Volume 16, Issue 1, p. 70-81
ISSN: 1743-9752
Pierson v. Post is widely known to both jurists and law students in relation to the question of property rights in wild animals. This article builds on Pierson v. Post and its literature by analyzing the question of ferae naturae in the context of settler and indigenous conflict on the Australian frontier in the nineteenth century. By examining both case law and the cinematic representation of the conflict over property rights on the frontier, it is argued that an understanding of the legal issues relating to ferae naturae is enhanced by an appreciation of the complexity of cross-cultural communication.