Search results

The research relates to the relation between the political actors and subversive art and their respective position on dominant themes such as anti-Semitism, the denial of the Nazi past, the status of women, ecology. From existing theories on relations between engaged art and politics, it is a question of studying the works of art of four artists representative on both policy statements and newer technologies through history from 1945 up to now, in the Second Republic of Austria : the sculptor Alfred Hrdlicka, the painter and architect Friedensreich Hundertwasser, the Viennese actionist Günter Brus, the feminist Valie Export. Each one, in his own way, shakes up the established order through his aggressive art and writings. The aim is to specify the type and level of protest of these artists and to assess to what extent they have participated in the democratic debate and modernisation within Austrian society as well as in the identity building of Austria after 1945. ; La recherche porte sur les relations entre les acteurs politiques et l'art subversif et leur positionnement face à des thèmes récurrents tels l'antisémitisme, l'oubli du passé, la condition de la femme, l'écologie. Partant des théories existantes sur les rapports entre l'art engagé et le politique, il s'agit d'étudier les œuvres de quatre artistes représentatifs à la fois de l'évolution des positions politiques et des techniques nouvelles à travers l'histoire de 1945 à nos jours, dans la IIe République d'Autriche : le sculpteur Alfred Hrdlicka, le peintre et architecte Friedensreich Hundertwasser, l'actionniste viennois Günter Brus, la féministe Valie Export. Ces artistes bousculent l'ordre établi à travers leur art agressif et leurs écrits. Le but est de définir la nature et le degré de leur protestation et de déterminer dans quelle mesure ils ont participé au débat démocratique et à la modernisation de la société autrichienne ainsi qu'à la construction identitaire de l'Autriche après 1945.

The political carreer of Rome's first princeps poses the question how the merciless combatant Octavian could become, after his victory in the civil war, Augustus, the bringer of peace. From the beginning, and also during the fi ght for power, Octavian had an overarching goal in mind, which can be explained by his descent, his close relationship to Caesar and his roots in the Roman tradition, all of which were formative infl uences on his personality. Th erefore, res publica restituta has to be conceptualised as an act of historical reception which Vom 'kalten Terroristen' zumFriedenskaiser? Über die Wende im politischen Wirken von Octavian zu Augustus connected the new order with the republic and in which the person of the monarch and his achievement became one and the same thing. It is the historical tragedy of his political work that he could not avoid becoming guilty in acting out his vision.

[Hrsg.: Johann C. von Aretin] ; Volltext // Exemplar mit der Signatur: München, Bayerische Staatsbibliothek -- J.publ.g. 708 f

[Hrsg.: Johann C. von Aretin] ; Volltext // Exemplar mit der Signatur: München, Bayerische Staatsbibliothek -- J.publ.e. 352

[Hrsg.: Johann C. von Aretin] ; Volltext // Exemplar mit der Signatur: München, Bayerische Staatsbibliothek -- Bibl.Mont. 1436

[Hrsg.: Johann C. von Aretin] ; Volltext // Exemplar mit der Signatur: Bamberg, Staatsbibliothek -- JH.Dipl.o.13