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In the era of globalization and rapidly developing technology, China's animation industry in its development faces a certain anxiety about the preservation of traditional national identity. This article describes the influence of neorealism on contemporary Chinese animation art. The study is an attempt to explore and analyze the fea-tures of neorealism as a current in contemporary Chinese animation through the example of the animated film "Lion Boy". The appearance of the film (2021) has broken the dominant pattern of contemporary Chinese ani-mated films with "mythological" themes and marked a new direction for the development of contemporary Chi-nese animation. The movie is based on a classical plot, but the characters are adapted to the norms of modern morality and ideas about aesthetics. From a certain angle, the movie is filled with modern pictures, the images of the characters are better depicted, they are more real, and the plot develops more dynamically. The protago-nist is a character with a peculiar morality, who does not believe in prejudice. He meets the main values of mo-dernity, which attracts the viewer. By analyzing the storyline, metaphors and analogies of the film, the author made an attempt to identify the problems of the development of Chinese animation and determine the features brought by neorealism to contemporary Chinese animation cinema. Neorealism filled animation with the con-sideration of the true relationship between ordinary people and society as a whole system, shifting the empha-sis from mythological heroes, leaders to ordinary people. One of the results of the content analysis has become the characterization of a new direction of Chinese animation art in which human dreams and reality can coex-ist. The new animation resolves the contradiction between ideal and reality, the conflict between modern and traditional culture. Conclusions dwells upon the fact that it is possible to bridge the gap and conflict between "tradition" and "modernity", "individual" and "society" that modern people face in their life world.

Chinese new realism painting is formed under the interaction of western philosophy and Chinese native phi-losophy. Philosophical and cultural theories have had a significant impact on artists' understanding of real-world problems and the way they conceive art. For some contemporary Chinese artists, philosophical and cul-tural theories have become an integral part of their professional outlook. Neorealist artists depict objective reali-ty according to their feelings, emotions and spiritual values. This paper points out three philosophical concepts that influence Neo-Realism philosophy: symbol philosophy, value philosophy and life philosophy. These philo-sophical schools have influenced the most important conceptual attributes of creation and reflected the particu-larity of neo-realists' cognition of the world. The particularity of the philosophical and cultural interpretation of the new realist artist's creation lies in the artist's high subjectivity, criticism and individualization. It is this philo-sophical premise that opens up a broad space for free creation, showing the subjective understanding of reali-ty, reflecting the inner world of the individual and the interpretation of reality in the works.

The philosophical foundations of modern art are inextricably linked to the development of culture and the pecu-liarities of a particular artist's creative process. Chinese neorealist painting is a representative reflection of the philosophy of the "new period" epoch in the national culture, which focused the society's attention on the signif-icant changes in the fine arts of the Celestial Empire in the post-reform period. It is proved that the philosophi-cal and cultural preconditions of the artistic concept of neo-realist art were the theories of neo-Kantianism. Phil-osophical ideas of a new reality of human existence, a different quality of social relations actualized the ideas of humanistic ideals of professional activity of the modern artist, the value of national identity. The concept of neorealist painting in China is an expression of world and traditional national philosophy in art, due to which it acquires a number of specific features, one of the most important among which is the assumption of subjectiv-ism in the interpretation of reality.