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Borys Hrinchenko's publicism is the result of his social and political activity. Publicistic genres – essays, feuilletons, critical articles, polemical and debatable articles, and even journalistic notes are the core of journalism. Publicism in any periodical creates the face of this publication, declares its affiliation to a particular ideology, the creation of the ideal of the best-organized society. All these tasks in the publicism of this person are outlined very clearly. Communist ideology treated Borys Hrinchenko as an ideologue of bourgeois nationalism, a "singer of Petliurism", a cultural trader, and the author of the "small business theory". This is an "achievement" of the Soviet methodology. Until 1917, nationalism meant patriotism, not chauvinism. Cosmopolitanism was interpreted as internationalism. Over time, the essence of the terms has changed to the opposite. The history of Hrinchenko's publicism testifies that he defended the national path of Ukraine's development determined by Shevchenko and saw the essence of his life in this path realization. He, with some reservations, leaned towards the ideology of radicalism and created the Ukrainian Radical Party to implement the program of national development and nation-building, and later merged with L. Zhebunov's Democratic Party into the Ukrainian Radical Democratic Party. Among about 20 party pamphlets, several were written by Hrinchenko, and he also compiled (№ 7) a collection of poetic publicism, or more precisely, journalistic poetry, The Red Flower (1905). In 1892, Boris Hrinchenko made the final ideological and cultural-scientific choice. Evidence of this is the controversy between Hrinchenko and Drahomanov about the ways of development of Ukraine and the role of Shevchenko in nation-building (Hrinchenko, 1994). These are letters from the future of Ukraine. They passed through the Ukrainian People's Republic, the Ukrainian SSR, and in 1991 received the name of the state of Ukraine. "Letters from the Dnieper Ukraine", "Galician Poems", "On the ...

The article is devoted to the understanding of Borys Hrinchenko epistolary dialogues on Ukrainian national affairs. In particular, the research studied the epistolary as a component of the scientific and literary process, the problems of language, literature, science standardization in Borys Hrinchenko's letters. The article clarifies Borys Hrinchenko's activity as the editor of P. Kulish Bible translation. It turned out that Hrinchenko approached the epistolary heritage in a historical dimension. It is not accidental when Ioil Rudenko handed him out a notebook of different genres of ancient works, found in a priest in the Hlukhiv region, among them "Letter" – a kind of instructions and samples of writing letters to officials and relatives, he immediately published it on the pages of "Zemskyi collection of the Chernihiv province" with its own preface. The study singles out the Kyiv period of Borys Hrinchenko's life and work in 1902–1909, which was marked, among other things, by active correspondence with scientists and cultural figures, and publishers. The article emphasizes that a special place in the epistolary dialogues on several Ukrainian problems belongs to Borys Hrinchenko's correspondence with Hanna Barvinok. It is about the preparation for publication of "Stories from the People's Mouth" by Hanna Barvinok, a historical and literary essay about her "Poet of Women's Grief" and the popularization of her ethnographic and folklore stories among the Ukrainian community. The article outlines that B. Hrinchenko's letters certify the aspirations and practical work in the field of national culture development on a democratic, national basis. Most of the public events initiated by V. Hnatiuk and B. Hrinchenko agreed with the needs of the time and the idea of the unity of Ukraine. Hrinchenko's letters to V. Hnatiuk prove the high development of the epistolary style in Ukrainian literature, its publicism. Based on the study, it was concluded that Hrinchenko intended to create a separate type of literature – ...