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Δεν παρατίθεται περίληψη στα ελληνικά. ; Leonidas Kallivretakis, The Greek Dictatorship in the conjuncture ofthe 1973 Middle East War The purpose of this article is to explore a widely­held «urban legend¬, namely, that the Papadopoulos' military regime was overthrown in November 1973 by the Americans, because the Greek dictator refused to assist the United States' supply effort in support of Israel during the Arab­Israeli war in October 1973. This assumption holds a prominent position in the wider realm of various conspiracy theories, which seek simplistic explanations of complicated dramatic events. By following in detail the unfolding of events step­by­step, by thoroughly scrutinizing all available material and highlighting the contradictions they reveal, the author concludes that there is no hard evidence supporting the above theory surrounding Papadopoulos' ouster.

Momentography of a failure brings essays, timelines, film, photography, and a series of conversations together to deal with Ethiopia's controversial urbanisation and the transformative space of the city. It explores the gradual transition of rural-urban space, inner-city migration, emerging and disappearing spaces, and commoning in public space. Momentography of a failure is established at the verge of a hyper-documented world, a hybrid space of digital sociability. While the media production, its reception, and distribution was pluralized by digitization, practices such as "media-sharing" and "citizen journalism" established new conditions for visibility, reinvented the authorial image, and promoted yet another dematerialization of authorship. The author camouflages in the cloud(s). Adoption, appropriation, and recycling are standardized. Authorship becomes secondary to content and alternative models of authorship are formulated: co-authoring, collaborative creation, interactivity, and strategic anonymity, in which cultural activism is reinforced. Momentography of a failure sets out on this point and draws up a multidisciplinary artistic and urban research platform that calls for practicing forms of participatory citizenship through collaborative thinking, creation, and reflection. Momentography of a failure is a network of artists, urbanists, writers, and activists that stand where aesthetic-artistic practice and sociopolitical activism come together to explore failure--and its various realities--and claim, reaffirm, and dream alternatives

Δεν παρατίθεται περίληψη στα ελληνικά. ; Panayotis Stathis, Rethinking the 1821 Greek Revolution. A reading of Ni­kos Theotokas, The Life of General Makriyannis: History and Memoirs Nikos Theotokas' most recent book on Makriyannis is a characteristic specimen of new trends in the study of the Greek revolution of 1821, which shift emphasis from battles and politics to society. Theotokas uses as main analytical categories the antithetic notions of "tradition" and "modernity". However, Theotokas follows a less rigid and more sophisticated approach of this scheme. Instead of treating people of the traditional and modern world in a static way, he explores how they interacted, and emphasizes the dynamic nature of their relationship during the transitional period of the revolution. Theotokas' study on Makriyannis comprises a double venture. On the one hand it constitutes a historical biography of the General, while on the other it examines the long process of writing (1829-1852) his memoirs. Through this parallel narrative, Theotokas reveals how Makriyannis' changing attitude towards facts stated in the memoirs is modified by the specific historical conjuncture in which each of these facts is narrated by the author. The earliest parts of the text, written in the aftermath of the revolution, comprise a mixture of traditional and modern political discourse, in which the responsibility for both the negative developments of the war and of civil conflicts is often attributed to the traditional social elites. However, under the King Otto's reign, Makriyannis' expectations concerning his new position in the post-revolutionary society were gradually disappointed. Thus, in the latter parts of the memoirs Makriyannis clearly formulates a moralistic interpretation of the political developments, according to which the outlandish, selfish and warless politicians seized power and treated unfairly the pure fighters of the revolution who gave everything for its success.