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In this article, I, using Paul C. Mocombe's structurationist theory of phenomenological structuralism against feminist theories, put forth the argument that the third wave (1990 to the present) of feminine activism against the Protestant Ethic and the spirit of capitalism has given rise to feminine patriarchy, the push by women for equality of opportunity, recognition, and distribution with their white male counterparts by recursively organizing and reproducing the patriarchy of the society, which is institutionalized as the nature of reality as such, in a genderless position of their own. Hence, women have pushed for integration and equality in the Protestant Ethic and the spirit of capitalism as gender neutral agents of the protestant ethic against any other alternative forms of system or social integration, which renders their historical activism dialectical, oppressive, and exploitative; they, paradoxically, reify, commodify, and glorify their sexual female identity as feminine men.

Marking 50 years since the publication of noted sexologist Alfred Kinsey's Sexual Behavior in the Human Female, Feminine Persuasion: Art and Essays on Sexuality celebrates the diverse and multifaceted expressions of women's sexuality that have emerged since Kinsey's study heralded a new era. This beautifully illustrated book showcases five centuries of diverse visual interpretations of female sexuality collected by The Kinsey Institute, and includes work by the contemporary artists Mariette Pathy Allen, Ghada Amer, Patty Chang, Judy Chicago, Renee Cox, Judy Dater, Nancy Davidson, Nicole Eisenman, Laura Letinsky, and Frank Yamrus. In addition to more than 45 color and halftone plates, Feminine Persuasion features two scholarly essays that place this wide-ranging work in context. Assessing what the ideal body image of the original Kinsey subjects might have been, June M. Reinisch discusses the ever-changing standards of female beauty, while Jean Robertson, in a survey of the history of feminist art over the past half century, explores the complex dimensions that constitute this work. The catalog for a three-part exhibition to be presented at the Indiana University School of Fine Arts Gallery from February 14 through March 14, 2003, Feminine Persuasion reveals the future toward which Kinsey's study pointed and gives us a glimpse of the great variety of expressions in the making.