American/Medieval: Nature and Mind in Cultural Transfer
Title Page -- Copyright -- Table of Contents -- Body -- Acknowledgments -- Gillian R. Overing and Ulrike Wiethaus: Introduction: The Making of American/Medieval -- Medievalism and the American/Medieval -- American/Medieval: The Challenge of Definition -- A/M: Old Trauma, New Archives, and Creatures on the Move -- New Archives -- Creatures on the Move -- Conclusion -- Select Bibliography -- Part One: Old Trauma -- Tina Marie Boyer: Medieval Imaginations and Internet Role-Playing Games -- Introduction -- Slender Man -- American Imaginations of the Medieval and Slender Man -- Bibliography -- Sol Miguel-Prendes: Medieval Iberian Studies: Borders, Bridges, Fences -- Boundaries -- Bridges -- Fences -- Bibliography -- Ulrike Wiethaus: "Yet another group of cowboys riding around the same old rock": Religion and the German-American Genesis of a Capitalist Stereotype -- Introduction -- From Mammon to Letzter Mensch -- Indigeneity and Doomed Pre-capitalist Wholeness -- The Natural Habitat, Race, and Sexual Threat of Homo capitalisticus -- The Puritan Spirit and the Desires of the Id -- Contemporary American Mutations of Medieval DNA -- Bibliography -- Part Two: New Archives -- Joshua Davies: "Beyond the Profane": Machine Gothic and the Cultural Memory of the Future -- Gothic Origins -- American Gothic -- Railroad Gothic -- Colonial Gothic -- Bibliography -- Mary Kate Hurley: "Scars of History": Game of Thrones and American Origin Stories -- Scars of History: Time, Nostalgia, and the Wounds of the Past -- Scars of Fantasy: Westerosi History and Time's Wounds -- Scars of Time: Martin's "Medieval" World -- Scars of History: Toward the American/Medieval -- Bibliography -- Gale Sigal: At What Price Arthur? Academic Autobiography, Medieval Studies, and the American Medieval -- Introduction -- In the Middle or On the Margins?