Suchergebnisse

Egon Schiele (1890–1918) is one of the most significant representatives of Austrian expressionism, whose works influenced not only numerous painters and graphic artists, but dancers and theatrical stage employees as well. However, few academic publications are devoted to E. Schiele's creative work, and among the existing ones, there is a significant proportion of those where his paintings are considered as the evidence of deviations in the painter's mental health. The main method used in the present work is the philosophical and art studies analysis, appealing to the universal meanings of works of art. Three paintings: Self-Portrait with Black Vase (1911), The Holy Family (1913) and Death and the Maiden (1915), which can be combined into one series demonstrating the genesis of Egon Schiele's ideas about art in general and about his creative work in particular, are the material for this study

The article discusses the main features of the urban architecture of Krasnoyarsk, the specifics of public transport and the availability of urban space for residents, the problems of public safety in the city; features of parks and public recreation areas; the peculiarity of urban management and the involvement of citizens in the processes of city management. The study is based on modern approaches to the consideration of the urban environment as a result of the interaction of residents and city government. The article is based on a wide range of sources: modern studies of the urban environment in Russia and abroad, official sites of the administration and city services, statistics, modern studies of the urban environment of Krasnoyarsk conducted by scientists of the Siberian Federal University. The results of the study reveal the transitional state of the urban environment of Krasnoyarsk, its rich potential and indicate the main problems and prospects for further development

The article attempts to reveal the transformation of the role of religion in preserving the traditional way of life of the Evenki ethnos from 1930s to 2000s in the northern regions of the Krasnoyarsk Krai, as well as its reflection in the education system and in traditional culture (folklore, visual arts, decorative and applied art). The article notes that the analysis of domestic and foreign studies of the culture and religion of the Evenki confirms the validity of appealing to an interdisciplinary type of research. The subject of the research is the traditional and non-traditional religious movements embodied in the culture and life of the Evenki ethnos. Observation, analytical-descriptive method, including the analysis of individual elements of the development of the Evenk traditional culture, followed by generalization of the data, as well as comparative historical and dialectical methods are used to solve the research problems. Moreover, among the main research methods, philosophical and art history analysis of art works of the Evenki is actively used. The conclusion indicates general outputs and tendencies characterizing the current state of the embodiment of religious trends in culture, education and everyday life of the Evenki ethnos

The article scrutinizes the problem of understanding and presenting the ethnocultural identity of the indigenous peoples in the works of art. The authors describe the features of the image visualization regarding the indigenous peoples of the North in the works of artists of the Krasnoyarsk Krai. For this purpose there was made a thorough analysis of the most representative works in painting and graphics, namely, Konstantin Voynov's painting "The Madonna Beyond the Polar Circle" (2009), Andrei Lekarenko's painting "The Girl from Taimyr" (1959) and Valery Kudrinsky's picture "The Northgirl" (1985). The analysis was based on the constructivist approach to identity and the principles of the modern theory of the fine arts stated by V. I. Zhukovsky and N. P. Koptseva. As a result, the researchers identified 1) three key stages of the Krasnoyarsk artists' interest in painting the indigenous peoples of the North (starting from the beginning of the 20th century and ending at the beginning of the 21st century); 2) two main approaches to depicting the lifestyle of the indigenous peoples of the North (documentary-ethnographic and philosophical ones)

The main features and challenges of the ethnocultural space of one of the largest and most varied in its ethnic composition regions of the Russian Federation are studied in the article based on research material of the current state of culture of the indigenous minorities of the north living in the territory of Krasnoyarsk Krai (the Selkups, the Nenets, the Enets, the Dolgans, the Nganasans, the Evenks, the Kets and the Yessey Yakuts). The study is based on modern approaches to the consideration of the mechanisms of sociocultural changes, such as the concept of "cultural trauma" of the Polish sociologist Piotr Sztompka. The article is based on the results of numerous field studies conducted by the scientists of Siberian Federal University. Preference of mass culture and replacement of traditional with pseudo-traditional are emphasized among the main challenges of the current state of the ethnocultural space of Krasnoyarsk Krai