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Religion in contemporary Europe has been forced out of politics but religious themes repeatedly return in European politics. The article deals with the question of how the Catholic faith, as a symbol of identification, and the political and social issues conditioned by Catholic faith influence current European policy. Sociological research has indicated a link between identification with the Church and social attitudes, and the influence of religious identification on the approach toward European integration. The key theme of the article is the analysis of religious topics at the political level and the consequences of the struggle of the cross, as well as the resulting influence on political or judicial power in European countries. Using specific examples, it is shown that some of the manifestations of the Catholic faith represent an identification symbol and that religious themes have remained strong. Adapted from the source document.

The author treats the topic of AIDS as a focal point for artistic politics in the United States and, eventually, in a larger international context as well. He considers a range of representations of AIDS in contemporary art since the 1980s & considers how AIDS became a pivotal point around which thinking about artists' activism & art as social intervention turned. He discusses AIDS as a paradigmatic case for a new global, biopolitical, & mediatized cultural phenomenon that bore with it a new ensemble of political, moral, & economic effects, in turn profoundly affecting conceptions of aesthetics & activist art. In the latter part of the essay, he develops a typology of strategies utilized by artists in addressing the problem of AIDS: 1) transcoding strategies; 2) media critiques and/or critiques of culture industry representations of AIDS; 3) alternative publicity; 4) AIDS exemplars; & 5) strategies of mourning & memoralization. Adapted from the source document.