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Contains woodcut diagrams. Head-piece. Initials. Printed marginalia. Device on t.p. (angel carrying a door, and supporting a shield with initials FP). Zappella (fig. 89) assigns it to Francesco Portonari, Venice, 1552-1578, rather than to Tamborino. ; Signatures: A-V⁴. ; Mode of access: Internet. ; Library's copy has owner's signature on t.p. at either side of device: Del Colonello Jacomo Matteuccj. Notes in brown ink upside down on back pastedown. ; Binding: old limp vellum. Title and author written on spine (now torn). Remains of two pairs of ties at foredge.

The paper describes the permeation of the Croatian language with adjacent languages that were frequently used as languages of political domination or great prestige. The author speaks about the language power of the Croatian South and the Croatian North. In Europe, more precisely in West and Central Europe, there is hardly any other nation on whose territory so many languages were spoken as it is the case with Croatia, especially in its South. However, this fact did not prevent the Croats to become one united nation in the 19th century. The only language with which Croatian was in actual conflict was Hungarian

This is a plea for unity sent to Charles, Duc de Mayenne, 1554-1611, brother of the late Henri, Duc de Guise and his brother, the Cardinal de Guise, both of whom had been assassinated at the order of Henry III. The King had been deposed and Mayenne and his army placed at the head of a provisional government. The author seeks peace, aware of Mayenne's instability. "Fait à Paris ce 23 iour de Iuin, 1589." "Sonet. A Monseigneur le Duc d Mayne", on last two unnumbered pages. ; Electronic reproduction; 12, [4] p. ; 16 cm. (4to)

Lodovico Guicciardini (dutch: Lowijs Guicciardyn, 1521-1589) was an italian merchant, cartographer, humanist, geographer, politician and writer. He was a nephew of Francesco Guicciardini and like him an author of histories. He became famous for his historic views and descriptions of cities. One of his first works was a contemporary history of the Netherlands (Commentarii delle cose più memorabili.). He became famous through his description of Antwerp De idyllische Nederlanden: Antwerpen en de Nederlanden in de 16e eeuw (1567). His books always included intricate maps and illustrations. ; Lodovico Guicciardini, ndl. Lowijs Guicciardyn (1521-1589) war ein italienischer Kaufmann, Kartograph, Humanist, Geograph, Politiker und Schriftsteller. Er war ein Neffe Francesco Guicciardinis und besaß die gleiche Neigung zur Geschichtsdarstellung. Berühmt wurde er für seine historischen Stadtansichten und -beschreibungen. Eines seiner ersten Werke war eine zeitgenössische - damals aktuelle - Geschichte der Niederlande (Commentarii delle cose più memorabili.). Erste Berühmtheit erlangte er durch sein Meisterwerk, einer Beschreibung von Antwerpen: De idyllische Nederlanden: Antwerpen en de Nederlanden in de 16e eeuw (1567). Seine Bücher waren stets mit aufwändigen Karten und Zeichnungen versehen.

The etched emblems appear within elaborate borders of strapwork, architectural elements, figures, masks, swags, fruit, etc. They include Latin mottos. Dolce's explanatory verses appear on the leaf following each emblem. These are printed letterpress, within one of two woodcut borders, and are numbered 1-52 at the upper right (mistakes, omissions). Plates [38] and [45] each contain two emblems. ; Place of publication taken from Venetian privilege on t.p. Date from that of dedication to Alfonso II, Duke of Ferrara (6 ottobre 1562). ; Landwehr, J. French, Italian, Spanish and Portuguese emblem books, ; Mode of access: Internet. ; At foot of many of Dolce's verses is a reference in brown ink to Paolo Giovio's Dialogo dell'imprese militari et amorose. ; Binding: later vellum. Author and brief title in gilt on red leather spine label. Page edges sprinkled red. Green silk place marker. ; Library's copy lacks dedicatory leaf ([2]).

The idea of hegemony, in its Gramscian sense, contributed to the renewal of several fields of social sciences in the 1970s and 1980s. This idea circulates between different geocultural spaces and different times. The approach adopted in this article starts from the contexts in which this idea is mobilized, in order to show to which theoretical and practical stakes it answers. Focusing on four authors (Antonio Gramsci, Ernesto Laclau, Chantal Mouffe and Pablo Iglesias) and on the transfers from one author to another, the aim is to highlight the social conditions conducive to the deployment of this idea and to identify the (dis)continuities that punctuate its history. Throughout the socio-historical course marked out by the written productions of these four authors, one constant appears: the vitality of the concept of hegemony seems linked to periods of crisis - theoretical and / or strategic - of the left. ; Peer reviewed

This literature review examines the potential of collaborative art making as a tool to foster a sense of belonging in today's gender and sexual minority youth who identify as lesbian, gay, bisexexual, transgender and queer (LGBTQ). Living with a unique layer of minority stress, LGBTQ youth are at high risk for developing mental health issues such as depression, anxiety, and suicidal ideation due to ostracization and rejection from their families and communities. By reviewing the implementation of collaborative art making to bring together other marginalized groups across cultural backgrounds as well as the use of art making with LGBTQ youth for purposes such as political activism, community outreach and self advocacy, it is concluded that collaborative art making could be a useful method to combat thwarted belongingness and diminish resulting mental health issues. The author is a queer white millenial woman living in north eastern United States of America.

Guillaume Rouillé's device on both t.p.'s (eagle and 2 snakes). Du Choul's arms on both t.p. versos. Ill. in 1st title largely taken from Roman coins. Those in 2nd title mostly full page. Ill. attributed to Pierre Eskrich; see Mortimer. Folded "Figvra del campo de Romani" bound after p. 56, 2nd title. Headpieces, initials. ; The second discourse has special t.p., with title: Discorso sopra la castrametatione et disciplina militare de Romani, con i bagni & essercitij antichi de Greci & Romani. ; Mortimer, R. French 16th-cent., ; Mode of access: Internet. ; Signature on t.p. of c. 2, imperfectly obliterated (?Don Francesco ?Capecelino). ; Binding, c. 1: later vellum. Foredges turned down over text block. Title in gilt on green goatskin spine label. 1569 written at foot of t.p. Copy 2: 19th-century marbled paper, half calf. Author and title in gilt on spine label. Page edges sprinkled red and brown. At lower left corner of front pastedown is binder's ticket of J. Sutherland, Edinburgh. ; Copy 2 lacks the folded plate of a Roman camp.

Signatures: *⁶ a-z⁴ A-2N⁴. ; "Faultes en L'impression"--Nn2v. ; T.p. vignette (Medici arms). The folded double plate bears a "Genealogie de la maison de Medici." Each section devoted to a member of the Medici family is preceded by an emblem with motto, and a strap-work cartouche with his name. Except for the first, the emblems are copies of the Medici emblems in Paolo Giovio's Dialogo dell' imprese militari et amorose (Lyons : G. Rouillé, 1559); see Mortimer. Genealogical tables of the Dukes of Boulogne and Auverge, Ll3v-Nn1v. Headpieces. Foliated and grotesque initials. ; Dedication to Catherine de Médicis signed by the author: Iean Nestor medecin. ; Mortimer, R. French 16th-cent., ; Mode of access: Internet. ; Reader's notes in English on front free endpaper recto. Additional notes in English in another hand on Nn3r. ; Binding: vellum. Title in gilt on green leather spine label. The final blank serves as the back pastedown. ; In Getty copy the plate is mounted on a stub at the center fold and follows leaf *6.

Vol. 2: 7, [1] text leaves (the last blank), [61] double-page leaves of plates; for collation of v. 1, see Fowler. The etched plans, elevations and views have legends in Middle French and Latin. T.p. purely typographic, but the text with head and tail pieces, initials. ; Fowler ; Cicognara, ; Mode of access: Internet. ; In Getty c. 1 the plate leaves are numbered 1-110 in brown ink, and the "Table des bastimens" on t.p. verso has been numbered accordingly. The plates also have later numbering from 1 to 57 in pencil at the upper right-hand corners. On leaf 7r the description of "Beauregard" has been annotated in the margin with an excerpt from abbé Jean Joseph d'Expilly's Dictionnaire géographique, historique et politique des Gaules et de la France (1762-1770). ; Binding, c. 1: old vellum. Title written at head of spine: Chateaux / de / Ducerceau. Holes for two pairs of ties at foredge. Centered on front pastedown is Giovanni Muzio's etched bookplate by Giacomo Manzù. Binding, c. 2: old sheepskin, rebacked and repaired. Spine now gold tooled, with author and title on red label. ; Library's copies incomplete: both lack v. 1. In addition c. 1 lacks one of the plates for Dampierre ("Estuues") and the three plates for Bury.

Past research on foreign divestment has recognized the impact of economic and political differences1. However, the prior findings remain equivocal. We adopt the Positive Organizational Scholarship perspective to provide more contextualized insights into the effects of economic and political differences on foreign divestment. Specifically, we consider the juxtaposition of national differences and levels of firm interaction with the different contexts. Thus, we develop the concept of friction to assess levels of economic and political differences. We further argue that economic friction will have a curvilinear (U-shaped) effect on foreign divestment, whereas political friction will produce a monotonic (positive) effect. Moreover, we introduce ownership level as a moderator into the main hypotheses. Drawing on data from 2400 foreign subsidiaries of 310 Finnish multinational enterprises, from 1970–2010, we provide support for our main hypotheses, although the moderating effect of ownership levels is not supported. We further compare the effects of differences measured by friction with those measured by distance. Accordingly, our research highlights the importance of detecting specific conditions for the investigation of the impact of economic and political differences in the foreign divestment literature. ; © 2021 The Author(s). Published by Elsevier Inc. This is an open access article under the CC BY license (http://creativecommons.org/licenses/by/4.0/). ; fi=vertaisarvioitu|en=peerReviewed|

Folded leaf 33 bound in at end of pt. 2. Leaf 16 (comprising 2 folded leaves) and single folded leaves 20 and 23 bound in at end of pt. 3. There are 2 additional folded leaves bound after pt. 3; they appear to be printed with the woodcuts for the first two diagrams of leaf 20, but without the accompanying letterpress. ; Foliation, pt. 1: [4], 80 leaves (4 folded) ; pt. 2: 35 leaves (1 folded); pt. 3: 30, [1] leaves (the last blank, 4 folded); pt. 4: [1], 29 leaves; pt. 5: [2], 39, [1] leaves. ; Bozzola's device appears on all t.p.'s (griffin). Numerous woodcut ill. including many double-page and some on folded leaves. The double-page ill. have letterpress on the verso and are tipped onto a stub at the centerfold; most of them are assigned a separate signature letter and included in the foliation as two leaves. Initials. ; Pts. 2-5 have added t.p.'s. Each pt. separately foliated and signed, the 5 sequences of signatures having from 1 to 5 letters. ; An expanded version of Cataneo's Dell'arte militare libri tre (Brescia : T. Bozzola, 1571). Also issued at Brescia in the same year by P.M. Marchetti. See BM. ; BM ; Mode of access: Internet. ; Inscription on front pastedown: Vale. Paoli, 2. Below is another: di Bernard.no ?Minucchi / L2.10. An inscription on the t.p. at either side of the device has been scratched out. Arithmetical sum in right margin of t.p. Bibliographical note in pencil on back free endpaper verso, followed by an inscription (now scratched out), and the pencilled signature: .Joseph. ; Binding: old limp vellum. Author and title written on paper label at head of spine.

Signatures, pt. 1: [dagger]⁴ A-2P⁴ 2Q-2R⁸ 2S-2T² 3A-3M⁸ 3N⁴ (G2 missigned F2; Rr8 blank). Pt. 2: [dagger]² A-2V⁴ [double dagger]² 3A-4K⁴ ²A-G4 (2K2 missigned K2). Irregularites in paging; see Mortimer. ; Both vols. include indexes. ; Pt. 2 includes Trattato della chiesa e vescovi fiorentini, with special added t.-p. Its paging is continuous with the preceding sections, but [double dagger]² with the special t.-p. and the dedication are unpaged. ; Giunti device on t.p.'s of both pts. and on added t.p. following 2V4, v. 2. A different form of device incorporating the initial F appears on last leaves of both pts. Some in-text woodcut ill. Port. of Borghini on verso of both t.p.'s in pt. 2, the 1st with his name and age lettered around the image. Four folded double leaves with 6 plates in pt. 1 signed Ss1-2, Tt1-2. Folded double plate with facsim. following D1, pt. 2. Double-page plate of Florentine coats of arms following G4, pt. 2. Historiated initials. Type ornament head and tail pieces. ; pte. 1. Della origine della città di Firenze. Della città di Fiesole. Della Toscana e sue città. De'municipij, e colonie romane. Delle colonie latine. Delle colonie militari. De'fasti romani, e del modo del citare gl'anni.--pte. 2. Dell'arme delle famiglie fiorentine. Della moneta fiorentina. Se Firenze fu spianata da Attila, e riedificata da Carlo Magno. Se Firenze ricomperò la libertà da Ridolfo imperadore. Della Chiesa, e vescovi fiorentini. ; Mortimer, R. Italian 16th-cent. ; Mode of access: Internet. ; SVA has been corrected in ink to SVE on Aaa1r, pt. 1, as Mortimer reports for both Harvard copies. Traces of paste on t.p. of Getty pt. 2 suggest that the words "Parte Seconda" were formerly covered by a cancel slip, as in one of the Harvard copies, and the second c of "Reccati" has been struck through with a pen as in both Harvard copies. ; Binding: 2 v. in later vellum. Both vols. have author/title and vol. no. in gilt on two red spine labels. At upper left-hand corner of front pastedown of both vols. is binder's ticket of Oreste Pagni, Siena.

The transition to a circular economy (CE) remains an anticipated future with alternative pathways for its fulfillment. Most research on CE is normative about technological approaches and interpretations for production and sustainable development. However, critical reviews of CE help understand that CE's emergence is constrained to current dominant goals. As a set of imagined futures, the visions of CE are produced and shared in discursive practices. We hypothesize that the existence of alternative discourses about CE originates from alignment with or divergence from current dominant goals. Green growth holds the dominant position as a goal in the European discourse about CE. In this study, we present an empirical case of an emerging CE in the region of Trøndelag in Norway. This case uses qualitative data collected through interviews with informants in the public and private sectors (profit and non-profit organizations). The analysis of these interviews involved the use of a discourse coalition framework as a method. We identified three discourse coalitions: 1) Waste as resources: a vision of better product design and waste sorting technologies making recycling more efficient. 2) Sharing economy: a vision of industrial symbiosis, and new business models for local commercial offerings in sharing, reuse, repair of products. 3) Reduction of individual consumption: a vision of individual changes in lifestyle, coupled with local services and skill acquisition/transfer for reuse and repair. The first two operate in alignment with the political goal of green growth. The third one diverges by questioning it and setting focus on individual consumption reduction. We found discursive competition in CE when the focus is on the goal underlying its enactment. From this finding, we raise the question of which kinds of technological implementation and political challenges would come from shifting CE's policy goal to reducing individual consumption. To illustrate an alternative CE that emerges from consumption reduction, we discuss its implications based on the insights from our empirical case. The main contribution of the article is to provide evidence and an example of an emerging aspect that can be integrated more prominently in CE and that requires a stance that is not based on economic growth. ; publishedVersion ; © 2020 The Author(s). Published by Elsevier B.V. on behalf of Institution of Chemical Engineers. This is an open access article under the CC BY license (http://creativecommons.org/licenses/by/4.0/)

[superscript pi]A² a2-a4 b² A-F⁶ G⁸ H-2O² [2P]⁸ 2Q² 2R⁴ 2S² 2T-2X⁶ 2Y⁴ 2Z-3A² 3B⁸ 3C-6T² [6V-6Z]² [dagger-2 daggers]⁶ chi-2chi². ; Device on t.p. signed B.V.F. (Virtù). Headpieces, some signed M.S. Tailpieces. Figured initials (saints, putti), as well as floriated and arabesque; some factotum. ; In the present copy plates 155-161 are not numbered. It lacks both the added plate LXXVIII following 3K² and the view of Malta, 3K1v-3K2r being blank. However, four additional double-page plates follow Libro 3, the fourth of which is the missing view of Malta. ; Mortimer gives 161 numbered plates in describing the Harvard copy, engraved on 157 copperplates (CXXXVII-CXLIIII appear two to a plate). She notes that some copies have a plate LXXVIII bound in after 3K2. This plate corresponds to the text on 3K1r and 3K2v, which the view of the 1565 siege of Malta on 3K1v-3K2r does not. ; Dall'Oglio published an ed. consisting of the plates only in 1597. In the present ed. they are grouped together to form Libro 3, and the legends giving their position in the preliminary ed. have mostly been masked. See Mortimer. ; Plate I bears the legend that de Marchi began this work in August, 1546, while Dall'Oglio's dedication to Vincenzo Gonzaga is dated 12 May 1600. ; The t.p. is that of the first of four issues; see Mortimer. The addendum on making artillery is labelled Libro quarto in the caption title, [dagger]1r. ; Mortimer, R. Italian 16th-cent., ; Mode of access: Internet. ; Two ownership inscriptions appear on the t.p. Above the device is the 5-line Latin gift inscription, dated 12 October 1680, of: Magister Aegidius Dez Defontaine, doctor and fellow of the Sorbonne and counselor to Philippe, duc d'Orleans, etc. At head in the same hand: pour La bibliotheque de la maison professe de St. Louis, des RR PP. de la Compagnie de Jesus. ; Binding: 19th-century purple grained cloth, goatskin back and corners. Author and title in gilt on red leather spine label. An oval cut in the cloth at center of both boards reveals the arms, stamped in gilt on leather, of Dominique de Vic, Archbishop of Auch (ca. 1588-1629); see Olivier, Reliures armoriées, 472. Page edges sprinkled red. Centered on front pastedown is Giovanni Muzio's etched bookplate by Giacomo Manzù. ; 1st plate in Getty copy bound in upside down.