Suchergebnisse

Many cultural assets unearthed in archaeological excavations, elements that make up the culture of the settled communities such as technology, art, economy and, if any, can be revealed through written sources. However, in the case of nomadic communities, there is a prejudice that temporary shelters made of lightweight materials are "invisible communities" defined by only a small number of material items available for transportation. As a result of these prejudices, the nomadic culture has been tried to be understood either through negative elements in the settlements, written sources written by the settlers, or through ethnoarchaeological research. In the Archeology Department of Atatürk University Social Sciences Institute, under the supervision of Proffesor Dr Mehmet Işıklı, the "Archaeological Evidence of Nomadic Culture in the Southeast Anatolian Region: An Ethnoarchaeological Study" one of the important questions encountered during the studies carried out within the scope of the doctoral thesis titled " to what extent modern nomadic communities will reflect the cultures of the ancient period" has been.
In this article, the question "what is culture" was chosen as the first step to start looking for answers to all these unknowns and questions, within the framework of the great transformations of humanity in the transition to a production economy, the elements that make up the culture were examined, and the elements of culture were discussed through the answers given by different scientists to this question.

Published in 2021 by Routledge, ' American Antifa: The Tactics, Culture, and Practice of Militant Antifascism' examines the process of mutual radicalization between far-right and anarchist groups in the United States. The book reviews analyzes the terrorist threat potential of militant anti-fascist movements.

History comes across as a product of the effort to create social memory, written or verbal. It is based on information and documents and avoids emotional biases. Music, on the other hand, is a multifaceted phenomenon and its aim to entertain shapes it. On one hand, it interprets emotions, and on the other hand it bears the social, cultural and historical codes of the society to which it belongs. For this reason, it is possible to discover specific details of historical events in the kilams/songs of dengbêjs, important exponents of the Kurdish music of orality. This study focuses on unveiling traces of historical events in the songs of the dengbêjs, in context of the relationship between history and music. Information and documents dealing with the Kozanoğlu events in kilam/songs are compared. A good example of the importance of the dengbêjs in Kurdish history is taken from when in the 19th century, the Ottoman state established a military unit called Fırka-i Islahiye as a part of its policy of asserting its full dominance in rural areas, and also to carry out compulsory resettlement policies. In order to support the operation, the Kurdish chief Sürmeli Memed Pasha set out, taking with him under his auspices Evdale Zeynikê, a dengbej singer. However, the Kurdish troops reaching Kozan were defeated due to the climatic conditions and the cholera epidemic. Witnessing all the events, Evdale Zeynikê sang kilam/songs for every stop on the route and on the death of the Pasha. Throughout this account, which is based in Kurdish culture and immured with a strong dengbêj tradition, it is possible to find details of Kurdish history in the kilams/songs of the dengbêjs.