Suchergebnisse

In this paper we discuss the heritage of the WWII evacuation and the so-called burning of Lapland' within a Sami reindeer herding community, and assess how these wartime experiences have moulded, and continue to mould, the ways people memorialise and engage with the WWII material remains. Our focus is on the village of Vuotso, which is home to the southernmost Sami community in Finland. The Nazi German troops established a large military base there in 1941, and the Germans and the villagers lived as close neighbours for several years. In 1944 the villagers were evacuated before the outbreak of the Finno-German Lapland War' of 1944-1945, in which the German troops annihilated their military installations and the civilian infrastructure. Today the ruins of demolished German military installations persist around the village as vivid reminders, and act for the villagers as important active agents in memorising this vital phase in Lapland's recent past. They also appear to facilitate nostalgia for the more independent days before traditional Sami lifeways were ruptured by stronger Finnish State intervention in the post-war decades. ; Peer reviewed

In this paper we discuss the heritage of the WWII evacuation and the so-called 'burning of Lapland' within a Sámi reindeer herding community, and assess how these wartime experiences have moulded, and continue to mould, the ways people memorialise and engage with the WWII material remains. Our focus is on the village of Vuotso, which is home to the southernmost Sámi community in Finland. The Nazi German troops established a large military base there in 1941, and the Germans and the villagers lived as close neighbours for several years. In 1944 the villagers were evacuated before the outbreak of the Finno-German 'Lapland War' of 1944–1945, in which the German troops annihilated their military installations and the civilian infrastructure. Today the ruins of demolished German military installations persist around the village as vivid reminders, and act for the villagers as important active agents in memorising this vital phase in Lapland's recent past. They also appear to facilitate nostalgia for the more independent days before traditional Sámi lifeways were ruptured by stronger Finnish State intervention in the post-war decades. ; peerReviewed

Forced Migration in the Feminist Imagination explores how feminist acts of imaginative expression, community-building, scholarship, and activism create new possibilities for women experiencing forced migration in the twenty-first century. Drawing on literature, film, and art from a range of transnational contexts including Europe, the Middle East, Central America, Australia, and the Caribbean, this volume reveals the hitherto unrecognised networks of feminist alliance being formulated across borders, while reflecting carefully on the complex politics of cross-cultural feminist solidarity. The book presents a variety of cultural case-studies that each reveal a different context in which the transcultural feminist imagination can be seen to operate – from the 'maternal feminism' of literary journalism confronting the European 'refugee crisis' to Iran's female film directors building creative collaborations with displaced Afghan women; and from artists employing sonic creativities in order to listen to women in U.K. and Australian detention, to LGBTQ+ poets and video artists articulating new forms of queer feminist community against the backdrop of the hostile environment. This is an essential read for scholars in Women's and Gender Studies, Feminist and Postcolonial Literary and Cultural Studies, and Comparative Literary Studies, as well as for those operating in the fields of Gender and Development Studies and Forced Migration Studies.

This paper argues that a historical perspective is important in the understanding of contemporary forced migration in Indonesia. It demonstrates this through an analysis of the major pre-1965 forced migrations in the country. It shows that many contemporary population flows, both forced and unforced, have their origins in historical forced migration. For example, urbanization in Indonesia in the immediate post-independence decades was in a major way a function of forced migration. Forced migration also has created chain migration linkages between origin and destination along which later non-forced movements occur. It is also shown that historical forces are often responsible for the political, economic and social inequalities which are an important influence on contemporary patterns of migration.

Forced relocation or 'regroupement' is the forced movement of entire communities, usually by a government, to permanent or semipermanent sites often directly or indirectly under the control of military units. This is ostensibly to protect the population from political insurgency; in reality, it is more often a means of depopulating whole areas as part of counter-insurgency tactics employed by a government.

Forced Migration in the Feminist Imagination explores how feminist acts of imaginative expression, community-building, scholarship, and activism create new possibilities for women experiencing forced migration in the twenty-first century. Drawing on literature, film, and art from a range of transnational contexts including Europe, the Middle East, Central America, Australia, and the Caribbean, this volume reveals the hitherto unrecognised networks of feminist alliance being formulated across borders, while reflecting carefully on the complex politics of cross-cultural feminist solidarity. The book presents a variety of cultural case-studies that each reveal a different context in which the transcultural feminist imagination can be seen to operate – from the 'maternal feminism' of literary journalism confronting the European 'refugee crisis' to Iran's female film directors building creative collaborations with displaced Afghan women; and from artists employing sonic creativities in order to listen to women in U.K. and Australian detention, to LGBTQ+ poets and video artists articulating new forms of queer feminist community against the backdrop of the hostile environment. This is an essential read for scholars in Women's and Gender Studies, Feminist and Postcolonial Literary and Cultural Studies, and Comparative Literary Studies, as well as for those operating in the fields of Gender and Development Studies and Forced Migration Studies.