Suchergebnisse

Abstract
This essay is addressed to discrepancies between musical and political time. It uses the death of Hugh Masekela to consider the changing pattern of intergenerational relationships and the place of music within local and transnational freedom movements. The impact of technological change on the mediation of political solidarity is then examined through two principal examples: the elaboration of generic racial identity and the weaponization of culture and information by the alt-right and its fellow travelers.