Suchergebnisse

by Chau Ho Wai. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 1998. ; Includes bibliographical references (leaves 134-140). ; Abstract also in Chinese. ; ACKNOWLEDGMENTS --- p.iv ; LIST OF TABLES --- p.v ; ABBREVIATIONS --- p.vi ; CHAPTER ; Chapter ONE --- INTRODUCTION --- p.1 ; Chapter 1.1 --- The Question: How the civil-military relations evolved during the post-Deng era? ; Chapter 1.2 --- The Case of the 1996 Taiwan Straits Crisis ; Chapter 1.3 --- Framework: Allison's Model of Decision-Making ; Chapter 1.4 --- Data and Organization ; Chapter TWO --- LITERATURE REVIEW --- p.11 ; Chapter 2.1 --- Non-Communist Regimes ; Chapter 2.2 --- Communist Regimes ; Chapter 2.3 --- Post-Communist World ; Chapter 2.4 --- Military Politics in China ; Chapter THREE --- INSTITUTIONAL DEVELOPMENT OF PLA: FROM DENG TO POST-DENG ERA --- p.34 ; Chapter 3.1 --- PLA in the Deng Era ; Chapter 3.2 --- PLA in the Post-Deng Era ; Chapter 3.3 --- "Professionalization, Differentiation and Institutionalization" ; Chapter FOUR --- ORGANIZATIONAL INTERESTS OF PLA IN THE TAIWAN STRAITS CRISIS --- p.64 ; Chapter 4.1 --- The War Games and the Policy Handle ; Chapter 4.2 --- Employing the Organizational Process Model ; Chapter 4.3 --- Organizational Interests and Demands of the PLA ; Chapter 4.4 --- Information Processing of the PLA ; Chapter 4.5 --- Resource Acquisitions of the PLA ; Chapter FIVE --- BRINGING THE PLA INTERESTS INTO GOVERNMENTAL POLITICS --- p.100 ; Chapter 5.1 --- Employing the Governmental Politics Model ; Chapter 5.2 --- Perspectives of Jiang Zemin and PLA on the Taiwan Question ; Chapter 5.3 --- Political Pulls and Hauls in the Taiwan Straits Crisis ; Chapter 5.4 --- Legitimacy and Leadership Succession ; Chapter SIX --- CONCLUSION --- p.126 ; Chapter 6.1 --- Summary of Findings ; Chapter 6.2 --- Prospects of Future Research ; BIBLIOGRAPHY --- p.134

Chan, Tze Wai. ; "August 2011." ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. ; Includes bibliographical references. ; Abstracts in English and Chinese. ; Abstract --- p.ii ; List of Illustrations --- p.iv ; Note on Abbreviation --- p.v ; Chapter Chapter 1: --- Prologue --- p.1 ; Chapter Chapter 2: --- Homeric War and the Greek Military Culture --- p.12 ; Homeric Age and the Study of Greek Warfare --- p.12 ; Metallurgy --- p.18 ; The Inception of the Greek Way of War --- p.30 ; The Idea of Warfare --- p.44 ; Chapter Chapter 3: --- The Emergence of the Greek Way --- p.52 ; The Hoplite Warfare and the Greek Essences --- p.52 ; Homeric Tradition and Hoplite Warfare --- p.59 ; Encountering Foreigners --- p.73 ; The Greek Way of War --- p.87 ; Chapter Chapter 4: --- The Transformation of Greek Warfare --- p.92 ; The Legacy of the Persian Wars --- p.92 ; The Introduction of New Elements --- p.98 ; Response of the Hoplite Tradition --- p.113 ; Militarization of the Greek Way --- p.121 ; Chapter Chapter 5: --- Epilogue --- p.130 ; Bibliography --- p.133

by Cheung Hiu Wan. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 1999. ; Includes bibliographical references (leaves [135-140]). ; Abstracts in English and Chinese. ; Acknowledgement ; Abstract ; List of figures ; Chapter Chapter 1. --- Introduction ; Chapter 1.1 --- Scope of Study --- p.1 ; Chapter 1.2 --- Literature Review --- p.3 ; Chapter 1.3 --- Methodology --- p.13 ; Chapter 1.4 --- Structure of the Thesis --- p.17 ; Chapter Chapter 2. --- Historical Development of Comics in China ; Chapter 2.1 --- Comics History before1949 --- p.24 ; Chapter 2 . 2 --- Comics under the Reign of Chinese Communist Party --- p.29 ; Chapter 2.3 --- Beijing Cartoon after the Open Door Policy --- p.31 ; Chapter 2.4 --- Concluding Remarks --- p.39 ; Chapter Chapter 3 . --- Interaction with the Leaders of Beijing Publishing House ; Chapter 3.1 --- Leaders´ةExpectation for Beijing Cartoon --- p.41 ; Chapter 3.2 --- The Discrepancy between the Senior and Junior Editors --- p.51 ; Chapter 3.3 --- Editors' Comments on Interaction with the Leaders of the Beijing Publishing House --- p.54 ; Chapter Chapter 4. --- Interaction with the Senior Artists ; Chapter 4.1 --- Cartoon Art Festival98 --- p.57 ; Chapter 4.2 --- The Invasion of Japanese Comics --- p.59 ; Chapter 4.3 --- The Essence of Comics with Chinese Features --- p.63 ; Chapter 4.4 --- The Expected Role of the Chinese Government --- p.67 ; Chapter 4.5 --- The Editors´ة Comments on Cartoon Art Festival98 --- p.68 ; Chapter 4 . --- 6 Concluding Remarks --- p.70 ; Chapter Chapter 5. --- Interaction with the Junior Artists ; Chapter 5.1 --- Social Status of the Junior Artists --- p.12 ; Chapter 5.2 --- Cooperation with Beijing Cartoon --- p.11 ; Chapter 5.3 --- Why do they Join the Comics Business --- p.79 ; Chapter 5.4 --- Agreement and Terms of Payment --- p.87 ; Chapter 5.5 --- Summer Camping: Market Mechanism and Autonomy in Artists' Creation --- p.88 ; Chapter 5.6 --- The Editors' Expectation on the Roles of The Artists --- p.96 ; Chapter 5.7 --- Artists' Comments on the ...

晚清時局亟變,新事物、新思想不斷湧現,傳統文體為了回應時代變化,各自作出相應的調整,唯獨詞體仍然固守舊貌。朱祖謀素有詩名,四十歲後棄詩而專注填詞,稱其詩作「不足傳世」。詩詞的美感特質各異,這種刻意的「滯後」說明朱祖謀認為詞體更能切合末代士人與遺民的表達需要。朱氏於同儕中學詞最晚而造詣最深,國變後歷任詞社社長,其詞於當時極具典範意義。然而,清末民初的政治與文化急劇轉型,傳統文學不再位居主流,由封建王朝到現代國家的過渡亦為士人帶來各種思想上的衝擊,「士」已失去了其倫理與制度上的基礎,而朱祖謀則透過在不同情境下的政治、文學抉擇將「士」的內涵重新予以彰顯。 ; 本文將以詩詞之辨的角度來分析《彊村語業》中的藝術特色及其政治意涵。第三、四章討論清遺民所面臨的倫理困境與朱氏如何以詩詞回應近代世變。第五章處理朱氏擬仿金朝遺民元好問〈鷓鴣天〉宮詞八首的互文意義。鑑於純粹的文本細讀未必能夠完整地理解詞旨,第六章將以歷時角度討論庚子事變之際的四印齋詞聚與漚社詞聚中的「雅集」詞課,並將嘗試回置詞課的創作情境。本文最後指出朱氏以矢志填詞的初衷及其如何以詞體撫平歷史創傷。 ; The catastrophic changes of political situation in late Qing China had brought in myriad of ideological trends and accessories. As a stimulus, the traditional literary forms had themselves fine-tuned so as to react with the social and cultural forces while ci poetry retained its old style and seemingly exempted itself from literary reforms of all sorts. Zhu Zumou was a shi poet of repute of his time. At the age of 40, he abandoned shi and dedicated to ci writing. Meanwhile, Zhu had it asserted that his shi would be no worth of posthumous circulation. Given that ci differs from shi in their aesthetic sense, the strong-willed demarcation in artistic creation illustrated that ci fitted in with Zhu's pursuit in literary articulation as a Confucian in late Qing, and later as a Confucian loyalist after The 1911 Revolution. Zhu, among his associates, acquainted with ci the latest yet his expertise was of the highest attainments and had been reappointed the head of ci poetry society consecutively. His works was then revered as the paradigm in its field. However, in early Republican China, classical literature was not in the prestigious main stream. The sharp transformation from imperial dynasty to modern nation state had casted manifold cultural shocks upon the loyalists, thus causing the word Confucianistlost its ethical and institutional ground. In view of this, Zhu, with the circumstantial factors he engaged in, redefined the essence of Confucianist by the political and literary courses he proceeded on. ; Critical attention of this essay will ...