Copia digital. Toledo : Instituto de Educación Secundaria El Greco, 2012 ; Tit. tomado del catálogo de Cultura. ; La serie Geografía fue publicada por el Dr. C. Uhlig según consta en el Catálogo de Diapositivos para la Enseñanza mencionado. ; Existe otra edición con igual numeración en alemán. ; Según DNB (Deutsche National Bibliothek), 02/07/2008, este editor estuvo activo ca. 1922-1940. ; El distribuidor en España de estas láminas era Cultura Eimler - Basanta - Haase (Madrid) ; Mención de serie tomada del catálogo del distribuidor Cultura. ; Contiene: 3/1. Desfiladero del Dariel con camino militar grusiano ; 3/2. Tiutiu-Basch, cumbre en el Cáucaso central ; 3/3. las ruinas en la ciudad de Tiflis ; 3/4. Pozos de petróleo en Bakú ; 3/5. Perspectiva del Elbruz tomada desde la estepa rusa. El monte se refleja en un pantano ; 3/6. Camino militar grusiano, en el valle del Aragua ; 3/7. Paisaje en la pendiente norte del Cáucaso ; 3/8. Colonia alemana Katharinenfel ; 3/9. Georgianas en traje regional ; 3/10. Balachany-Bakú, ciudad petrolera
This book is the attempt to bring - through the study of the written sources - one of the many faces of the complex Mongol history to its historical dimension. It concentrates on the Mongol dominion in Caucasia, considered as the area that goes from the Azov Sea down to modern Georgia. The period of the Mongol dominion was not the unique occasion during which sedentaries cultures and nomad civilizations came to interact; but it was only after this event that Caucasia underwent a coherent power of a united political system which enclosed in itself the character of both the social models. The genesis of this process and its results are the main object of this book. - Il volume intende riportare, attraverso lo studio delle fonti, un aspetto della complessa vicenda mongola alla sua dimensione storica. L'opera si concentra sulla dominazione mongola nella Caucasia, qui considerata come l'area che dal Mar d'Azov scende a sud fino a includere la Georgia attuale. Il periodo della dominazione mongola non fu la prima occasione durante la quale culture sedentarie e civiltà nomadi si trovarono a interagire; è pero in seguito a questo evento che la Caucasia subì un potere coerente da parte di un sistema organizzato che racchiuse in sé i caratteri di entrambi i modelli; la genesi di tale processo e i suoi risultati costituiscono l'oggetto fondamentale del lavoro.
This book is the attempt to bring - through the study of the written sources - one of the many faces of the complex Mongol history to its historical dimension. It concentrates on the Mongol dominion in Caucasia, considered as the area that goes from the Azov Sea down to modern Georgia. The period of the Mongol dominion was not the unique occasion during which sedentaries cultures and nomad civilizations came to interact; but it was only after this event that Caucasia underwent a coherent power of a united political system which enclosed in itself the character of both the social models. The genesis of this process and its results are the main object of this book.
Lautaro Vilo's Cáucaso (2006) focuses on the military take-over of the Dubrovka theatre in Moscow in 2002, in order to pose the impossibility of representing traumatic experience. Relying on an aesthetic that is more Brechtian than realist-illusionist, the performance reflects diverse functions of theatrical metadiscourse , imagination and theatrical production, and questions the possibility of bearing witness to an historical event. ; Cáucaso(2006) de Lautaro Vilo elige la toma militar del teatro de Dubrovka , ocurrida en Moscú en 2002, para poner en juego la imposibilidad de representar una experiencia traumática. Con una estética más cercana a Brecht que a un verosímil realista-ilusionista, el espectáculo pone en escena diversas funciones del metadiscurso teatral, de la posibilidad de testimoniar un acontecimiento histórico, de la imaginación y la experiencia en la construcción de una obra de arte.
Lautaro Vilo's Cáucaso (2006) focuses on the military take-over of the Dubrovka theatre in Moscow in 2002, in order to pose the impossibility of representing traumatic experience. Relying on an aesthetic that is more Brechtian than realist-illusionist, the performance reflects diverse functions of theatrical metadiscourse , imagination and theatrical production, and questions the possibility of bearing witness to an historical event. ; Cáucaso(2006) de Lautaro Vilo elige la toma militar del teatro de Dubrovka , ocurrida en Moscú en 2002, para poner en juego la imposibilidad de representar una experiencia traumática. Con una estética más cercana a Brecht que a un verosímil realista-ilusionista, el espectáculo pone en escena diversas funciones del metadiscurso teatral, de la posibilidad de testimoniar un acontecimiento histórico, de la imaginación y la experiencia en la construcción de una obra de arte.
Southern Caucasus (Transcaucasia) is a dichotomous region. The states forming this area are characterized by deep dissimilarities, but at the same time they share part of their past and many of their future expectations. A common historical legacy, together with a particular people's Weltanschauung and a geographic contiguity render Georgja, Armenia and Azerbaijan a group of countries that are united in their several differences. The aim of this PhD Thesís is the study of the political and economic transition of Armenia, Georgia and Azerbaijan. On the basis of the potitical science, social studies, economic development and the transition scientific literature, some structural indicators have been chosen in order to elaborate a macro-analysis on their present level of democratic and economic development. As for the economic section, comparative analyses of the economic and financial performances have been adopted. The results of this studies and the analysis of the indicators have been submitted to the scrutiny of a group of scholars coming from Armenia, Georgia, Azerbaijan, Russian Federation and Europe, composing a so-called DELPHI Group. The main goal was to have an impartial and scientific opinion about the quality of the analysis. The results indicating the different level of the structural development (also summarised in a numerical coefficient) allowed giving the three countries a "democracy score", commonly used by the scientific community. The analysis alIowed to classify Georgia and Armenia as hybrid regimes, in which the potential for sustainable, liberal democracy is unclear, corruption is widespread and presents a major impediment to political and economic development. As for Azerbaijan it was defined as a semi-consolidated authoritarian regme, in which it failed to meet even the minimum standards of electoral democracy, State presence in the economic sector and widespread corruption represent an obstacle for development. Political and economic transition of Transcaucasian countries seems to have a checkered trend, because there are still too many systemic internal fractures characterizing in these countries and too many international components can act and/or dominate their individual choices.
Cáucaso (2006) de Lautaro Vilo elige la toma militar del teatro de Dubrovka , ocurrida en Moscú en 2002, para poner en juego la imposibilidad de representar una experiencia traumática. Con una estética más cercana a Brecht que a un verosímil realista-ilusionista, el espectáculo pone en escena diversas funciones del metadiscurso teatral, de la posibilidad de testimoniar un acontecimiento histórico, de la imaginación y la experiencia en la construcción de una obra de arte.
