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Gao Yang. ; Thesis submitted in: June 2005. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2006. ; Includes bibliographical references (leaves 123-133). ; Abstracts in English and Chinese. ; GENDER AND NATIONALISM IN CHINESE FILMS BETWEEN 1949 AND 1989 --- p.I ; 摘要 --- p.III ; ABBREVIATIONS --- p.VIII ; Chapter CHAPTER 1 --- INTRODUCTION --- p.1 ; Chapter 1.1 --- Literature Review --- p.2 ; Chapter 1.1.1 --- "Nation, State and Nationalism" --- p.2 ; Chapter 1.1.2 --- Gender and Nation in Chinese Cinematic Narration --- p.6 ; Chapter 1.2 --- Methodology --- p.10 ; Chapter 1.2.1 --- Typology --- p.10 ; Chapter 1.2.2 --- Film Analysis as Method --- p.11 ; Chapter 1.2.3 --- Case Selection --- p.16 ; Chapter CHAPTER 2 --- SOCIAL BACKGROUND OF CHINA: 1949-1989 --- p.22 ; Chapter 2.1 --- Background of the First Period:1949-1978 --- p.22 ; Chapter 2.1.1 --- "New China, New Women" --- p.22 ; Chapter 2.1.2 --- The Cooperative Movement and the Communization Movement:1952- --- p.24 ; Chapter 2.1.3 --- The Great Leap Forward and the Suppression of Individualism:1958-1960 --- p.26 ; Chapter 2.1.4 --- The Magnification of Class Struggle and the Cultural Revolution --- p.28 ; Chapter 2.1.5 --- The Unchanged Philosophy behind the Changing Policies: the Strategic Opening Up of Public Domain for Women --- p.30 ; Chapter 2.2 --- Economic and Political Landscape after the Cultural Revolution: 1979-1989 --- p.31 ; Chapter 2.2.1 --- Economic Reform and the Concomitant Social Problems --- p.31 ; Chapter 2.2.2 --- Political Liberalization and the Backlashes --- p.32 ; Chapter 2.2.3 --- "The ""Cultural Fever"" and the ""Fifth Generation"" Filmmakers" --- p.33 ; Chapter 2.2.3.1 --- Collective Frustration: The Social Sentiment after the National Trauma --- p.33 ; Chapter 2.2.3.1.1 --- Traumatic Experiences during the Cultural Revolution --- p.33 ; Chapter 2.2.3.1.2 --- The Lost Past --- p.36 ; Chapter 2.2.3.1.3 --- The Meaningless Present --- p.36 ; Chapter 2.2.3.2 --- The Specter of Westernization --- p.37 ; Chapter 2.2.3.2.1 --- ...

Making the future reformers (1866-97). Xue Shaohui and the Min writing-women culture -- The Chen brothers and the Fuzhou Navy Yard culture -- A marriage between the two cultures -- Revitalizing the Xianyuan tradition in the late Qing reform era (1897-1911). The 1897-98 Shanghai campaign for women's education -- Translating the female West to expand Chinese women's space -- Introducing modern science and technology through literature -- Xue's self-repositioning in the family -- Xue's literary response to the late Qing reforms

本項研究旨在探討近代中國男性知識分子性別與國族論述之間的互動關係,藉以突顯近年學者利用後殖民性別/國族理論模式解釋上述問題的盲點和不足之處。 ; 根據後殖民性別/國族理論的觀點,反殖民男性精英的性別與國族論述之間呈現出對立和矛盾,這成為了學者們以性別角度,批評近代中國國族主義的基調。然而,本研究要論證的正是這種後殖民性別/國族理論難以完全解釋近代中國歷史語境中的相關議題。 ; 本文第一章探討康有為的「男女平等」論述如何假借儒家傳統「聖人」的論述模式,開拓現代性別平等的論說空間;第二章分析金天翮在晚清國族主義脈絡下建構的「女權」論述,如何為當時女權主義者打開批判男權統治的論述場域;第三章闡述周作人五四時期的「女性」論述如何通過新性道德討論,以及批判父權意識型態,創建女性主體性的論述模式;第四章解析張競生的「女體」論述如何將女性情慾與國族論述連結起來,開創女性情慾自主論的空間。通過四位知識分子的思想分析,本文勾勒出晚清以迄五四這個歷史階段較突出的性別/國族論述模式,闡釋近代中國性別與國族論述之間的互動關係。 ; This research aims to explore the interactive relation between gender and nation in the discourse of the Modern Chinese intellectuals. Through details examination of the interactive discourse of gender and nation, this study seeks to demonstrate the inadequacy of the postcolonial critique of the nationalist bias on gender. ; According to the gender analyses of the post-colonialists, gender and nation appear to be placed in opposition and conflict with one another. It is from this perspective of gender that many Chinese study scholars advance their critique on Chinese nationalism. However what I want to argue in this thesis is that such application of the post-colonial critique on gender and nation is over-representation of the gender/nation discourse in the context of Modern China. ; In the first chapter of this thesis, I shall demonstrate how the discourse of Kang Youwei on "equality between men and women (「男女平等」)has revised the conception of the "Confucian sagefor the alignment with the modern discourse on equality of gender. In the second chapter, I shall how Chin Sung-ts'en's(「金天翮」) dissemination of the conception of" Women's Right(「女權」) has inspired the female elite to criticize the patriarchy in the context of the national discourse on Late Qing period. In the third chapter, I shall examine how Zhou Zuoren's(周作人) discourse on women (「女性」)has, through his participation in the construction of the "New Sexual Morality and his critique of the ideology of patriarchy, constructed the discursive foundation of female subjectivity during May Fourth period. And ...