Suchergebnisse

This item is part of the Political & Rights Issues & Social Movements (PRISM) digital collection, a collaborative initiative between Florida Atlantic University and University of Central Florida in the Publication of Archival, Library & Museum Materials (PALMM).

Despite the differences in our cultural, economic, and political systems China and Australia are societies sharing rapidly urbanising futures. This presents significant challenges for urban planning, placemaking, and the sustainability of livable, urban communities. Using Chongqing as a case study, metaPLACE is an experimental project investigating how participatory urban media (large and small interactive screens, installations, façades, and devices) can act as a co-designed interface between diverse community, industry, and government stakeholders. The empirical data gathered from a co-design workshop held in Chongqing in 2019 indicates there are a range of opportunities and concerns related to equitable placemaking, the environment, the nature of interfaces and participation, ownership and management of data, large and small screens, and cultural and generational considerations. Our critical and comparative analysis of the research design and cultural factors influencing the co-design process, reveal deficiencies in widely accepted models of user experience design and design process used across industry and design research. This has significant implications for transcultural and interdisciplinary co-design and the establishment of a viable Sino-Australian design ecosystem.

China's hyper-speed modernisation process generates complex problems demanding new approaches to designing equitable, integrated, liveable, urban and rural places. The Chinese hinterland city of Chongqing's vast urban and rural area provides rich opportunities for investigating how art and design can help address related liveability and place-making challenges. This research aims to use Sino-Australian co-design to test how participatory urban media (large and small interactive screens, installations, façades, and devices) can act as a dialogic interface between diverse community, industry, and government stakeholders to increase our capacity to manage regional urban place-making problems. Our paper presents three empirical perspectives critically reflecting on a two-day co-design workshop conducted in Chongqing during December 2019 prior to the COVID19 pandemic. Informed by our own observations, and insights contributed by participating urban planners, architects, artists, designers, local government, academics, and students, we take a multi-vocal approach to evaluating the workshop methods, outcomes, and interactions. The unfolding narrative illustrates how transcultural and interdisciplinary co-design processes are entangled in language, local knowledge and traditions, socio-cultural hierarchies, different disciplinary fields and levels of professional status, as well as assumed Western design histories and local understandings of the role of art and design in relation to society. We argue these factors also influence the presentation of knowledge in academic writing about design. This highlights the urgent need for pluriversal modes of co-design, research through design, and scholarship about design which can inclusively impact and respond to the diverse needs of the new international situation and our shared urban futures.

In der Broschüre sind die 1985 aufgestellten Rechnungsführungsvorschriften für Joint-Venture-Unternehmen im chinesischen Original und einer 'nicht-offiziellen' englischen Übersetzung abgedruckt. (DÜI-Bsn)

Chiu Yuen Ming Vivian. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2006. ; Includes bibliographical references (leaves 82-87). ; Abstracts in English and Chinese. ; Chapter Chapter 1 - --- Introduction --- p.1 ; Chapter 1.1 --- Overview --- p.1 ; Chapter 1.2 --- Significance --- p.7 ; Chapter Chapter 2 - --- Literature review --- p.8 ; Chapter 2.1 --- Definition of nation --- p.8 ; Chapter 2.2 --- History of Chinese nationalism --- p.8 ; Chapter 2.3 --- From state nationalism to popular nationalism --- p.16 ; Chapter 2.4 --- Three levels of Chinese nationalism --- p.17 ; Chapter 2.5 --- Media and nationalism --- p.17 ; Chapter 2.5.1 --- Media in China- newspapers --- p.20 ; Chapter Chapter 3 - --- Framing --- p.22 ; Chapter 3.1 --- Overview --- p.22 ; Chapter 3.2 --- Four different frames --- p.24 ; Chapter 3.2.1 --- National self respect --- p.27 ; Chapter 3.2.2 --- National self strengthening --- p.28 ; Chapter 3.2.3 --- Co-operation with Japan --- p.30 ; Chapter 3.2.4 --- National humiliation --- p.31 ; Chapter 3.3 --- Framing Sino-Japanese relationship --- p.33 ; Chapter Chapter 4 - --- Methodology --- p.35 ; Chapter 4.1 --- Theoretical concern --- p.35 ; Chapter 4.2 --- Case study --- p.35 ; Chapter 4.2.1 --- First case study: the Mukden incident --- p.36 ; Chapter 4.2.2 --- Second case study: Junichiro Koizumi's visit to Yasukuni Shrine --- p.37 ; Chapter 4.3 --- Media text --- p.39 ; Chapter 4.3.1 --- People's Daily --- p.40 ; Chapter 4.3.2 --- Global Times --- p.42 ; Chapter 4.3.4 --- Southern Metropolis News --- p.45 ; Chapter 4.4 --- Data and sampling --- p.47 ; Chapter 4.5 --- Content analysis --- p.49 ; Chapter 4.6 --- Hypothesis --- p.50 ; Chapter 4.7 --- Coding categories and schemes --- p.54 ; Chapter 4.8 --- Coding training --- p.55 ; Chapter Chapter 5 - --- Results --- p.57 ; Chapter 5.1 --- Overview --- p.57 ; Chapter 5.2 --- Quantitative results --- p.59 ; Chapter Chapter 6 - --- Discussion --- p.67 ; Chapter 6.1 --- Analysis --- p.67 ; Chapter 6.1.1 --- National self respect --- p.68 ...