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Yau, Sin Yee Christine. ; "November 2010." ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. ; Includes bibliographical references (p. 210-229). ; Abstracts in English and Chinese. ; Abstract --- p.i ; Acknowledge --- p.iii ; Chapter 1. --- Introduction --- p.1 ; Background: --- p.6 ; What is Demeanor? --- p.6 ; What is Resistance? --- p.8 ; Who are they? --- p.9 ; Chapter - --- Heunggongyahn --- p.9 ; Chapter - --- Daaihlohkyahn --- p.10 ; Chapter - --- Gwailou --- p.11 ; Research Significance --- p.12 ; Literature Review: --- p.13 ; Demeanor: Cultural Knowledge --- p.14 ; Demeanor: Embodiment and Presentation of Cultural Identities --- p.16 ; Politicizing Demeanor: Struggling for Power and Conveying Messages --- p.17 ; Hong Kong Identity: Its Shaping Process --- p.19 ; Methodology: --- p.21 ; Entering the Field: Daily Observation --- p.21 ; Pilot Test --- p.22 ; "In-depth, Semi-structured, and Structured Interviews" --- p.23 ; Participant Observation --- p.24 ; Organization of the Thesis --- p.25 ; Informants' Details --- p.28 ; Chapter 2. --- Heunggongyahn and Daaihlohkyahn --- p.30 ; Introduction --- p.30 ; "Pride: Certain Demeanor as ""Superior"" Prestige" --- p.31 ; The Prestige in Not Disturbing Others --- p.32 ; "The Prestige in Sitting ""Properly"": Preserving City's Image" --- p.34 ; "The Prestige in Having Gungdaksam, Public Virtue" --- p.41 ; The Prestige in Keeping some Distance from Strangers --- p.43 ; The Prestige in Endurance and Keeping Quiet: Saving Face --- p.44 ; "Prejudice: Certain Demeanor as ""Inferior"" Stigma" --- p.47 ; The Stigma of Squatting --- p.48 ; The Stigma of Public Excretion --- p.56 ; The Stigma of Nose Picking --- p.62 ; The Stigma of Spitting --- p.63 ; Conclusion --- p.67 ; Chapter 3. --- My Informants' Everyday Life --- p.69 ; Introduction --- p.69 ; "The Civilizing Process: Demeanor as a ""Linear Evolution""" --- p.70 ; "Using Seat-Toilets ""Properly""" --- p.71 ; Lining up --- p.76 ; Demeanor as Capital --- p.81 ; Cultural Capital --- p.81 ; Symbolic Capital ...

by Cheung Hiu Wan. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 1999. ; Includes bibliographical references (leaves [135-140]). ; Abstracts in English and Chinese. ; Acknowledgement ; Abstract ; List of figures ; Chapter Chapter 1. --- Introduction ; Chapter 1.1 --- Scope of Study --- p.1 ; Chapter 1.2 --- Literature Review --- p.3 ; Chapter 1.3 --- Methodology --- p.13 ; Chapter 1.4 --- Structure of the Thesis --- p.17 ; Chapter Chapter 2. --- Historical Development of Comics in China ; Chapter 2.1 --- Comics History before1949 --- p.24 ; Chapter 2 . 2 --- Comics under the Reign of Chinese Communist Party --- p.29 ; Chapter 2.3 --- Beijing Cartoon after the Open Door Policy --- p.31 ; Chapter 2.4 --- Concluding Remarks --- p.39 ; Chapter Chapter 3 . --- Interaction with the Leaders of Beijing Publishing House ; Chapter 3.1 --- Leaders´ةExpectation for Beijing Cartoon --- p.41 ; Chapter 3.2 --- The Discrepancy between the Senior and Junior Editors --- p.51 ; Chapter 3.3 --- Editors' Comments on Interaction with the Leaders of the Beijing Publishing House --- p.54 ; Chapter Chapter 4. --- Interaction with the Senior Artists ; Chapter 4.1 --- Cartoon Art Festival98 --- p.57 ; Chapter 4.2 --- The Invasion of Japanese Comics --- p.59 ; Chapter 4.3 --- The Essence of Comics with Chinese Features --- p.63 ; Chapter 4.4 --- The Expected Role of the Chinese Government --- p.67 ; Chapter 4.5 --- The Editors´ة Comments on Cartoon Art Festival98 --- p.68 ; Chapter 4 . --- 6 Concluding Remarks --- p.70 ; Chapter Chapter 5. --- Interaction with the Junior Artists ; Chapter 5.1 --- Social Status of the Junior Artists --- p.12 ; Chapter 5.2 --- Cooperation with Beijing Cartoon --- p.11 ; Chapter 5.3 --- Why do they Join the Comics Business --- p.79 ; Chapter 5.4 --- Agreement and Terms of Payment --- p.87 ; Chapter 5.5 --- Summer Camping: Market Mechanism and Autonomy in Artists' Creation --- p.88 ; Chapter 5.6 --- The Editors' Expectation on the Roles of The Artists --- p.96 ; Chapter 5.7 --- Artists' Comments on the ...

Mass Communication and Media play an integral part in modern societies. This publication reflects on fundamental theoretical works and recent key texts from different backgrounds such as political analysis, feminism, media studies or Cultural Theory. It is designed as a workbook in European-Chinese intercultural studies. Therefore thorough descriptions of the texts in Chinese language are backed up by additional information and questions to ponder to deepen the understanding. This book is part of the series "interKULTUR European-Chinese intercultural Studies" which consists of teaching material for intercultural studies in higher education and research results of such studies.