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The purpose of this paper is to analyze the impact of the commercial diplomacy of Ukraine on its export. Within this field of research we mutually compare various official representations abroad and their effects on export flows. We consider embassies, consulates general and honorary consulates as commercial diplomacy actors abroad. The main contribution of the paper is that it is the first empirical study of Ukrainian commercial diplomacy in terms of export promotion. We use an empirical trade model to verify the impact of economic, cultural, geographical and diplomatic factors on Ukrainian exports. The panel data incorporates 1386 export flows to 198 destinations during the period from 2007 to 2013. In the end, we conclude that embassies are more relevant instruments of export stimulation than consulates general or honorary consulates. Adapted from the source document.

The author treats the topic of AIDS as a focal point for artistic politics in the United States and, eventually, in a larger international context as well. He considers a range of representations of AIDS in contemporary art since the 1980s & considers how AIDS became a pivotal point around which thinking about artists' activism & art as social intervention turned. He discusses AIDS as a paradigmatic case for a new global, biopolitical, & mediatized cultural phenomenon that bore with it a new ensemble of political, moral, & economic effects, in turn profoundly affecting conceptions of aesthetics & activist art. In the latter part of the essay, he develops a typology of strategies utilized by artists in addressing the problem of AIDS: 1) transcoding strategies; 2) media critiques and/or critiques of culture industry representations of AIDS; 3) alternative publicity; 4) AIDS exemplars; & 5) strategies of mourning & memoralization. Adapted from the source document.

This paper analyses the perception of the new member states of the EU (the 2004 and 2007 entrants) by the old member states' representatives. The text utilizes an updated version of image theory and it is based on 24 interviews with diplomats from permanent representations of the old member states in Brussels. It argues that the mutual perception between the EU member states has an impact on coalition building and thus also on the decision-making process of the EU. Although the newcomers are perceived positively in general terms, there are several differences between them in terms of their activities and behaviour at the EU level as well as in the cultural area. The paper therefore divides the newcomers into groups according to the image that is ascribed to them (the four general images are those of a close ally, a passive ally, a distant ally, and a detached ally). Adapted from the source document.