Suchergebnisse

Kulturna diplomacija jedno je od posebnih područja unutar šire kategorije diplomacije i dio javne diplomacije koju određuje sadržaj diplomatskog djelovanja. Vlade nacionalnih država i drugi tipovi aktera provode kulturnu diplomaciju kroz razne oblike kulturnog predstavljanja i razmjene koji su usmjereni prema stranim javnostima radi ostvarivanja međusobnog razumijevanja i suradnje, ali u skladu sa svojim vanjskopolitičkim ciljevima koji obuhvaćaju promociju vlastite kulture i izgradnju pozitivnog imidža. Primjenjujući navedeni teorijski okvir, u radu predstavljamo studiju slučaja aktualne kulturne diplomacije Republike Hrvatske razlikujući strukturni i konceptualni aspekt kulturne diplomacije, s fokusom na izgradnju meke moći. Promatrajući strukturni aspekt, predstavljamo institucije koje sudjeluju u hrvatskom kulturno-diplomatskom djelovanju, dok u sklopu konceptualnog aspekta analiziramo kulturne sadržaje kojima se oblikuje vanjski nacionalni imidž Hrvatske. ; Cultural diplomacy is one of the specific fields within the broad category of diplomacy and is a component of public diplomacy which is determined by the content of diplomatic activity. National state governments and other types of actors conduct cultural diplomacy through different forms of cultural representation and exchange that are directed towards foreign public in order to achieve mutual understanding and cooperation – all in accordance with their foreign policy goals which include promoting their own culture and building a positive national image. Using this theoretical framework, the paper presents a case study of the current cultural diplomacy of the Republic of Croatia by differentiating structural and conceptual aspect of cultural diplomacy and focusing on building its soft power. By examining the structural aspect, the paper introduces the institutions that participate in the Croatian cultural diplomatic activity, while within the conceptual aspect, this paper analyzes the cultural activities which form the foreign national image of Croatia.

It is the authors' ambition to answer the following question: to ‎what extend does the political parties of national minorities influence‎ on the cultural autonomy in Serbia. With an intention of answering ‎the research question the author analize the role of minority parties ‎in establishing of National Minorities Councils (NMCs). NMCs are ‎the main institution of cultural autonomy in Serbia. There are twenty three ‎minority groups who have established National Minority Council,‎ there for author of this paper selected two minority groups as case‎ studies: Hungarian and Croats. Political parties of national minorities‎ play a major role in the integration process, their role in the field ‎of political integration is clear, however, the influence of these parties,‎ as the main generators of national minority interests, on cultural ‎autonomy and social integration has not been sufficiently explored.‎ The aim of this paper is to examine the following hypothesis: Cultural ‎autonomy in Serbia is primarily domain, even monopolized by minorities' ‎parties. In order to determine the character of the impact of‎ political parties on the work of NMCs first step will be to distinguish‎ main features of the model of cultural autonomy applied in Serbia. In ‎following will be given a brief overview of minority parties development ‎with special emphasis on their position in political and party‎ system of Serbia. Finally the impact of minority parties on the functioning‎ of NMCs will be presented, through two parameters: participation ‎in elections for NMCS and decision-making process. The first ‎parameter is dedicated to analysis of the results and the subjects of the ‎campaigns. The second parameter relates to the degree of inclusiveness ‎of the decision-making process.‎

Različite su interpretacije govora mržnje. No, svaka od njih govor mržnje promišlja u kontekstu odnosa slobode govora i mogućih nesloboda uvjetovanih pravnim reguliranjem i sankcioniranjem. U ovom se radu želi krenuti od razmatranja mržnje same (dohvaćajući filozofijske dimenzije, društvene kontekste i političke doprinose u razvoju govora mržnje) te je na taj način promatrati u njezinim biološkim i kulturnim dimenzijama. Na konkretnim primjerima govora mržnje želi se pokazati isprepletenost biološkog i misaonog, kulturnog i tjelesnog te ideološkog i emotivnog. Analiza primjera govora mržnje, ostrašćenosti pojedinaca uronjenih u takvu vrstu psihološke i misaone nezrelosti, pokazuje važnost filozofijskih iskoraka u oskudnu stvarnost – iskoraka kojima je cilj o fenomenima davati filozofijski stav, ali i temeljne kriterije po kojima bi se orijentacijski mogla odrediti druga znanstvena istraživanja. ; Hate speech is interpreted in various ways. It is always analysed in the context of the relationship between freedom of speech and the possible lack of freedom caused by legal regulation and sanctioning of hate speech. In this paper we want to start from the consideration of hate itself (taking into account philosophical dimensions, social contexts and the contribution of politics to the development of hate speech) and in this way consider it in its biological and cultural dimensions. Using specific examples of hate speech, we aim to show the intertwining of the biological and the intellectual, the cultural and the physical, the ideological and the emotional. The analysis of some cases of hate speech and the passion of individuals involved in this psychological and intellectual immaturity makes clear how important it is for philosophy to lunge into this poor reality – steps taken to give philosophical views on these phenomena, but also basic criteria for possible orientation in other scientific research.

Antun i Stjepan Radić uvelike su utjecali na razvoj hrvatske povijesti jer su probudili narodnu svijest kod seljaka u hrvatskim zemljama i pretvorili ga u politički narod. Pri tome Antun Radić bio je znanstvenik koji je prikupio podatke i udario temelje hrvatske narodnosti i to uzimajući u prvo vrijeme za maticu Rusiju, tada jedinu slavensku državu. Stjepan Radić bio je svestraniji i poznavalac svjetske povijesti. Nadopunio je Antunove spoznaje rezultatima francuske politologije i sociologije djelujući neposredno u narodu. Njihovo zajedničko djelovanje ima više faza: djetinjstvo i srednjoškolsko doba kada je Antun mentor Stjepanu i sazrijevanje kada braća imaju različite interese, te Antun kroči putem produbljivanja poznavanja ruske književnosti i hrvatskoga jezika, a Stjepan se angažira na političkoj sceni protiv mađarona. U trećoj fazi Stjepan produljuje svoju politiku liberalnim spoznajama francuske politološke i sociološke škole, te je njegov odnos s bratom izjednačen. U četvrtom razdoblju obojica smatraju da se preko Sabora mogu izboriti za promjene u Hrvatskoj. Stjepan pritom ima više uspjeha. I na kraju, Stjepan ostaje voditi i dalje borbu za prava hrvatskoga naroda s time da u svoje ciljeve do smrti ugrađuje mnoge Antunove ideje. Braća su opet na istoj liniji kao u djetinjstvu. ; Antun and Stjepan Radić have greatly impacted Croatian history development, namely peasant's national awareness in all Croatian Lands, thus transforming them into political nation. Antun Radić was also a scientist who has collected data and made the foundations of Croatian nationhood (having in mind Russia, at that time the only Slavic State). Stjepan Radić was more versatile and knowledgeable of world history. He has supplemented Antun's findings with results of Franch political sciences and sociology, constantly working with the people. Their joint venture has several stages: childhood and adolescence, when Antun was a mentor to Stjepan; followed by a period of maturation when brothers have different interests – Antun was involved in Russian Literature and Croatian Language Studies, while Stjepan was politically engaged against Unionist party members (mađaroni). In the third stage, Stjepan deepens his politics with liberal knowledge (École libre des sciences politiques) and becomes equal to his brother. In the fourth stage, they both think that one can make changes in Croatia through Parliament. In doing so, Stjepan is more successful. At the end, Stjepan is left to lead the fight for the rights of Croatian people (until his death), while incorporating many of Antun's ideas in the national goals. Thereby, brothers have remained on the same side just as they were in childhood.

Na temelju rezultata petomjesečnog istraživačkog rada izvedenog 2017. godine u sklopu međunarodnog programa profesionalne razmjene Inicijativa za kulturno partnerstvo Ministarstva kulture, sporta i turizma Republike Koreje, autor donosi sažet pregled sustava zaštite nematerijalne kulturne baštine ove istočnoazijske zemlje. U prikazu se fokusira na okolnosti njegovog nastanka i razvoja, a posebnu pozornost posvećuje elementima poput Sustava baštinjenja i Sustava registra, adresirajući pritom problematiku koja proizlazi iz gotovo polustoljetne prakse zaštite nematerijalne kulturne baštine u Republici Koreji. ; Based on results of five-month long research carried out in 2017 within international expert exchange program Cultural partnership initiative under the auspices of the Republic of Korea's Ministry of culture, sports and tourism, the author presents a summary overview of country's intangible cultural heritage safeguarding framework. The paper focuses on circumstances of its emergence and development, and pays special attention to elements such as the Inheritance System and the Inventory System, while addressing a number of issues arising from almost half a century of its application.

Društveno odgovorno poslovanje (DOP) definira se kao inteligentna i objektivna briga poduzeća za dobrobit društva što ograničava ponašanje pojedinaca i korporacija od krajnje destruktivnih aktivnosti, bez obzira na to koliko one brzo bile profitabilne te vodi u smjer pozitivnih doprinosa dobru ljudi što može biti definirano na različite načine. Nadalje, DOP podrazumijeva politike i programe privatnih poduzeća koji idu izvan zakonskih obveza kao odgovor na pritiske javnosti i očekivanja društva te podrazumijeva pažnju s kojom se na etičan i društveno odgovoran način odnosimo prema interesno-utjecajnim skupinama koje se nalaze izvan, ali i unutar organizacije. U ovom radu pokušat će se sagledati važnost i značenje termina društveno odgovorno poslovanje poduzeća onako kako ga opisuju brojne definicije koje upućuju da se uz ispunjavanje zakonskih obveza, u osnovi radi o investiranju u ljudski kapital, okoliš i odnose s okolinom ad intra i ad extra, a u fokusu rada bit će eksterni elementi i doprinosi društveno odgovornom poslovanju poput kulturoloških, religijski i ekoloških doprinosa i zahtjeva. Na temelju ukratko predstavljenih kulturoloških, religijskih i ekoloških doprinosa i zahtjeva, zaključak rada pokušat će ponuditi smjernice za što je moguće kvalitetniju implementaciju društveno odgovornog poslovanja u jedno društvo. ; Corporate social responsibility (CSR) is defined as an intelligent and objective concern of a company for the wellbeing of a society which limits the behavior of individuals as well as corporations from highly destructive activities, regardless of their profit-making potential. It should lead into the direction of positive contributions to the welfare of people, which can be specified in different ways. In addition, CSR implies private companies' policies and programmes which go beyond the legal obligations as a response to public pressure and expectations of society and entails ethical as well as socially responsible attention to interest groups which are both outside and inside an organization. In this paper we will try to consider the importance and meaning of the corporate social responsibility within one company in the way it has been described in numerous definitions in which it was pointed that along with the fulfillment of the legal obligations it is actually about the investment in human capital, environment, and relationships with environment ad intra and ad extra. Our focus will be on the external elements and the contributions to the corporate social responsibility such as cultural, religious, and ecological contributions and demands. On the basis of briefly presented cultural, religious, and ecological contributions and demands, in the conclusion of this paper, we will try to offer directions for high-quality implementation of corporate social responsibility into a society.

Do prvih dodira lokalnog stanovništva s njemačkim jezikom, društvom i kulturom dolazi u Varaždinu već u srednjem vijeku zbog naseljavanja kraljevskih gostiju tzv. hospitesa, uglavnom iz njemačkog govornog područja. Daljnje naseljavanje Nijemaca, a time i preuzimanje njihova jezika i društveno-kulturoloških civilizacijskih stečevina, nastupa za vrijeme formiranja Vojne krajine. Vojnički i politički položaj za vrijeme Vojne krajine značio je za Varaždin prolaz njemačke i austrijske vojske, kao i doseljavanje njihovih oficira i administrativnih činovnika koji vode glavnu riječ u gradu i često zagorčavaju život lokalnom stanovništvu. U XIX. st. u Varaždinu se svi ugledniji građani, činovnici i aristokrati uglavnom služe njemačkim jezikom. U sklopu Habsburške Monarhije veze između Varaždinaca i Nijemaca se intenziviraju, dok u vremenu germanizacije i Bachova apsolutizma, Varaždin postaje pravi njemački grad u kojem se svi građani služe njemačkim kao službenim jezikom. Tek početkom I. svjetskog rata građani Varaždina više ne nalaze uzor u svemu što dolazi iz njemačkog govornog područja te se bilježi negativni trend opadanja broja stanovnika koji znaju i uče njemački jezik. ; The first contacts of local people and the German language, society and culture occurred in Varaždin in the Middle Ages, when royal guests, the so called hospites, arrived in the town from primarily German-speaking area. Further arrival of Germans, along with the influence of their language and socio-cultural features, dates back to the establishment of the Military Frontier. Due to the military and political position during the existence of the Military Frontier, German and Austrian armies did not only pass through Varaždin, but their officers and administration clerks also settled down there, representing the most influential people in the town who often caused trouble to the local people. In the nineteenth century, Varaždin's influential citizens, officers and aristocrats primarily spoke the German language. During the reign of the Habsburg Monarchy, the connections between Varaždin's people and the Germans became even more intense, moreover, during the period of Bach's Absolutism, Varaždin became a true German town, in which all inhabitants used German as the official language. When the First World War broke out, the people of Varaždin stopped looking up to everything originating from the German-speaking area, and for the first time the downward trend in the number of inhabitants who speak and study the German language occurred, which has continued until the present day.

Rad razmatra povijesna, simbolička i ideološko-politička obilježja motiva i likova na papirnatom novcu koji je stavljen u optjecaj tijekom hiperinflacije u Mađarskoj 1945.-1946. godine. Daje se povijesni kontekst i navode uzroci mađarske hiperinflacije, opisuju se novčanice koje su se nalazile u optjecaju, a neko su vrijeme važile dvije paralelne valute (pengö i adópengö). Osobita pozornost pridaje se pojavi kvazihrvatskih natpisa na nekim novčanicama. Zaključuje se da je početna teza o razbijanju kulturno-povijesnoga slijeda novčane simbolike i ikonografije djelomično potvrđena jer je, bez obzira na lošu materijalnu situaciju koja je uvjetovala proizvodnju novih novčanica, nastavljena već uspostavljena tradicija uporabe mađarskih pučkih motiva koji povezuju prve novčanice penga iz 1926. godine i poslijeratne novčanice forinte sve do 1980-ih. Nadalje, bez obzira na jezično iskrivljene hrvatske natpise, određeni broj novčanica treba smjestiti u kontekst hrvatske numizmatike jer su na simboličkoj razini bile priznanje kulture i povijesti hrvatske nacionalne manjine u Mađarskoj. ; The paper discusses historical, symbolical, ideological and political characteristics of motifs and individuals that were depicted on Hungarian paper money in the period of hyperinflation of 1945-1946. In the introductory part the paper gives a historical context and discusses the causes of the Hungarian hyperinflation, then describes the banknotes that were put into circulation in the given period, including the so called ''tax pengö'' which served as a parallel currency for a limited time period. Particular attention is given to the distorted Croatian inscriptions found on some banknotes. It is concluded that the initial hypothesis about the break in the cultural and historical continuity in symbolism and iconography on the banknotes is only partially confirmed, because in spite of the lack of production material that impeded the printing of new banknotes, the already established tradition of the use of Hungarian folk motifs (that appear on paper money from 1926 to 1980ies) on banknotes was continued. Furthermore, in spite of the distorted and incorrect Croatian banknote values given on the back of some of the banknotes, the said banknotes need to be included in the context of the Croatian numismatics, because on a symbolic level the inscriptions in the Croatian language presented the recognition of history and culture of the Croatian national minority in Hungary.