Suchergebnisse

Contemporary attitudes in affluent Western societies are characterised by a growing emphasis on individual freedom. What, then, does this commitment to liberty entail for our openness to diversity; and ultimately for liberal democracy? Previous research on popular attitudes, for example by Ronald Inglehart, tends to assume that valuing freedom entails an encouragement of a plurality of life-styles. This thesis, by contrast, argues that there are several ideals of freedom in public opinion; ideals that may have opposing consequences for our permissiveness towards ways of life that differ from our own. The introductory essay in this book suggests that Isaiah Berlin's theory of positive and negative freedom provides a fruitful analytical framework, which helps theorise and empirically nuance our picture of popular ideals of freedom. Essay I goes on to present a novel, psychological, interpretation of Berlin's Two Concepts of Liberty. This essay also suggests that Berlin was critical not only of enlightened ideals of positive liberty, but also of romantic ones, which might be even more widespread today. Essay II then applies Berlin's framework to contemporary survey data. Through confirmatory factor and regression analyses, this essay demonstrates that Berlin's negative-positive distinction does in fact hold also in popular opinion; and that the two dimensions have rather different effects on moral and legal permissiveness. Essay III, finally, revisits a recent example of disrespect in the name of liberty: the Danish cartoon controversy. This essay develops the concept of 'romantic liberalism', thereby deepening our knowledge of romantic ideals of positive liberty, and their particularly disrespectful tendencies. Drawing on Isaiah Berlin, and his critique of positive liberty, the essays in this thesis together suggest that it is crucial for liberal democracy to recognise the existence of treacherous liberties: ideals that lead their supporters to ridicule, condemn, or even prohibit ways of life that differ from their own – all in the name of liberty. ; The Impact of Religion

U tekstu se, temeljem fotografija od kojih se neke objavljuju prvi put, rekonstruira izvorni izgled secesijske zgrade Hrvatskog doma u Splitu kao zrelog arhitektonskog djela Kamila Tončića. Donosi se i kronološki pregled uloge Hrvatskog doma u društvenoj povijesti grada Splita koji pridonosi spomeničkoj vrijednosti zgrade. ; The idea of building a "Croatian House", in which the Split culture, art and sporting associations connected to National Party would be located Narodna čitaonica (People's Reading Room), Slavjanski napredak (Slav Progress), Narodna glazba (National Music), the Volunteer Fire-Fighters, Muzikalno društvo "Zvonimir" (the Zvonimir Musical Association) and Hrvatski sokol (the Croatian Hawk – sporting association) came upon the scene in 1896. At the turn of the century artists who elevated the cultural and artistic life of Split and took it out of the provincial context, placing it shoulder to shoulder with European contemporaries, came together in the National party circles. The design of the building made in the spirit of Art Nouveau architecture by Kamilo Tončić in 1906 was bold and avant-garde for a centre in which up to then Historicist or revival architecture had prevailed; in consequence it aroused diverse public reactions. But the Croatian House was nevertheless built according to the Tončić design, and opened in 1908. It had an important role in the musical life of Split as a gathering place for musicians, as a stage and concert venue, all the way up to World War I. The most important event in the first year of the existence of the Croatian House was the organisation of the First Dalmatian Art Exhibition at which the foundation of the Medulić Croatian Art Association was mooted, and the idea for founding the Gallery of Fine Art was also put forward. In the changed political circumstances after World War I, the House lost its pre-war role as an essential factor in the creation of the musical and artistic life of the city. When the Sokol association of the Kingdom of Yugoslavia was formed in 1929, all activities in the Sokol House unfolded under the aegis of Sokol (Hawk), for it was a state organisation; the art and cultural events did not rise above the average amateur level. The most important event in the working of the amateur sections of Sokol was the foundation of the puppet theatre in 1933, on the foundations of which the Marionette Theatre still in operation today was built in 1945. After WWII, the onetime Croatian and later Sokol House was renamed Youth House, while along with the Split City Puppet Theatre, various sporting organisations were assigned the premises of the House. The house was remodelled and extended in 1930 and 1939, and thoroughly remodelled in 1942, when all the decorations on the facade and in the interior of the grand hall were destroyed in order to bring out the monumental aspects of the house in the spirit of fascist architecture. The concept of the building is a simple T-shaped ground floor. In the northern part of the site there is a narrow four-storey building with an attic along the long side placed parallel to the street in which the premises of the societies were located, while at the end of the plot, perpendicularly to it, is a two-storey building with a grand hall on the upstairs. With logical grouping of features and a functional arrangement, the spatial constraints of the plot were made use of to the best extent and complemented with an extensive programme that was supposed to meet the needs of the associations so that all of them should have their own individual quarters while making use in common of the grand hall meant for municipal events, joint events and Sokol members' athletic exercises. Although the principal facade is symmetrical with the main entrance in the middle, the courtyard part of the house with the hall is not built on its vertical axis, but shifted to the west. At the joint of the street and courtyard part of the house there are the grand stairs. The non-formalist asymmetrical disposition of volumes between the courtyard wing of the Croatian House and the neighbouring house left room for a large exercise space outdoors. Only a photograph of the drawing of the main facade remains of the design of the Croatian House. By rectification of the historical photographs, the drawing of the built facade was reconstructed, and a comparison of the project and the original appearance of the original facade shows that the design really was built, in basic idea and composition, and that alterations were made only to some of the decorative features. The lobby of the auxiliary eastern entrance and the threeflight stone staircase are kept in original form. The rectification of the previously unknown photographs of the interior of the hall has allowed the reconstruction of the original volume, position and repertoire of decoration. The space of the hall that we know of today in denuded form consists of two parts: the grand hall with the stage and the backstage areas. Abstract, linear and almost flat details, floral motifs, female heads with flowers and leaves in their hair and masks – common in the Art Nouveau idiom – were applied in the iconographic programme. In the choice of construction material and the manner of construction Tončić opted for the classic solid masonry construction of roughly worked stone blocks in lime mortar, smoothly rendered. The between-floor constructions were of wood, as was that of the gable roof. The flights of stairs with stone steps were leaned on iron I-section girders clad in rendered moulding. The pilasters alongside the central entrance, the pillars on the facade with an emphasised cornice and the attic are made of concrete, but they are only decorative and not structural elements of the building. The building of the Croatian House was adapted to the possibilities (i.e. the constraints) of the site and the function, that is, the needs of its users, in the allocation of the fundamental volumes and in the organisation of space. The interior decoration was also adjusted to the contents (the modestly decorated staircase area as against the luxuriant decoration of the grand hall), and a clearly, symmetrically and gracefully designed facade enhanced with Art Nouveau decorations and the characteristic Tončić details reveal its almost classical composition. The representative Art Nouveau building of the Croatian House, designed in the spirit of the Wagner school and its earlier works, is the original work of a mature architect in whom along with an echo of the classicist tradition the architecture of the modern age can also be sensed. But it is not just its Art Nouveau idiom that imparts a particular heritage value to the Croatian House, but also the events and personalities linked with it, whose importance in the history of the city of Split and Croatian art surmounts that of the building itself.

Autor u radu donosi prikaz dviju vladarskih crkava iz IX. st. slična ustroja s westwerkom. Uz obje crkve pronađeni su ulomci kamene plastike s dedikacijskim natpisom, od kojih jedan spominje župana a drugi kraljicu. Na Klisu je pronađena ploča s reljefom na temu Majestas Domini. Obje crkve spadaju u privatne crkve, tzv. eigenkirche, što upućuje na novi način franačke organizacije teritorija s utvrđivanjem feudalnog posjeda (Ordensburgen). ; The remains of churches that have been found and are discussed in the text can reliably be ascribed to the chapel of the long-sought Trpimir residence at Klis and the pre-Romanesque stratum of the church dedicated to the BVM at the cemetery of the village of Blizna Gornja in the Trogir hinterland. The find of sculpture and texts written on the altar screens show that in both cases these were churches of members of the medieval ruling elite: the church in Blizna Gornja can be connected with the župan of the županija of Drid, and the chapel in Klis directly with the ruler of Croatia. The existence of a medieval church at Klis is strongly supported by investigations of the walls, which showed that a large number of marble fragments of ecclesiastical stone architectural decoration from the 9th to the 12th century were incorporated into the building of the mosque. Among the fragments there are pilasters, plutei and the trabeation of an altar screen from the early Middle Ages, while the whole of the medieval material is built into the walls of the mosque above its floor level. In the western wall four marble fragments of architraves of an altar screen with parts of an inscription were found, one fragment of a marble architrave of a pluteus and a pilaster with the base of a pillar of the screen. All the fragments of this carving were made of Proconesian marble and were incorporated in such a way that the decorations and inscriptions were not to be seen. The fragments belonged to the septum and contain typical pre-Romanesque interlacing motifs, pretzels, and the parts of an inscription are carved on a ribbon of the trabeation of the altar screen below the characteristic hook decoration. Fragments of the trabeation contain parts of an inscription about a ruler that mentions the royal family, and on an architrave of the altar screen of the church in Klis that has been found, for the first time the title of queen is mentioned. The parts of the altar screen found with interlacing ornamentation of the 9th century belong to a pilaster with interlacing and an architrave of the pluteus with interlacing ornamentation and four fragments of the architrave of the altar screen with parts of a royal inscription. The fragments contain wording with the royal formula: ORUM FILIU(S)., MEA DOM(N)A S(C)LAVA REGINA. Although these are detached pieces, it is very clear that they are part of a single inscription in which the wife of the ruler or king is mentioned. It is clear in this part of the text that the wife of the ruler is called regina, from which it can be concluded that her husband, the subject of the inscription, is a ruler who bears the title of rex. It is important to point out also that she is addressed as domna, and that analogously to this her husband must have been addressed as dominus. From these titles, the votive inscription of the church in Klis might have belonged to a ruler of the middle of the 9th century, probably to Trpimir himself, the only ruler of that time who is mentioned together with the title of king, probably attained through victory in the war with the nation of the Greeks, as reported by the Saxon Gottschalk. And the fragment of the first part of the inscription contained this very title of the ruler (REX SCLAV)ORUM FILIU(S). This would be supported by the inscription in the Cividale Gospel, where Trpimir is signed as »domno Trepimiro«, and the title of his wife really could have been DOMNA SCLAVA REGINA, as this is read from the wording on the architrave of the altar screen. As well as the described parts of the septum, during works on the renovation of the Church of St Vitus a slab with a relief was found built flat as a building stone in the annular wall of the tambour. This fragment of early medieval figural sculpture of Proconesian marble shows Christ in Glory. Preserved from the composition featuring the topic Majestas Domini in the Klis relief is the central figure of Christ in a mandorla and an angel on his right hand side. Christ is shown down to the waist, his right hand raised in blessing, while in the left hand he holds a scroll with the Gospels. The relief from the Klis Church of St Vitus, though modest in its dimensions, might have belonged to the lintel of a portal of an early medieval church, although according to the mortise on the upper part it could equally well be supposed to have been a fragment of some stone furnishing that consisted of pillars and beams. The visual treatment of the relief of the linearly grooved surfaces that suggest folds of clothing, the manner of treatment of the figures with single incision of the features with expressive underlined eyes, the hatched curls of the hair and the particularly characteristic handling of the nose reveal the hand of the skilled mason who made the relief. As for the origin of the relief of the church in Klis, the finding of the medieval royal church in the foundations of the Church of St Vitus and the confirmation of the existence of a fortified royal court at the site of Klis Fort are sufficient warrant that it originally came from Klis. From this it could well be hypothesised that the relief of Christ from the church in Klis belongs to a separate sculptural unit, directly related to this site. Extensive archaeological and conservation-restoration excavations in 1999-2000 preceded the thoroughgoing renovation of the Church of St Mary in Blizna Gornja. Against expectations, the pre-Romanesque architecture of a ruler from the 9th century was found in them, belonging through their form among the few specimens of pre-Romanesque churches with external buttresses of semicircular cross-section. Like similar examples, the Church of St Saviour at the source of the Cetina and the church at Lopuška glava, Biskupija, by Knin, the Church of St Mary in Blizna had a forecourt in front of the main elevation. An external staircase led to the first floor, over which there was probably a tower, as in examples of similar churches with a westwork. In the forecourt of the church the lid of a Roman period sarcophagus used as a gravestone was found. The find of the sarcophagus lid and many fragments of stone sculptural decoration of the 9th century in marble and limestone show that the Church of St Mary was richly endowed and equipped. One of the fragments contains the name and title of the donor: .ANVSIV[panv]S, for which reason it is assumed to have belonged to an altar screen put up by a Croatian magnate, mostly likely a župan. Numerous fragments of trabeation have been found, the beams of which were marble, while the arched tegurium was made of limestone. Fragments of marble plutei and pilasters of the altar screen, as well as pillars with capitals found around the church belong in their form to the sculptural art of the 9th century. Fragments found are enough for the reconstruction of the original appearance of the screen and for an understanding of the inscriptions in the field of the lower part of the gable and the architraves. The inscription is a typical intercession, in which the prayer is addressed to Our Lady and to St John the Baptist, asking for their intercession with Christ, for the salvation of his soul, and the following reading can be proposed: .[pe]R I[nte]RCOESSIONEM BEATE ET GLORIO[se matri]S D[e]I GE[netricis apud Christum satvatOREm SCTAe Mariae] ET BEATI IO[hannis Baptistae] OP[vs] E[dificavit] pro animae suae[reme]DIO V[otum complevit Prod]ANVS IV[ppanu]S. According to the inscription on the septum the church would have been dedicated to St Mary like many of the churches of that time in the early of medieval Croatia, in Golubić, Ostrovica, Biskupija, Gradec, Pađeni and Lepuri. But the inscription relates it in a particular way via the intercession of Mary and John to Christ, to whom the intercession is addressed. The permeation of the contents by the theme of the Madonna's intercession (i.e. the Deisis), typically Byzantine iconography on the one hand and the Sanctus written in the spirit of the revived Roman liturgy on the screens of churches in Trogir as well as the churches of the Croatian župans in the hinterland and on the islands suggest something of their specific political position in the second half of the 9th century at the border between the tradition of the East and the new influences coming from the West. The question arises as to who the donor of the church of St Mary in Blizna Gornja was. Only the ending of the name and the beginning of the title in the letters IV[ppanu]S are in existence. From this it can be assumed that the church was put up by a župan, and his name, which ends with the letters.ANUS, might be Stephanus or, more likely, it was part of some Croatian name that is borne in the documents by the župans, like Branus or Prodanus. According to the results of the most recent research, St Mar in Blizna is a votive church of a Croatian magnate put up in the middle of the 9th century on the remains of an ancient villa that was part of his estate. Analysis of the architecture confirms this. The oldest archaeological stratum found at the site is the remainder of a wall of the later Roman period, probably from the 6th century, in front of the forecourt of the church. This stratum is insufficiently investigated, but it belonged to a building of much greater size than the pre-Romanesque Church of St Mary. The early medieval stratum, of the 9th century, lays claim to the foundations of the church, of a simple rectangular ground plan with semicircular buttresses, and the shallowly founded apse on the bedrock might be a building of later time. A very good state of preservation is exhibited by the walls of the pre-Romanesque building that bound the ground plan, the beginning of the staircase of the atrium, its western and southern doors, while in the interior of the atrium, in front of the façade of the church, a cylindrical sarcophagus lid has been found. The two-storey court, the chapel of the pre-Romanesque church and its undoubtedly funerary purpose in the ground floor part are known in the literature as westwork, and their finding at the site of Blizna Gornja suggests there was a very strong influence from the Carolingian court on the Croatian ruling and aristocratic stratum of the 9th century, to which, along with the actual rulers, it was primarily the župans that belonged. The Church of St Mary on the current graveyard of the village of Blizna Gornja was, then, the church of a magnate, who in his name has the ending anus, most probably Prodan (Prodanus?) or Bran (Branus?) rather than Stjepan (Stephanus), a župan of the županija of Drid of the middle of the 9th century, for at that time along with the titular functions of the Croatian župans their Slavic names were regularly given. This is a typical example of a private church (Eigenkirche), a new legal institution of the Frankish type, put up on the foundations of a renovated Roman period villa, the feudal property of the lord, who used it for ceremonial purposes, as well as a private funeral chapel for him and the members of his immediate family, and hence it was forbidden to bury members of the community at large in its vicinity. Among the process that took hold of Europe in the post-Carolingian period an important place is occupied by the construction of fortified manors, which from the 9th to the 12th century totally changed the image of early medieval Europe. The Croatian ruler, who was at first directly subject to Aquileia, the Frankish ecclesiastical centre in Friuli, must have been directly impressed by the construction of the fortified estates of the marquisate of Friuli, for it was from here that Frankish missionaries arrived in Croatia. Its connection with Frankish church centre even after the abolition of the marquisate in 828 is shown by the pilgrimages of Croatian dukes and their families to the Benedictine monastery of Cividale during the whole of the 8th century. Einhard's Annales mentioned Borna's forts in Dalmatia, into which the duke retreated before the attack of Ljudevit Posavski. Trpimir's royal residence is mentioned in a deed of gift of his of 852. There is an obvious difference in the name of the ruler's residence of Trpimir's time, as mentioned in two texts: one mentions villa nostra, the other curte nostra. The mentioned curtis in the document is called Clusa, which implies the name of the fortress of Klis, which for the whole of its history was in strategic control of the approach to the sea, to ancient Salona and the city of Split. Unlike Klis, which is called a curtis, the name of the villa from the Gottschalk text is not recorded, and it might be to do with some residential complex in the Salona area, or perhaps some place very close to Klis, such as Rižnice, in which Trpimir, wishing to make contrition for his sins, built a monastery and church after the war, at the time of the normalisation of relations with the Romans. The fact is that the concepts of villa and curtis appear at the same time in the mid-9th century in the context of the formation of feuds and manors, although there may be some fundamental difference concealed in them. One and the other may be related to the ruler's residence. The concept of curtis in this sense can be found afterwards, among many examples of the 11th century, when the king's curtis of Rogovi on the lower slopes of the hill by Biograd, or the curtes of the imperial protospatar and ban Stjepan Uitula, Nova sella and Butina ues, as well as many others related to the names of their owners, like that of Vlkomir and Preda in Žrnovnica or Tješen on Brač. Still, in the light of the new research, the curte nostra, quae Clusan dicitur mentioned in Trpimir's deed of gift should be looked at in a completely different context, not only as an estate but also as the residential complex of a feudal ruler.

This essay examines the recent evolution of state-sponsored storytelling in rural China. During a month-long period in 2004, I followed Master Xu, a storyteller trained as a propagandist during the Mao era, as he gave performances in eight villages in rural Yan'an. I found that, at the level of the rural community, Master Xu was neither disseminating propaganda for the state nor giving extensive storytelling performances. Rather, his propaganda itinerary was being transformed into opportunities for a variety of religious services. Master Xu was asked by the villagers to perform clandestine healing sessions and to fit his performance into a range of religious rites. This essay demonstrates the radical re-interpretation of a previously politicized cultural tradition, and shows how forms of spiritual revival respond to problems and translocal conditions prevalent in Yan'an rural communities today. (China J/GIGA)

After some opening remarks on the recent commodification of guoxue, I first trace the rise of guoxue in the contemporary period, and then I examine two topics in more detail: guoxue's historical and contemporary transformation into an academic discipline; and the immediate origins of guoxue's pronounced ethnoepistemological character. Through this examination my aim is to bring into greater relief some of the aspirations invested in guoxue by its contemporary protagonists, and also to highlight some of the conundrums associated with those aspirations. (China perspect/GIGA)

Vast areas have been subject to an active nature protection policy in Norway over the past decades. Sixteen per cent of the land mass on the mainland is now protected in one way or another, and national parks take up the greatest share of the protected land. In many regions throughout the world, national parks offer excellent opportunities for outdoor recreation and tourism activities. The social values of contact with nature and opportunities for nature-based activities are considered to be a key element of Norwegian /North European culture and tradition. Nature-based tourism is a rapidly growing sector of the tourism industry in many parts of the world. National parks have played a major part in this growth in many countries, because they tend to be associated with relatively pristine nature and beautiful scenery and they attract visitors seeking nature-based experiences. This PhD project explores the social dimension of sustainable tourism development in Norwegian national parks. The study reflects the paradigmatic shift in national park management policy, where the traditional view of protecting nature from human use is gradually being replaced by a vision of safeguarding both nature conservation and recreation/tourism interests. The increasing emphasis on the interests of visitors and local communities related to tourism activities suggests that social values are moving to the forefront of discourses on sustainable tourism development in national parks. The political backdrop for this new integrated management philosophy is rooted in the assumption that nature-based tourism in and around Norwegian national parks (which are typically located in remote mountain regions), represents promising opportunities for rural areas that are affected by the marginalisation of traditional industries, such as agriculture and forestry. Increasing visitation and more nature-based tourism products can potentially generate local jobs and income, and tourism therefore represents a way of stemming the outmigration of the resident populations. The integration of broader social interests in the emerging management regime has also arisen from criticisms of the traditional, expertdriven, segregated and top-down national park management strategies. The inclusion of local, experience-based knowledge, the involvement of community stakeholder interests and the anchoring of management processes and solutions at the local level are now being given political attention. In examining the social preconditions for sustainable tourism development in national parks, this PhD project analyses tourism interests in various ways: Visitor desires and concerns and the viewpoints of local tourism entrepreneurs are taken into consideration, as well as the views of other rural interests with a stake in the utilisation of national parks. Nasjonalparkriket ("The National Park Realm") was chosen as the case study area for the empirical study. This mountainous region is situated in the northern part of Oppland County in Norway. It comprises six municipalities with very high land coverage of protected areas, including six national parks. Visitors' Nature Orientations were examined through two surveys to achieve a detailed understanding of their main types of nature appreciation. The findings illustrate tourists' nature-related motives, values and attitudes and also their behavioural preferences in a nature setting. German, Dutch and Danish motor tourists visiting Norway were surveyed when leaving the country by ferry and four vital dimensions of Nature Orientations were identified: Inspiration, Recreation, Challenge and Sightseeing. Inspiration represents existential values and a strong emotional connectedness with landscape and nature; Recreation signifies the desire for tranquillity, peacefulness and physical relaxation in natural surroundings; Challenge represents the desire for demanding physical exercise and risk taking, and Sightseeing refers to interests in seeing sights and the appreciation of comfort aspects. An additional visitor survey among actual visitors in Nasjonalparkriket, supported these findings but the Sightseeing dimension was re-labelled Comfort due to the relative importance of the comfort aspect in the fourth dimension. Tourism facilities (and visitors' 'quests' for such facilities) in and around national parks can potentially match the different Nature Orientations, and the border survey showed that each of the four identified principal Quest for Facilities dimensions related to distinct nature interests: The Nature Orientations Challenge and Sightseeing supported the expressed wishes for extension and upgrading of "Tracks & signposts" within national parks. The desire for more grand scale "Infrastructure & services" was upheld by Nature Orientations Challenge and Sightseeing but was contested by Recreation. Moreover, "Food & accommodation" products mainly located outside parks were found to be particularly appealing to the Nature Orientation Sightseeing. The expansion of "Tours & interpretation" services and facilities in natural surroundings was supported by the Inspiration or Sightseeing orientations. Tourists who seek pleasures in natural surroundings tend to express great concern for the environment. In the survey among actual visitors in Nasjonalparkriket, respondents generally expressed a very low degree of acceptance for negative ecological impacts resulting from tourism activities and installations in the national parks. The Nature Orientation dimension Inspiration was associated with a particularly great concern for the wild reindeer habitat, raptor nesting and attrition on vegetation. On the other hand, both Comfort (Sightseeing) and Challenge orientations showed less environmental concern compared to visitors in general. The Quest for Facilities dimensions "Infrastructure & service" and "Food & accommodation" (i.e. tourism product interests upheld by Comfort (Sightseeing) and Challenge according to the border survey) fell into the latter domain, and were also (in relative terms) related to a higher degree of acceptance of negative ecological impacts. Tourists' Nature Orientations, Quest for Facilities and views on potential nature destruction (as revealed in the two surveys) represent important knowledge for managers who are looking to develop national parks into viable tourism attractions. In addition, local tourism entrepreneurs need to be aware of their guests' interests and concerns if they want to succeed. Local tourism stakeholders are often totally dependent on the natural resources contained in the protected areas. National park management policies and regulations represent opportunities and constraints for tourism activities, and thus have a direct influence on the prospects for tourism expansion. Qualitative interviews with local tourism stakeholders in Rondane and Jotunheimen national parks (within Nasjonalparkriket) revealed that, despite their general support for national parks status, they felt that the management planning processes and outcomes left a lot to be desired. First, the tourism representatives reported only minor involvement in the national park planning processes, and that they had very little input into the final planning arrangements. Second, they felt that management rules and regulations restricted opportunities for tourism related business operations within the parks. Third, respondents perceived a lack of competence among managers concerning business management and tourism development issues. In Rondane National Park, doubts were expressed about the necessity of the measures implemented to protect the wild reindeer, and the scientific evidence supporting these measures. In Jotunheimen National Park, respondents thought that sustainable tourism development should be more explicitly included in management visions and goals for the national park, and they called for a visitor strategy to be implemented. They also expressed a desire to be involved in the co-management of the park. Considerable investment in communication and relationship-building is likely to be required in these two parks to foster durable social links and trustworthy planning partnerships between responsible managers and local tourism stakeholders. Similar opinions were identified among local tourism stakeholders in a focus group study in the two national parks mentioned above. The traditional rural users (i.e. local landowners, farmers, etc.) of the national parks are social interests defining the freedom of action with respect to existing tourism activities and also new tourism industry initiatives. When exploring the opinions of both groups (i.e. local tourism entrepreneurs and traditional rural users) about tourism in the protected areas, there were few direct clashes of interest. However, contradictory views were evident amongst groups when discussing the need for genuine tourism growth in the area. The local tourism entrepreneurs demonstrated an 'openness to change' in order to sustain their businesses and the local community, whereas the traditional rural user interests had a more sceptical attitude and were afraid that new developments could change the character of their countryside and undermine rural lifestyles and the integrity of their local community. Viable directions for tourism development should therefore be negotiated between the two stakeholder interests. The main contribution of this dissertation is to highlight social preconditions for sustainable tourism development in a Norwegian national park setting. Both 'outsider' and 'insider' social perspectives (i.e. visitor and local stakeholder interests), are equally taken into consideration. Existing opportunities and constraints are discussed and issues of crucial importance for tourism advancement in the national parks are identified. ; Store naturområder er blitt vernet av norske myndigheter i de siste tiårene. 16 prosent av landarealene på Norges fastland er nå vernet i en eller annen form, og nasjonalparkene utgjør den største andelen av disse verneområdene. I mange land er nasjonalparkene svært godt tilrettelagte for rekreasjons- og turistaktiviteter. De sosiale verdiene som er knyttet til befolkningens nærhet til natur og mulighetene for naturbaserte aktiviteter og opplevelser blir ofte ansett som et kjerneelement i norsk/skandinavisk kultur og tradisjon. Naturbasert turisme er en raskt voksende sektor i mange deler av verden, og nasjonalparkene blir gjerne assosiert med godt bevart, verdifull natur og vakre landskaper, som tiltrekker seg et økende antall besøkende i mange land. I dette PhD-prosjektet rettes søkelyset mot den sosiale dimensjonen ved bærekraftig reiselivsutvikling i norske nasjonalparker. Studien reflekterer det pågående paradigmatiske skiftet i nasjonalparkpolitikken, der det klassiske naturvernet mot menneskelig bruk og påvirkning gradvis blir erstattet av forestillinger om at naturforvaltning i denne typen områder bør handle om å ivareta både naturhensyn og reiselivsinteresser. Den voksende oppmerksomheten omkring de besøkendes behov og den økende vektleggingen av lokalsamfunnsinteressene som er relatert til turistaktivitetene indikerer at de sosiale aspektene gradvis får større betydning i diskusjoner om bærekraftig reiselivsutvikling i nasjonalparkene. Det generelle politiske bakteppet for denne nyere, sosialt integrerte forvaltningsfilosofien er knyttet til en antakelse om at norske nasjonalparker, som gjerne er lokalisert i relativt perifere fjellregioner, representerer næringsmuligheter for bygdesamfunn som er blitt marginalisert i økonomisk henseende som følge av tilbakegang i tradisjonelle næringer som jordbruk og skogbruk. Mer besøk i nasjonalparkene og tilpassede naturbaserte reiselivstilbud kan potensielt skape arbeidsplasser lokalt og tilføre lokalsamfunnene nye inntekter. Utvikling av reiselivet fremstår derfor som et egnet redskap for å motvirke utflytting fra disse områdene. Innlemmingen av bredere sosiale interesser i det nye forvaltningsregimet kan også ses på som et svar på kritikken av den dominerende naturvitenskapelige, ekspertpregede og top-downorienterte forvaltningstradisjonen. Inkludering av både lokal og erfaringsbasert kunnskap, involvering av lokalsamfunnsinteresser og sikring av lokalt forankrede forvaltningsprosesser og -beslutninger blir nå i stadig større grad viet politisk oppmerksomhet. I denne studien av sosiale aspekter ved bærekraftig reiselivsutvikling i nasjonalparker rettes søkelyset både mot de besøkendes tilretteleggingsønsker og mot deres omtanke for naturmiljøet. I tillegg analyseres synspunktene på reiselivsutvikling i nasjonalparkene blant lokale reiselivsentreprenører og andre lokale brukerinteresser. Nasjonalparkriket i Nord-Gudbrandsdalen ble valgt som case for den empiriske undersøkelsen. Denne fjellregionen ligger i den nordlige delen av Oppland fylke, og omfatter seks kommuner med seks nasjonalparker, der en svært stor andel av arealet består av vernede landområder. Gjennom to surveyundersøkelser ble turistenes såkalte naturorienteringer belyst. Resultatene illustrerer turistenes naturrelaterte motiver, verdier og holdninger samt deres atferdspreferanser i et naturmiljø. Tyske, nederlandske og danske bilturister ble i den første surveyundersøkelsen bedt om å besvare et spørreskjema ved utreise fra Norge med ferge, og fire typer av naturorienteringer ble identifisert i denne grenseundersøkelsen: Inspirasjon, Rekreasjon, Utfordring og Sightseeing. Inspirasjon representerer eksistensielle verdier og en sterk emosjonell tilknytning til natur og landskaper. Rekreasjon står for ønsker om stillhet, ro og fysisk avkobling i naturomgivelser. Utfordring gjenspeiler ønsker om fysisk krevende aktiviteter og en viss risikoorientering. Sightseeing reflekterer interessen for å se attraksjoner og understreker betydningen av komfort på reisen. Den andre surveyundersøkelsen, en spørreundersøkelse blant faktisk besøkende i Nasjonalparkriket, bekreftet disse funnene, men her ble Sightseeing omskrevet til Komfort pga den sterke betydningen av komfortaspektene på den fjerde dimensjonen. De besøkendes uttrykte ønsker om tilrettelegginger av fasiliteter i og rundt nasjonalparkene kan i utgangspunktet tenkes å være knyttet til de ulike naturorienteringene. Grenseundersøkelsen blant de utenlandske bilturistene viste at hver av de fire identifiserte typene av fasilitetsønsker var relatert til hver av de fire typene av naturinteresser: Naturorienteringene Utfordring og Sightseeing understøttet ønskene om å utvide og oppgradere "Stier & skilter" inne i nasjonalparkene. Ønskene om mer storskala "Infrastruktur & service" ble opprettholdt av naturorienteringene Utfordring og Sightseeing, men var i liten grad relatert til Rekreasjon. Tilrettelagte turistprodukter innen "Mat & overnatting" utenfor nasjonalparkenes grenser hadde først og fremst appell til naturorienteringen Sightseeing, mens "Organiserte turer & formidling" i naturomgivelser var relatert til naturorienteringene Inspirasjon og Sightseeing. Turister som søker seg til naturområder er gjerne opptatt av vern av naturmiljøet. I undersøkelsen blant besøkende i Nasjonalparkriket uttrykte respondentene generelt sett lav grad av aksept for negative økologiske konsekvenser som følge av turistaktiviteter og turistmessig infrastruktur i nasjonalparkene. Naturorienteringsdimensjonen Inspirasjon var forbundet med en spesielt restriktiv holdning til negativ påvirkning av villreinhabitatet, rovfuglenes redebygging og slitasje på vegetasjonen. På den andre siden viste både orienteringene knyttet til Komfort (Sightseeing) og Utfordring større grad av aksept for negative økologiske virkninger. De som ønsket "Infrastruktur og service" og "Mat & overnatting" (dvs. fasilitetsønsker opprettholdt av Komfort /Sightseeing og Utfordring i følge grenseundersøkelsen) falt inn i den siste kategorien, der det var en relativt sett høy grad av aksept for negative økologiske virkninger. Turisters naturorienteringer, fasilitetsønsker og oppfatninger av potensielle naturødeleggelser, slik det ble avdekket i de to surveyundersøkelsene, er viktig kunnskap for forvaltningsmyndigheter som ønsker å utvikle nasjonalparkene til bærekraftige turismeattraksjoner. I tillegg må lokale reiselivsentreprenører ha kjennskap til gjestenes interesser og innsikt i deres miljøengasjement dersom de skal kunne overleve. De lokale næringsaktørene er dessuten helt avhengige av naturressursene som finnes inne i nasjonalparkene. Forvaltningspolitikk og -reguleringer representerer muligheter og begrensninger for turismeaktiviteter og har dermed direkte betydning for utviklingen av reiselivet i nasjonalparkene. Kvalitative intervjuer med lokale reiselivsaktører i Rondane og Jotunheimen nasjonalparker (som begge er lokalisert innenfor Nasjonalparkriket) viste at disse entreprenørene så fundamentale mangler ved både forvaltningsplanprosesser og - bestemmelser, til tross for at de generelt støttet nasjonalparkstatusen for disse fjellområdene: For det første rapporterte aktørene om bare minimal, reell involvering i nasjonalparkenes forvaltningsplanprosesser, og de uttrykte at de hadde hatt liten innflytelse på de endelige vedtakene som ble fattet. For det andre opplevde de at reguleringene begrenset mulighetene for turistaktiviteter inne i nasjonalparkene. For det tredje pekte de på at forvaltningen mangler kompetanse både på forretningsvirksomhet og reiselivsutvikling. I Rondane ble det uttrykt tvil om nødvendigheten av de strenge tiltakene for å beskytte villreinen og det vitenskapelige grunnlaget for disse initiativene. I Jotunheimen mente de lokale reiselivsaktørene at bærekraftig reiselivsutvikling burde bli eksplisitt inkludert i forvaltningens visjoner og målsettinger for nasjonalparken, og de ønsket iverksetting av en besøksstrategi for dette verneområdet. De ville også gjerne bli delaktige i forvaltningen av parken. Betydelige investeringer i kommunikasjon og relasjonsbygging er trolig påkrevd i disse to parkene for å utvikle tillitsfulle og varige sosiale bånd mellom forvaltningsmyndighetene og de lokale reiselivsaktørene. Liknende synspunkter ble identifisert blant lokale reiselivsentreprenører i en fokusgruppeundersøkelse i de to nevnte nasjonalparkene. De tradisjonelle bruksinteressene (dvs. lokale grunneiere, bønder etc.) i nasjonalparkene er sosiale interesser som kan tenkes å sette rammer for reiselivsaktivitetene og dermed også påvirke nye initiativ i reiselivsnæringen. Analysene av alle fokusgruppene (dvs. både blant de lokale reiselivsaktørene og de tradisjonelle brukerinteressene i de to parkene) viste at det var få eksisterende konflikter mellom de ulike interessene. Men ulike synspunkter kom til uttrykk når behovet for fortsatt vekst i turismen i området ble diskutert. De lokale reiselivsaktørene viste en "åpenhet for forandring" for å videreutvikle reiselivet og livskraften i lokalsamfunnet, mens de tradisjonelle brukerinteressene hadde en mer skeptisk holdning og var engstelige for at rask reiselivsvekst kunne endre områdets karakter og underminere lokal livsstil og bygdesamfunnets integritet. Bærekraftige løsninger for videre reiselivsutvikling i området bør derfor framforhandles mellom disse ulike lokale brukerinteressene. Det viktigste bidraget i dette PhD-prosjektet har vært å analysere de sosiale forutsetningene for bærekraftig reiselivsutvikling i norske nasjonalparker. De sosiale aspektene er belyst gjennom både "utenfra"- og "innenfra"-perspektiver, dvs. at interessene til så vel besøkende turister som lokale næringsutøvere er inkludert i denne avhandlingen. ; Norges Bondelag ; Nasjonalparkriket

?Sagan, gosse, det ?r f?en, / som v?r vardagssol f?rnyar, / brytande dess gr?a sken, / genom diktens bj?rta skyar. H?jer hon sitt trolska sp?, / vattenpussen blir en sj?, / och ditt skepp p? spegelflatan / far en mil tv?rs ?ver gatan.? S? inleds K. G. Ossian-Nilssons dikt ?Sagan?. Den handlar om litteraturens m?jligheter att f?rgylla ett fattigt barns liv. Dikten publicerades 1906 i barntidskriften Solstr?len, som var organ f?r den litter?ra r?relse, sagostundsr?relsen, som det socialdemokratiska ungdomsf?rbundet initierade i Malm? 1904.[i] Ganska snart n?dde sagostunderna Stockholm. Ett upprop till Stockholms arbetare markerar starten d?r 1906. Uppropet visar p? den centrala id?n om kollektivismens m?jligheter f?r enskilda individers upplevelser av konst och kultur. F?rst lyfts individen och kulturens betydelse fram: ?En t?nkare har sagdt att hvarje m?nniska beh?fver, f?r att lefva ett sundt lif, hvarje dag h?ra eller l?sa n?gra f?rst?ndiga ord, att hvarje dag se en vacker tafla eller en vacker bild, att hvarje dag h?ra en vacker s?ng eller musikstycke.? Sen betonas kollektivismen: ?Huru f? ?ro icke de arbetare som med enskilda medel ha r?d och m?jlighet att bereda sina barn n?gon dylik gedigen njutning. F?r de flesta blir detta dock en om?jlig uppgift. Det gifves dock en m?jlighet ? v?r gamla bepr?fvade v?g ? kollektivismen. Hvad icke en kan ?stadkomma det f?rm? vi gemensamt.?[ii] Med sagor och dikter ville den socialdemokratiska r?relsen integrera arbetarbarnen i kulturens sf?r. Dikten ?Sagan? ?r symtomatisk. Den gestaltar litteraturens kraft som ljusbringare f?r den enskilda individen. Sagostundsr?relsens m?l var dock inte enbart kulturellt. R?relsen innefattade ?ven en vision om att bygga det nya socialdemokratiska samh?llet. Initiativtagarna ville med hj?lp av sk?nlitteratur f?rbereda arbetarklassens barn p? den politiskt historiska uppgift som de skulle axla, man ville helt enkelt ?skapa f?r det kommande frig?relsearbetet en stam, mera mottaglig f?r de nya tankar, vilka i sinom tid komma att meddelas dem?.[iii] R?relsen var allts? ?ven politisk. Mitt paper visar hur socialdemokratisk ideologi kommer till uttryck i sk?nlitteraturens form och inneh?ll i tidskriften Solstr?len mellan 1906 och 1909. Fr?gor som besvaras ?r hur man med litteratur agiterade kring exempelvis nationalism och individualism. [i] K.G. Ossian-Nilsson, ?Sagan?, Solstr?len: Sagostundsbarnens tidning, nr. 1, 1906, s. 1. [ii] Till Stockholms organiserade arbetare! Ett upprop fr?n Socialdemokratiska ungdomsklubbens och Stockholms allm?nna kvinnoklubbs sagostundskommitt? 1906: Arbetarr?relsens arkiv i Stockholm, volym Sagostundsverksamhet, mapp Stockholms sagostunder. [iii] S. Luterkort, ?Studentf?reningen D.Y.G:s konfessionsl?sa s?ndagsskola i Lund.?, Solstr?len: Sagostundsbarnens tidning, nr. 1, 1906, s. 15.

@font-face { font-family: "Garamond"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; } This article proposes and introduces the concept of 'scripted space' as a new perspective on ubiquitous computing in urban environments. Drawing on urban history, computer games, and a workshop study of the city of Lund the article discusses the experience of digitally scripted spaces, and their relation to the history of public spaces. In conclusion, the article discusses the potential for employing scripted spaces as a reinvigoration of urban public space.